The Hollywood Revue of 1929, or simply The Hollywood Revue, is a 1929 American pre-Code musical comedy film released by Metro-Goldwyn-Mayer. It was the studio's second feature-length musical, and one of their earliest sound films. Produced by Harry Rapf and Irving Thalberg and directed by Charles Reisner, it features nearly all of MGM's stars in a two-hour revue that includes three segments in Technicolor. The masters of ceremonies are Conrad Nagel and Jack Benny.
Irving Berlin was an American composer and songwriter. His music forms a large part of the Great American Songbook. Berlin received numerous honors including an Academy Award, a Grammy Award, and a Tony Award. He also received the Presidential Medal of Freedom from President Gerald R. Ford in 1977. Broadcast journalist Walter Cronkite stated he "helped write the story of this country, capturing the best of who we are and the dreams that shape our lives".
The Broadway Melody, also known as The Broadway Melody of 1929, is a 1929 American pre-Code musical film and the first sound film to win an Academy Award for Best Picture. It was one of the early musicals to feature a Technicolor sequence, which sparked the trend of color being used in a flurry of musicals that would hit the screens in 1929–1930.
Broadway Melody of 1936 is a musical film released by Metro-Goldwyn-Mayer in 1935. In New York, the film opened at the Capitol Theatre, the site of many prestigious MGM premieres. It was a follow-up of sorts to the successful The Broadway Melody, which had been released in 1929, although, there is no story connection with the earlier film beyond the title and some music.
This is a list of notable events in music that took place in the year 1937.
Isham Edgar Jones was an American bandleader, saxophonist, bassist and songwriter.
"There's No Business Like Show Business" is an Irving Berlin song, written for the 1946 musical Annie Get Your Gun and orchestrated by Ted Royal. The song, a slightly tongue-in-cheek salute to the glamour and excitement of a life in show business, is sung in the musical by members of Buffalo Bill's Wild West Show in an attempt to persuade Annie Oakley to join the production. It is reprised three times in the musical.
Berlin v. E.C. Publications, Inc., 329 F.2d 541, was an important United States copyright law case decided by the United States Court of Appeals for the Second Circuit in 1964 involving the right to parody a well-known melody.
John Frederick Coots was an American songwriter. He composed over 700 popular songs and over a dozen Broadway shows. In 1934, Coots wrote the melody with his then chief collaborator, lyricist Haven Gillespie, for the biggest hit of either man's career, "Santa Claus Is Comin' to Town." The song became one of the biggest sellers in American history.
Glorifying the American Girl is a 1929 American pre-Code musical comedy film produced by Florenz Ziegfeld that highlights Ziegfeld Follies performers. The last third of the film, which was filmed in early Technicolor, is basically a Follies production, with appearances by Rudy Vallee, Helen Morgan, and Eddie Cantor.
"The Sheik of Araby" is a song that was written in 1921 by Harry B. Smith and Francis Wheeler, with music by Ted Snyder. It was composed in response to the popularity of the Rudolph Valentino feature film The Sheik.
Alexander's Ragtime Band is a 1938 American musical film released by 20th Century Fox that takes its name from the 1911 Irving Berlin song "Alexander's Ragtime Band" to tell a story of a society boy who scandalizes his family by pursuing a career in ragtime instead of "serious" music. The film generally traces the history of jazz music from the popularization of Ragtime in the early years of the 20th century to the acceptance of swing as an art form in the late 1930s using music composed by Berlin. The story spans more than two decades from the 1911 release of its name-sake song to some point in time after the 1933 release of "Heat Wave", presumably 1938.
"D'ye ken John Peel?" – which translates to "Do you know John Peel?" – is a famous Cumberland hunting song written around 1824 by John Woodcock Graves (1795–1886) in celebration of his friend John Peel (1776–1854), an English fox hunter from the Lake District. The melody is said to be a contrafactum of a popular border rant, "Bonnie Annie." A different version, the one that endures today, was musically adapted in 1869 by William Metcalfe (1829–1909), the organist and choirmaster of Carlisle Cathedral. The tune etymology has a long history that has been traced back to 1695 and attributed to adaptations – one in particular, from the 20th century, the 1939 jingle, "Pepsi-Cola Hits the Spot."
Hit the Deck is a 1930 American pre-Code musical film directed by Luther Reed and starring Jack Oakie and Polly Walker, with Technicolor sequences. It was based on the 1927 musical Hit the Deck, which was itself based on the 1922 play Shore Leave by Hubert Osborne. It was one of the most expensive productions of RKO Radio Pictures up to that time, and one of the most expensive productions of 1930. This version faithfully reproduced the stage version of the musical.
The Rescue is a 1929 American sound pre-Code romantic adventure film directed by Herbert Brenon, and produced by Samuel Goldwyn. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The screenplay was written by Elizabeth Meehan, based on the 1920 novel by Joseph Conrad. The music score is by Hugo Riesenfeld. The film stars Ronald Colman and Lili Damita.
The Battle of Paris is a 1929 American pre-Code musical film.
Broadway Scandals is a 1929 American Pre-Code musical film.
"A Pretty Girl Is Like A Melody" is a popular song written by Irving Berlin in 1919 which became the theme song of the Ziegfeld Follies. The first verse and refrain are considered part of the Great American Songbook and are often covered as a jazz standard.
Irving Berlin's 100th Birthday Celebration was a concert special held in his honor at Carnegie Hall on May 11, 1988. It was aired on CBS television two weeks later, on May 27. At the 40th annual Emmy Awards later that summer, on August 28, it won two Emmys for outstanding variety, music or comedy program. Berlin himself did not attend, as he had retired from public life.
