Culture are a Jamaican roots reggae group founded in 1976. Originally they were known as the African Disciples. The one constant member until his death in 2006 was Joseph Hill.
Rich Kids were a short-lived new wave band from London, founded in 1977 by Glen Matlock following his departure from the Sex Pistols. The band also included future Ultravox member Midge Ure and Rusty Egan, who both later founded Visage together. They released one album and three singles during their existence, from March 1977 to December 1978.
The Edgar Broughton Band were an English psychedelic proto punk rock band founded in Warwick in 1968 and their initial incarnation were operative through to 1976. They were a trio consisted of brothers Edgar and Steve Broughton (drums) with Arthur Grant (bass), who were augmented at various times by a second guitarist and/or keyboardist, significantly Victor Unitt. They released five studio albums, including Sing Brother Sing, and six singles, including "Out Demons Out", on the EMI Harvest label and one further studio album for NEMS. The group reformed from 1978 to 1982, initially renamed as The Broughtons, issuing two more studio albums, and again from 2006 to 2010 with Edgar's son Luke for live appearances only.
The Ruts are an English reggae-influenced punk rock band, notable for the 1979 UK top 10 hit single "Babylon's Burning", and an earlier single "In a Rut", which was not a hit but was highly regarded and regularly played by BBC Radio 1 disc jockey John Peel. The band's newfound success was cut short by the death of lead singer Malcolm Owen from a heroin overdose in 1980. Despite this the band continued under a different musical style as Ruts D.C. until 1983 when they disbanded, the band later reformed in 2007.
Misty in Roots are a British roots reggae band formed in Southall, London, in the mid 1970s. Their first album was 1979's Live at the Counter Eurovision, a record full of Rastafarian songs. It was championed by BBC Radio 1 DJ John Peel, helping to bring roots reggae to a white audience. At this early stage, the band was a collective with five lead singers and various musicians, though by the time of the second album proper the band had slimmed down to just three members. Along with Steel Pulse, Aswad, Matumbi, Cimarons and Black Slate, Misty in Roots were one of the most popular British reggae bands of the late 1970s.
Cut is the debut studio album by English punk band the Slits, released on 7 September 1979. It was recorded at Ridge Farm Studios in Rusper and produced by Dennis Bovell.
People from the Caribbean have made significant contributions to British Black music for many generations.
Dennis Bovell is a Barbados-born reggae guitarist, bass player and record producer, based in England. He was a member of a progressive rock group called Stonehenge, who later changed name and became the British reggae band Matumbi, and released dub-reggae records under his own name as well as the pseudonym Blackbeard. He is most widely known for his decades-spanning collaborations with Linton Kwesi Johnson.
Clive Hunt is a Jamaican reggae multi-instrumentist, arranger, composer and producer.
Who You Fighting For? is the fifteenth album by UB40 released on 13 June 2005. The album was nominated for the reggae album Grammy in 2006. It marks the return of the rootsier, political sound that the group cultivated during the early 1980s. It was the band's first release by Rhino Records in the US.
Bass Culture is an album by the Jamaica-born, British-based dub poet Linton Kwesi Johnson, released in 1980 on the Island Records label. It was produced by Linton Kwesi Johnson and Dennis Bovell. Bovell, Lloyd "Jah Bunny" Donaldson and Webster Johnson were members of Matumbi.
Forces of Victory is the debut solo album by Jamaican dub poet Linton Kwesi Johnson. It was released in 1979 on Island Records.
LKJ in Dub is an album by the Jamaica-born, British-based dub poet Linton Kwesi Johnson, released in 1980 on Island Records. It was produced by Dennis Bovell. It contains dub versions of tracks from the two previous LKJ albums, Forces of Victory and Bass Culture.
Alvin 'GG' Ranglin is a Jamaican reggae singer, record producer and record label owner.
Roy Samuel Reid, better known as I-Roy, was a Jamaican deejay who had a very prolific career during the 1970s.
Louisa Lynthia Mark, also known as "Markswoman", was a British lovers rock singer, best known for her work between the mid-1970s and early 1980s. Her 1975 single "Caught You in a Lie" is regarded as the first lovers rock single.
Dread Beat an' Blood is the debut album by British reggae band Poet and the Roots released in 1978 on the Front Line label. It was produced by Vivian Weathers and Linton Kwesi Johnson. The "Poet" is dub poet Johnson and "the Roots" are Dennis Bovell, Lloyd "Jah Bunny" Donaldson, Desmond Craig, Winston Curniffe, Everald Forrest, Floyd Lawson, John Varnom, Lila Weathers and Vivian Weathers. Vivian Weathers and Winston Curniffe were school friends of Johnson's. They all attended Tulse Hill Secondary School. Most of the tracks are based on poems that first appeared in Johnson's 1975 book of poetry Dread Beat an' Blood.
Winston Lara, better known by his stage name Gene Rondo, was a Jamaican reggae singer. After first recording as part of the duo Gene & Roy in Jamaica, he relocated to London where he continued to record until the 1980s, including several album releases in the 1970s, both solo and as a member of The Undivided. He was sometimes credited as Gene Laro or Winston Laro.
John Ogetti Kpiaye is a reggae session and live guitarist. He was a member of The Cats who had a No. 48 UK hit with "Swan Lake", and Matumbi, who had a No. 35 hit with "Point of View ".
Brain Damage is the third studio album by Barbadian-British reggae musician Dennis Bovell, released in 1981 by Fontana Records. His first solo album under his own name, following two dub albums released as Blackbeard, it was Bovell's first recording at his South London-based Studio 80. Having begun to feel that reggae had not progressed as much as he would have liked, he conceived Brain Damage as an attempt to fuse the genre with numerous rhythmic styles from Europe, America, Africa and the Caribbean to highlight the genre's flexibility. The musician intended not to explore the international rhythms in a standard way but to take them to what he perceived as musical extremes. The direction was also inspired by the wide array of people in his audience.
