Melanie Hogan

Last updated

Melanie Hogan
NationalityAustralian
OccupationDocumentary film-maker
Years activeSince 2004
Known forDocumentaries about life in remote Aboriginal communities
Notable work"Kanyini"

Melanie Hogan (born on 8 July 1977) is a film director and producer of Australian documentaries. Her directorial debut Kanyini premiered at the Sydney Film Festival in 2006. Her film narrates the Australian history from her opinion of an Aboriginal perspective, as she acknowledged that she had not been educated on it despite having attended Australian schools through the tertiary level.

Contents

Overview

Since 2004, Hogan has made documentaries in remote Aboriginal communities, exposing the challenges they face.

Her first documentary, Kanyini (2006), was distributed in Australia by Hopscotch Films. It won the 2006 Discovery Channel Inside Film Best Documentary Award, the Independent Spirit Inside Film Award, and the Best Documentary Award at the London Australian Film Festival (2007).

Hogan’s other documentary films, Yajilarra (2008) and Tristan (2011), both premiered at the United Nations in New York and Government House with Australia's Governor General, Quentin Bryce, as host. Yajilarra received a standing ovation at the UN.

Between 2009 and 2012, Hogan wrote, edited, directed, and produced an online project for the Australian Federal Government called the Stolen Generations Testimonies. [1] The site tells the stories of Aborigines who were taken from their families and known as the Stolen Generations.

Films and documentaries

Kanyini

Kanyini is her attempt to connect fellow Australians with the story of Australia’s past and present from an Anangu perspective in the hope Australia can move forward in proper friendship with Australia’s Indigenous peoples. The film’s title is ‘Kanyini: 40,000 years of culture, one philosophy that connects us all.’

Kanyini tells the story of one Aboriginal man from Pitjantjatjara country called Bob Randall and the separation he experienced from his country, his family, his traditional lore and his spirituality since he was a young child, [2] as a result of Europeans imposing their superior sense of self and their will on the Indigenous people of Australia. It is therefore also a story of Indigenous wisdom clashing against materialist notions of progress. Despite the fact his people are struggling in a modern world, Bob hopes non-Indigenous and Indigenous Australians can walk together going forward, even though they have not done so in the past. As Bob explains, "The Earth is our Mother. That makes you and me brother and sister."

Kanyini is a story that is fundamental for understanding contemporary Australia, for only by knowing our past and our present can we dream of a future that includes everyone. Kanyini won the Independent Spirit Award as well as the National Geographic Best Documentary Award at the Australian Inside Film Awards the year the film was released.

After Kanyini was released, Hogan went on to develop an education program called Yarnup around Australia, which attempted to connect Australian high school students with their local Indigenous elders.

Yajilarra

Still committed to connecting with Indigenous Australians, Hogan then directed her next documentary in the Kimberley in 2008 on the subject of the women of Fitzroy Crossing and their campaign against alcohol abuse in their community. [3] The film’s title was devised by the local women themselves: ‘Yajilarra’ which means ‘to dream’ in the Bunuba language.

The project came about because the federal sex discrimination officer at the time, Elizabeth Broderick, had heard about what the local women had done to reduce the devastating effects of excessive alcohol consumption in their Fitzroy Valley communities and she wanted their heroic story to be told to the world. She contacted Hogan to direct the film.

The women of the community, led by June Oscar AO and Emily Carter, jointly led a campaign to place a ban on the sale of full-strength alcohol in their community. The ban, which was not without controversy, resulted in a 43% reduction in domestic violence reports, a 55% reduction in alcohol-related hospital presentations, an increase in school attendance levels, and an 88% reduction in the amount of alcohol purchased. The film premiered at the United Nations Commission on the Status of Women in New York in 2009 where it received a standing ovation.

Tristan

In 2011, the women of a community requested that filmmaker Hogan create a new documentary focusing on children affected by fetal alcohol spectrum disorders (FASD), a condition caused by excessive alcohol consumption during pregnancy. The objective of this film was to raise awareness about the risks of prenatal alcohol exposure and to inform the global audience about the necessary support for children with FASD to lead fulfilling lives despite their disabilities. Titled 'Tristan', the film depicts the challenges faced by a 12-year-old boy living with FASD and underscores the efforts of the Fitzroy Valley community in addressing this condition. [4] The documentary made its debut at the United Nations Headquarters in New York in 2012.

Magic

In 2019, Hogan appeared in Magic as herself; [5] the film was directed by Mark Matthews and Billy Ray Valentine.

Stolen Generations Testimonies

Hogan launched another project in 2011: an Online Museum devoted to capturing the testimonies of Australia's Stolen Generations. The museum was launched at Parliament House to commemorate the 4th anniversary of the Apology to the Stolen Generations. Hogan has been capturing testimonies since 2009 inspired by Steven Spielberg's Shoah Foundation. By 2012, 46 testimonies had been collected from around Australia.

By allowing Australians to listen to the Survivors’ stories with open hearts and without judgement, it is hoped, more people will be engaged in the healing process. The project has been created with the aim of producing a national treasure and a sacred keeping place for Stolen Generations’ Survivors testimonies.

Debra Hocking, a survivor of the Stolen Generations, stated, “For those people who do feel challenged by the Stolen Generations’ we ask you to listen to just one of the testimonies to see if you still feel the same. That’s all we ask.”

From the inception of the colonial era, Indigenous children in Australia were systematically removed from their families. In frontier areas, numerous instances were recorded where settlers abducted these children, often forcing them into servitude. Additionally, in various missions and reserves nationwide, Indigenous children were routinely separated from their parents, residing in dormitories with minimal parental interaction. This segregation was partly aimed at facilitating their conversion to Christianity, distancing them from their native cultural influences.

Towards the end of the 19th century, this practice of removing Aboriginal children escalated notably. This period saw a rise in the number of children of mixed Indigenous and non-Indigenous heritage. Colonial authorities, driven by a belief that these children could be assimilated into the white population through education and training, intensified their efforts. This approach was seen as a solution to what was referred to as the 'half-caste' problem, a term indicative of the racial ideologies of the time.

Historian Professor Anna Haebich noted, “Imagine this scenario of police patrolling and observing things and noting down who was where and looking out for half caste children and then they might do an early morning raid so there everybody is sleeping, they might be just starting to wake up and police come thundering in on their horses. Aboriginal families had developed over time little ways of trying to stop the children from being taken away. They had look-outs and warning systems and kids might rush off into the bush. Some families put them in suitcases, sat on the suitcase, they might have, if they knew about it might have the children blackened up with charcoal.”

Aboriginal children across the country were taken from their families and placed in institutions and foster homes, often not knowing their parents were alive or searching for them. They were taught to reject their Aboriginality, and often experienced abuse and deprivation.

In 1997 the Commonwealth Government undertook an inquiry into the Stolen Generations as these children had come to be known. Hundreds of Survivors gave evidence of their experiences and a report of the extent of these practices was made public.

Anthropologist Professor Marcia Langton stated, “If we were to compare the impact of these so called assimilation policies in their consequences to doing something similar to the Australian population today. Let’s say we’d leave one third of Australians living in their family homes, living their lifestyles. Another third we’d take out of their homes and we’d put them in the illegal immigrant detention centres and then the other third, take them away from their families, their children and we’d enslave them and we’d make them work on cattle stations and on mines or leave them with strange families to cook and clean.” Many of the Stolen Generations are still finding their way home, still searching for the families they lost, and putting together the pieces of their lives.

Publications

Nyuntu Ninti by Bob Randall and Melanie Hogan, 2011 (ISBN 9780733328503). [6] This children’s book was inspired by the Kanyini documentary. [7]

Awards

FilmYearCategoryResult
Kanyini2009National Geographic Best Documentary Film AwardWon [8]
Kanyini2009Glenfiddich Independent Spirit AwardWon [8]

Related Research Articles

<span class="mw-page-title-main">Stolen Generations</span> Indigenous Australian children forcibly acculturated into White Australian society

The Stolen Generations were the children of Australian Aboriginal and Torres Strait Islander descent who were removed from their families by the Australian federal and state government agencies and church missions, under acts of their respective parliaments. The removals of those referred to as "half-caste" children were conducted in the period between approximately 1905 and 1967, although in some places mixed-race children were still being taken into the 1970s.

<i>Rabbit-Proof Fence</i> 2002 Australian film by Phillip Noyce

Rabbit-Proof Fence is a 2002 Australian drama film directed and produced by Phillip Noyce based on the 1996 book Follow the Rabbit-Proof Fence by Doris Pilkington Garimara. It is loosely based on a true story concerning the author's mother Molly Craig, aunt Daisy Kadibil and cousin Gracie, who escaped from the Moore River Native Settlement, north of Perth, Western Australia, to return to their Aboriginal families, after being placed there in 1931. The film follows the Aboriginal girls as they walk for nine weeks along 1,500 miles (2,400 km) of the Australian rabbit-proof fence to return to their community at Jigalong, while being pursued by white law enforcement authorities and an Aboriginal tracker. The film illustrates the official child removal policy that existed in Australia between approximately 1905 and 1967. Its victims now are called the "Stolen Generations".

<span class="mw-page-title-main">National Sorry Day</span> Annual Australian event on 26 May

National Sorry Day, officially the National Day of Healing, is an event held annually in Australia on 26 May commemorating the Stolen Generations. It is part of the ongoing efforts towards reconciliation between Indigenous and non-Indigenous Australians.

<span class="mw-page-title-main">Fitzroy Crossing, Western Australia</span> Town in Western Australia

Fitzroy Crossing is a small town in the Kimberley region of Western Australia, 400 kilometres (250 mi) east of Broome and 300 kilometres (190 mi) west of Halls Creek. It is approximately 2,524 kilometres (1,568 mi) from the state capital of Perth. It is 114 metres (374 ft) above sea level and is situated on a low rise surrounded by the vast floodplains of the Fitzroy River and its tributary Margaret River.

James Paul Fitzpatrick is an Australian paediatrician notable for his advocacy of rural and indigenous health issues, particularly his work with fetal alcohol spectrum disorder.

<i>Bringing Them Home</i> 1997 Australian government report on the forced separation of indigenous families

Bringing Them Home is the 1997 Australian Report of the National Inquiry into the Separation of Aboriginal and Torres Strait Islander Children from Their Families. The report marked a pivotal moment in the controversy that has come to be known as the Stolen Generations.

Robert James Randall, also known as Uncle Bob, was an Aboriginal Australian elder, singer and community leader. He was a member of the Stolen Generations and became an elder of the Yankunytjatjara people from Central Australia. He was the 1999 National Aborigines and Islanders Day Observance Committee NAIDOC Person of the Year. His 1970 song, "My Brown Skin Baby, They Take 'im Away," is described as an "anthem" for the Stolen Generations. He was known by the honorific "Tjilpi", a word meaning "old man" that is often translated as "uncle". He lived in Mutitjulu, the Aboriginal community at Uluru in the Northern Territory of Australia.

Kanyini is a 2006 Australian documentary film, created by Uncle Bob Randall. His dream was to create a film that supported his Kanyini teachings. He approached Melanie Hogan to produce it with him. She directed, filmed and edited the film with the help of Martin Lee whose filming of Uncle Bob Randall's interview made the core thread of the story. The film explores the Kanyini philosophy and the life of Bob Randall, Aboriginal elder, songman and storyteller who lived in Mutitjulu, a town beside the world's greatest monolith, Uluru, in Central Australia. Bob Randall was a 'Tjilpi' of the Yankunytjatjara people and a member of the Stolen Generations.

The Motion of Reconciliation was a motion to the Australian Parliament introduced and passed on 26 August 1999. Drafted by Prime Minister John Howard in consultation with Aboriginal Senator Aden Ridgeway, it dedicated the Parliament to the "cause of reconciliation" and recognised historic maltreatment of Indigenous Australians as the "most blemished chapter" in Australian history. While falling short of an apology, the motion included a statement of regret for past injustices suffered by Indigenous Australians.

BarbaraWeir is an Australian Aboriginal artist and politician. One of the Stolen Generations, she was removed from her Aboriginal family and raised in a series of foster homes. In the 1970s Weir returned to her family territory of Utopia, 300 kilometres (190 mi) northeast of Alice Springs. She became active in the local land rights movement of the 1970s and was elected the first woman president of the Indigenous Urapunta Council in 1985. After starting to paint in her mid-forties, she also gained recognition as a notable artist of Central Australia. She also managed the artistic career of her own mother, Minnie Pwerle, who was also a noted artist.

Each province had different foster programs and adoption policies; Saskatchewan had the only targeted Indigenous transracial adoption program, the Adopt Indian Métis (AIM) Program. The term "Sixties Scoop" itself was coined in the early 1980s by social workers in the British Columbia Department of Social Welfare to describe their own department's practice of child apprehension. The phrase first appears in print in a 1983 report commissioned by the Canadian Council on Social Development, titled "Native Children and the Child Welfare System", in which researcher Patrick Johnston noted the source for the term and adopted its usage. It is similar to the term "Baby Scoop Era," which refers to the period from the late 1950s to the 1980s in which large numbers of children were taken from unmarried mothers for adoption.

<i>Our Generation</i> (film) 2010 Australian film

Our Generation is a 2010 Australian documentary film about the struggle of Aboriginal Australians in the Northern Territory to retain their land, culture and freedom.

<i>Utopia</i> (2013 film) 2013 Australian TV series or program

Utopia is a 2013 documentary film written, produced and presented by John Pilger and directed by Pilger and Alan Lowery, that explores the experiences of Aboriginal Australians in modern Australia. The title is derived from the Aboriginal homeland community of Utopia, Northern Territory, one of the poorest and most desolate areas in Australia.

First Contact is an Australian reality television documentary series that aired on SBS One, SBS Two and NITV. It documents the journey of six European Australians who are challenged over a period of 28 days about their pre-existing perceptions of Indigenous Australians.

Lousy Little Sixpence is a 1983 Australian documentary film about Australian history that details the early years of the Stolen Generations and the struggle of Aboriginal Australians against the Aboriginal Protection Board in the 1930s. The film's title references the amount of pocket money that Aboriginal children were to be paid for their forced labour, although few ever received it.

Yajilarra is a documentary film by Australian director Melanie Hogan about the resilience of the Aboriginal women in the remote Kimberly region of outback Australia.

<span class="mw-page-title-main">June Oscar</span>

June Oscar is an Australian Aboriginal woman of Bunuba descent, Indigenous rights activist, community health and welfare worker, film and theatre, and since 2017 and as of February 2022 Aboriginal and Torres Strait Islander Social Justice Commissioner.

<span class="mw-page-title-main">Apology to Australia's Indigenous peoples</span> Apology by the Australian Government to Indigenous peoples for historical forced removals

On 13 February 2008, the Parliament of Australia issued a formal apology to Indigenous Australians for forced removals of Australian Indigenous children from their families by Australian federal and state government agencies. The apology was delivered by Prime Minister Kevin Rudd, and is also referred to as the National Apology, or simply The Apology.

Kathleen Mary Mills, also known as Mooradoop and Aunty Kathy, was an Australian community leader, singer, Aboriginal elder and activist in the Northern Territory of Australia. She had a large family, all musical, with several of her daughters being well known as the Mills Sisters.

Steven McGregor is an Australian filmmaker, known for his work on Redfern Now, Black Comedy, Sweet Country, and numerous documentaries, including My Brother Vinnie.

References