![]() | This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these messages)
|
Mego | |
---|---|
![]() | |
Founded | 1994 |
Founder | Peter Rehberg aka Pita Ramon Bauer Andreas Pieper Peter Meininger |
Genre | Electronic, glitch, noise, post-industrial |
Country of origin | Austria |
Location | Vienna |
Official website | https://mego.at/ |
Mego was an experimental electronic music independent record label founded in 1994 in Vienna, Austria. The label has been superseded in 2006 by a new company, Editions Mego, which was set up both to keep Mego albums in print and to issue new albums, [1] run by Peter Rehberg a.k.a. Pita. The label has released over 400 records in 30 years of activity. [2]
The Mego label stands out for its unpredictability, as it is not tied to any particular musical style. It releases music by artists as diverse as Fennesz, Russell Haswell, Oneohtrix Point Never, Bill Orcutt, and the band Emeralds, [3] [4] in styles ranging "from electroacoustic music to metal, synthwave, drone, and ambient". [5]
Among the albums that had a strong impact and launched the careers of musicians, journalist Tristan Bath mentions Endless Summer by Fennesz, Returnal by Oneohtrix Point Never, and Ecstatic Computation by Caterina Barbieri.
The label's efforts were awarded a distinction at the Ars Electronica 1999. In the jury's statement, Jim O'Rourke lauded the label's work as defining "a brand new punk computer music". [6]
The Mego label was founded in 1994 by Ramon Bauer, Andreas Pieper, and Peter Meininger in Vienna. The label's name allegedly refers to the expression “My Eyes Glaze Over” coined by American futurologist and geostrategist Herman Kahn, [7] or a “hacker expression to indicate that you've spent too much time in front of the screen”. [5] They were joined in 1995 by Englishman Peter Rehberg. [3]
In 2005, after 10 years and 75 releases, Mego faced financial difficulties. [7] Ramon Bauer and Andreas Pieper decided to shut down the label. Peter Rehberg then founded Editions Mego, which continued the exploratory work and kept the Mego back catalogue available. [8]
In 2010, two releases by American artists, Does It Look Like I'm Here? by Emeralds and Returnal by Oneohtrix Point Never, mark a new direction for Mego, less noisy and heavily influenced by analog synthesizers. [9] Both albums feature in the Bleep website's top 10 albums of 2010. [10]
Among the iconic albums released during the final years of activity of Mego, journalist Philip Sherburne cites Hubris (2016) by Oren Ambarchi, Ecstatic Computation (2019) by Caterina Barbieri, and Peel (2020) by Kenyan musician KMRU. [2]