Related Research Articles
Herbert Ritts Jr. was an American fashion photographer and director known for his photographs of celebrities, models, and other cultural figures throughout the 1980s and 1990s. His work concentrated on black and white photography and portraits, often in the style of classical Greek sculpture, which emphasized the human shape.
Uta Barth is a contemporary German-American photographer whose work addresses themes such as perception, optical illusion and non-place. Her early work emerged in the late 1980s and 1990s, "inverting the notion of background and foreground" in photography and bringing awareness to a viewer's attention to visual information with in the photographic frame. Her work is as much about vision and perception as it is about the failure to see, the faith humans place in the mechanics of perception, and the precarious nature of perceptual habits. Barth's says this about her art practice: “The question for me always is how can I make you aware of your own looking, instead of losing your attention to thoughts about what it is that you are looking at." She has been honored with two National Endowments of the Arts fellowships, was a recipient of the John Simon Guggenheim Fellowship in 2004‑05, and was a 2012 MacArthur Fellow. Barth lives and works in Los Angeles, California.
Barbara Kruger is an American conceptual artist and collagist associated with the Pictures Generation. She is most known for her collage style that consists of black-and-white photographs, overlaid with declarative captions, stated in white-on-red Futura Bold Oblique or Helvetica Ultra Condensed text. The phrases in her works often include pronouns such as "you", "your", "I", "we", and "they", addressing cultural constructions of power, identity, consumerism, and sexuality. Kruger's artistic mediums include photography, sculpture, graphic design, architecture, as well as video and audio installations.
Eleanor Antin is an American performance artist, film-maker, installation artist, conceptual artist, feminist artist, and university professor.
Margaret Anne "Peggy" Moffitt is a former American model and actress. During the 1960s, she worked very closely with fashion designer Rudi Gernreich, and developed a signature style that featured heavy makeup and an asymmetrical hair cut.
Judy Fiskin is an American artist working in photography and video, and a member of the art school faculty at California Institute of the Arts. Her videos have been screened in the Documentary Fortnight series at the Museum of Modern Art in New York, at the Los Angeles County Museum of Art, the Hammer Museum in Los Angeles, and at the J. Paul Getty Museum in Los Angeles; her photographs have been shown at MOCA, the Museum of Contemporary Art in Los Angeles, at the Getty Museum in Los Angeles, at The New Museum in New York City, and at the Pompidou Center in Paris.
Taryn Simon is an American multidisciplinary artist who works in photography, text, sculpture, and performance.
Helen Lundeberg (1908–1999) was an American painter. Along with her husband Lorser Feitelson, she is credited with establishing the Post-Surrealist movement. Her artistic style changed over the course of her career, and has been described variously as Post-Surrealism, Hard-edge painting and Subjective Classicism.
The Museum of Contemporary Art Jacksonville, also known as MOCA Jacksonville, is a contemporary art museum in Jacksonville, Florida, funded and operated as a "cultural institute" of the University of North Florida. One of the largest contemporary art institutions in the Southeastern United States, it presents exhibitions by international, national and regional artists.
Marilyn Minter is an American visual artist who is perhaps best known for her sensual paintings and photographs done in the photorealism style that blur the line between commercial and fine art. Minter currently teaches in the MFA department at the School of Visual Arts in New York City.
Jennifer Steinkamp is an American installation artist who works with video and new media in order to explore ideas about architectural space, motion, and perception.
Ellen Brooks is an American photographer. She began her career on the West Coast, and is associated with the Los Angeles–based art community of the late 1960s and '70s. In 1982 she moved to New York, where her practice has since been based. Her work is known for its boundary-pushing forays into sculpture, and for her use of screens and image altering pro-filmic photographic processes. She has shown at the Museum of Modern Art (MOMA), the Whitney Museum of American Art, the Los Angeles Museum of Contemporary Art, and the Centre Pompidou, and has worked in the permanent collections of the MOMA, the Whitney, the National Museum of American Art, the Getty Museum, and others.
Nicole Cohen is an American installation artist, who works with video and new media in order to explore issues of how interior design and architecture reveals aspects of portraiture and identity. Cohen's video works often include interiors from vintage magazines, period rooms, that reveal an intervention with technology of surveillance use or video projection overlay. She uses photography and creates a video animation on top of the past image.
Nancy Buchanan is a Los Angeles-based artist best known for her work in installation, performance, and video art. She played a central role in the feminist art movement in Los Angeles in the 1970s. Her work has been exhibited widely and is collected by major museums including the Museum of Modern Art and the Centre Pompidou.
Beverly Semmes is an American artist based in New York City who works in sculpture, textile, video, photography, performance, and large-scale installation.
Ilene Segalove is an American conceptual artist working with appropriated images, photography and video. Her work can be understood as a precursor to The Pictures Generation.
Patricia Anne Smith, known professionally as Alexis Smith, was an American visual artist. She worked in collage and installation.
Eileen Cowin is a Los Angeles–based artist known for photography, video and mixed-media installations that draw on the language of mass media and art history and explore the relationship between narrative, fiction and non-fiction, memory and experience. Associated with the 1970s Los Angeles experimental photography scene and the Pictures Generation artists, her work combines familiar human situations and carefully chosen gestures, expressions and props to create enigmatic images whose implied, open-ended stories viewers must complete. Cowin has exhibited in more than forty solo shows in the United States and abroad, including at the Los Angeles County Museum of Art (LACMA), Museum of Contemporary Photography, Armory Center for the Arts and Contemporary Arts Center. Her work is included in more than forty institutional collections, including LACMA, the J. Paul Getty Museum, Brooklyn Museum, Art Institute of Chicago, San Francisco Museum of Modern Art (SFMOMA), and Smithsonian American Art Museum. She has been recognized with awards and commissions from the National Endowment for the Arts, LACMA, the City of Los Angeles (COLA), Public Art Fund, and the Sundance and USA film festivals. New York Times critic Andy Grundberg wrote that her multi-image work "sets up a tension between the familiar and the mysterious, creating a climate of implied danger, sexual intrigue and violence" in which clues abound to intimate various narratives. Jody Zellen observed that Cowin "manipulates the conventions of photography, film, and video to tell a different kind of story—one that explores where truth and fiction merge, yet presents no conclusions. Cowin's work provokes."
Stephanie, Cindy, Christy, Tatjana, Naomi, Hollywood is a black and white photograph taken in 1989 by photographer and director Herb Ritts. The subject of the photograph is a group of five women coyly entwined together in an embrace.
Michal Chelbin is an Israeli photographer. Her work is held in the collections of the Tel Aviv Museum of Art, Israel; Metropolitan Museum, New York; LACMA; Getty Center, LA; and the Jewish Museum, New York.
References
- ↑ "Melanie Pullen (American, born 1975) (Getty Museum)". The J. Paul Getty in Los Angeles. Retrieved October 21, 2021.
- 1 2 Smith, Nancy MacDonell (August 29, 2004). "The Talk; Fashion Victims". The New York Times. Retrieved October 25, 2018.
- 1 2 Melanie Pullen, Artist Bio http://www.melaniepullen.com
- ↑ USPPA List of Tournaments, 2000 "Archived copy". Archived from the original on June 13, 2011. Retrieved January 28, 2010.
{{cite web}}: CS1 maint: archived copy as title (link) - 1 2 Artist Interview, 2008, "Whitecanvas". Archived from the original on August 21, 2010. Retrieved January 28, 2010.
- 1 2 Newman, Cheryl (September 9, 2013). "This Month At One Picture Books". The Daily Telegraph. ISSN 0307-1235 . Retrieved October 25, 2018.
- ↑ Spin Magazine, Aug 2006
- ↑ The London Independent on Sunday, 13 March 2005, Archived 2012-11-03 at the Wayback Machine
- ↑ KPCC, Pacific Drift 2006 http://www.natsnd.org/sound/pacificdrift/pacificdrift14
- ↑ Wignall Museum of Contemporary Art, 2010 http://www.chaffey.edu/wignall/current.shtml
- ↑ "Project Atrium Melanie Pullen". mocajacksonville.org. Retrieved April 28, 2023.
