McDermott & McGough consists of American visual artists David McDermott (born 1952) and Peter McGough (born 1958). McDermott & McGough are known for their work in painting, photography, sculpture and film. They currently split their time between Dublin and New York City. [1] [2]
David McDermott was born in 1952 in Hollywood, California. He studied at Syracuse University from 1970 to 1974. Peter McGough was born in 1958 in Syracuse, and studied at the same university in 1976. Their paths did not cross until both moved to New York City some years later. [1]
From 1980 through 1995, McDermott & McGough dressed, lived, and worked as artists and "men about town", circa 1900–1928: they wore top hats and detachable collars, and converted a townhouse on Avenue C in New York City's East Village, which was lit only by candlelight, to its authentic mid-19th century ideal. "We were experimenting in time," says McDermott, "trying to build an environment and a fantasy we could live and work in." [3]
McDermott & McGough emerged from the East Village art scene of the 1980s, along with such contemporaries as Keith Haring, Jean-Michel Basquiat, Peter Halley, and Jeff Koons. Very much in part thanks to the support of artist Julian Schnabel, McDermott & McGough were then accepted by established art galleries and dealers. [4]
For a time, McDermott worked for the writer/artist Michael McKenzie as an MC on a bus that went to his performance club EXILE, singing songs and telling jokes in the manner of vaudeville. [5]
David McDermott and Peter McGough are best known for using alternative historical processes in their photography, particularly the 19th-century techniques of cyanotype, gum bichromate, platinum and palladium. Among the subjects they approach are popular art and culture, religion, medicine, advertising, fashion and sexual behavior. [1] [6]
In 2017, the duo opened the Oscar Wilde Temple in Greenwich Village, meant to be a non-secular sacred space for LGBT people. It was in a chapel at the Church of the Village created in partnership with Alison Gingeras and the New York LGBT Center. In an interview for FourTwoNine magazine, Peter McGough said, "The Oscar Wilde Temple is our greatest art piece ever, because it's not about us. It's a place where people can go who are locked out of the 1 percent of art buying. People who wanna get married will pay a fee, and that money goes to LGBT homeless youth. Those people are our children. These people are my children. They are the legacy of the Homeric, and we're going to take care of them." [7] In October 2018, the artists opened the Oscar Wilde Temple at the gallery Studio Voltaire in London. [8]
McDermott & McGough's work has appeared in solo and group exhibitions at such institutions as Cheim & Read, Galerie Jérôme de Noirmont, Pat Hearn Gallery, Massimo Audiello Gallery, Galleria Gian Enzo Sperone, Galerie Bruno Bischofberger, Frankfurter Kunstverein, Whitney Museum of American Art, New Museum of Contemporary Art, Centre Pompidou and the Irish Museum of Modern Art. Previous exhibitions also include the Whitney Biennial, New York, in 1987, 1991 and 1995. In 1997, McDermott & McGough mounted a mid-career retrospective at the Provincial Museum voor Moderne Kunst, Oostende, Belgium. [1] [11]
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