Mechanomorphism is the tendency of humans to see the machine-like behavior in other humans, [1] animals, and other non-machine entities (like universe). [2] It is considered to be one face of the man-machine duality (the "human-as-machine" side), the other being anthropomorphism of an intelligent device, like a computer (thinking of the "machine-as-human"). [1] When the reflection goes on in both directions, with real life engaged in machine-like behavior that in turn imitates real life, a term mechanthropomorphism is sometimes used, [3] for example, to describe a ballet where human dancers are performing as machines that engage in a human-like behavior. [4]
R. H. Waters proposed to use the term in behavioristic psychology in the 1948 as a label for "the ascription of mechanical characteristics to the [...] individual, and the interpretation of human behavior in terms of concepts and processes [...] of machines", an opposite of anthropomorphism. [5] [6]
The use of the term to describe the mechanical metaphor of the neoclassical economics dates to K. H. M. Mittermaier (1986). [7]
In the visual arts, the mechanomorphism was used by the adherents of machine aesthetic to define the complexity of human behaviors and social interactions through the mechanistic symbols (electric spark power, spinning wheel inertia, confined movements of a mechanical joint), as in the works of Marcel Duchamp or Francis Picabia. [8] The view of women as "love machines" was used for their sexual objectification. Picabia commented on his Voilà Elle, "Here she is, an incomplete tubular machine: “she” is simply the HOLE of the target, whose reaction to the shot wad of fire from the gun initiates her own continual penetration". [9]
In human-animal studies anthropomorphism and mechanomorphism sometimes are used in opposition to each other. [10] The mechanomorphic views date back to the beast-machine theory of Descartes. [11] Descartes in his Discourse on Method (1637) declared that, unlike a human with his conscious actions, the behavior of an animal can be completely described by the laws of physics, and thus an animal shall be considered a machine lacking the soul. [12]
Epiphenomenalism is a position in the philosophy of mind on the mind–body problem. It holds that subjective mental events are completely dependent for their existence on corresponding physical and biochemical events within the human body, but do not themselves influence physical events. According to epiphenomenalism, the appearance that subjective mental states influence physical events is an illusion, with consciousness being a by-product of physical states of the world. For instance, fear seems to make the heart beat faster, but according to epiphenomenalism, the biochemical secretions of the brain and nervous system —not the experience of fear—is what raises the heartbeat. Because mental events are a kind of overflow that cannot cause anything physical, yet have non-physical properties, epiphenomenalism is viewed as a form of property dualism.
René Descartes was a French philosopher, scientist, and mathematician, widely considered a seminal figure in the emergence of modern philosophy and science. Mathematics was paramount to his method of inquiry, and he connected the previously separate fields of geometry and algebra into analytic geometry. Descartes spent much of his working life in the Dutch Republic, initially serving the Dutch States Army, and later becoming a central intellectual of the Dutch Golden Age. Although he served a Protestant state and was later counted as a deist by critics, Descartes was Roman Catholic.
Ivan Petrovich Pavlov was a Russian and Soviet experimental neurologist and physiologist known for his discovery of classical conditioning through his experiments with dogs.
Neuropsychology is a branch of psychology concerned with how a person's cognition and behavior are related to the brain and the rest of the nervous system. Professionals in this branch of psychology focus on how injuries or illnesses of the brain affect cognitive and behavioral functions.
Washoe was a female common chimpanzee who was the first non-human to learn to communicate using some American Sign Language (ASL) as part of an animal research experiment on animal language acquisition.
Comparative psychology is the scientific study of the behavior and mental processes of non-human animals, especially as these relate to the phylogenetic history, adaptive significance, and development of behavior. The phrase comparative psychology may be employed in either a narrow or a broad meaning. In its narrow meaning, it refers to the study of the similarities and differences in the psychology and behavior of different species. In a broader meaning, comparative psychology includes comparisons between different biological and socio-cultural groups, such as species, sexes, developmental stages, ages, and ethnicities. Research in this area addresses many different issues, uses many different methods and explores the behavior of many different species, from insects to primates.
Behavioral neuroscience, also known as biological psychology, biopsychology, or psychobiology, is the application of the principles of biology to the study of physiological, genetic, and developmental mechanisms of behavior in humans and other animals.
Julien Offray de La Mettrie was a French physician and philosopher, and one of the earliest of the French materialists of the Enlightenment. He is best known for his 1747 work L'homme machine.
William McDougall FRS was an early 20th century psychologist who was a professor at University College London, University of Oxford, Harvard University and Duke University. He wrote a number of influential textbooks, and was important in the development of the theory of instinct and of social psychology in the English-speaking world.
Dog training is a kind of animal training, the application of behavior analysis which uses the environmental events of antecedents and consequences to modify the dog behavior, either for it to assist in specific activities or undertake particular tasks, or for it to participate effectively in contemporary domestic life. While training dogs for specific roles dates back to Roman times at least, the training of dogs to be compatible household pets developed with suburbanization in the 1950s.
Anthrozoology, also known as human–animal studies (HAS), is the subset of ethnobiology that deals with interactions between humans and other animals. It is an interdisciplinary field that overlaps with other disciplines including anthropology, ethnology, medicine, psychology, social work, veterinary medicine, and zoology. A major focus of anthrozoologic research is the quantifying of the positive effects of human–animal relationships on either party and the study of their interactions. It includes scholars from fields such as anthropology, sociology, biology, history and philosophy.
Anecdotal cognitivism is a method of research using anecdotal, and anthropomorphic evidence through the observation of animal behaviour.
Animal consciousness, or animal awareness, is the quality or state of self-awareness within an animal, or of being aware of an external object or something within itself. In humans, consciousness has been defined as: sentience, awareness, subjectivity, qualia, the ability to experience or to feel, wakefulness, having a sense of selfhood, and the executive control system of the mind. Despite the difficulty in definition, many philosophers believe there is a broadly shared underlying intuition about what consciousness is.
Anthropomorphism is the attribution of human traits, emotions, or intentions to non-human entities. It is considered to be an innate tendency of human psychology. Personification is the related attribution of human form and characteristics to abstract concepts such as nations, emotions, and natural forces, such as seasons and weather. Both have ancient roots as storytelling and artistic devices, and most cultures have traditional fables with anthropomorphized animals as characters. People have also routinely attributed human emotions and behavioral traits to wild as well as domesticated animals.
John Cottingham is an English philosopher. The focus of his research has been early-modern philosophy, the philosophy of religion and moral philosophy. He is a Professor Emeritus of Philosophy at the University of Reading, Professorial Research Fellow at Heythrop College, University of London, and Honorary Fellow of St John's College, Oxford. He is also a current Visiting Professor to the Philosophy Department at King's College, London.
New York Dada was a regionalized extension of Dada, an artistic and cultural movement between the years 1913 and 1923. Usually considered to have been instigated by Marcel Duchamp's Fountain exhibited at the first exhibition of the Society of Independent Artists in 1917, and becoming a movement at the Cabaret Voltaire in February, 1916, in Zürich, the Dadaism as a loose network of artists spread across Europe and other countries, with New York becoming the primary center of Dada in the United States. The very word Dada is notoriously difficult to define and its origins are disputed, particularly amongst the Dadaists themselves.
Mechanism is the belief that natural wholes are similar to complicated machines or artifacts, composed of parts lacking any intrinsic relationship to each other.
Critical anthropomorphism is an approach in the study of animal behavior that integrates scientific knowledge about a species, including its perceptual world, ecological context, and evolutionary history, to generate hypotheses through the lens of human intuition and understanding. This method contrasts with classical anthropomorphism, which often uncritically attributes human traits and emotions to animals.
Mentophobia or mentaphobia is a concept described by Donald Griffin, an American zoologist and the founder of cognitive ethology, to denote strong resistance from scientists to the idea that animals, other than humans, are conscious. Griffin argued that there is a taboo "against scientific consideration of private, conscious, mental experiences" that leads to the minimization of the significance of the consciousness of non-human animals, as well as human consciousness and asserted that this presents a significant barrier to scientific progress.
The machine aesthetic "label" is used in architecture and other arts to describe works that either draw the inspiration from industrialization with its mechanized mass production or use elements resembling structures of complex machines for the sake of appearance. As an example of the latter, buildings in the International Modernism style frequently used horizontal strips of metal-framed windows crossing the smooth walls to imitate an ocean liner in a deliberate violation of the "truth to materials" principle.