The National Gallery of Victoria, popularly known as the NGV, is an art museum in Melbourne, Victoria, Australia. Founded in 1861, it is Australia's oldest and most visited art museum.
The Heidelberg School was an Australian art movement of the late 19th century. It has been described as Australian impressionism.
The Winnipeg Art Gallery (WAG) is an art museum in Winnipeg, Manitoba, Canada. Its permanent collection includes over 24,000 works from Canadian, Indigenous Canadian, and international artists. The museum also holds the world's largest collection of Inuit art. In addition to exhibits for its collection, the museum has organized and hosted a number of travelling arts exhibitions. Its building complex consists of a main building that includes 11,000 square metres (120,000 sq ft) of indoor space and the adjacent 3,700-square-metre (40,000 sq ft) Qaumajuq building.
The Ikon Gallery is an English gallery of contemporary art, located in Brindleyplace, Birmingham. It is housed in the Grade II listed, neo-gothic former Oozells Street Board School, designed by John Henry Chamberlain in 1877.
Grace Cossington Smith was an Australian artist and pioneer of modernist painting in Australia and was instrumental in introducing Post-Impressionism to her home country. Examples of her work are held by every major gallery in Australia.
Frederick Ronald Williams OBE was an Australian painter and printmaker. He was one of Australia’s most important artists, and one of the twentieth century's major landscapists. He had more than seventy solo exhibitions during his career in Australian galleries, as well as the exhibition Fred Williams - Landscapes of a Continent at the Museum of Modern Art in New York in 1977.
John Brack was an Australian painter, and a member of the Antipodeans group. According to one critic, Brack's early works captured the idiosyncrasies of their time "more powerfully and succinctly than any Australian artist before or since. Brack forged the iconography of a decade on canvas as sharply as Barry Humphries did on stage."
An artist-run space or artist-run centre (Canada) is a gallery or other facility operated or directed by artists, frequently circumventing the structures of public art centers, museums, or commercial galleries and allowing for a more experimental program. An artist-run initiative (ARI) is any project run by artists, including sound or visual artists, to present their and others' projects. They might approximate a traditional art gallery space in appearance or function, or they may take a markedly different approach, limited only by the artist's understanding of the term. "Artist-run initiatives" is an umbrella name for many types of artist-generated activity.
Gagosian is a contemporary art gallery owned and directed by Larry Gagosian. The gallery exhibits some of the most influential artists of the 20th and 21st centuries. There are 16 gallery spaces: five in New York City; three in London; two in Paris; one each in Basel, Beverly Hills, Rome, Athens, Geneva and Hong Kong.
Hauser & Wirth is a Swiss contemporary and modern art gallery.
Collins St., 5 pm is a 1955 painting by Australian artist John Brack. The painting depicts office workers walking along busy Collins Street in Melbourne after finishing work for the day—"Blank-faced office workers hurry by like sleep-walkers, thinking only of the pubs or their homes in the suburbs". Brack conceived the work after reading T. S. Eliot's 1922 poem The Waste Land. It is considered a companion piece to Brack's earlier work The Bar.
Footballer is a 1946 painting by Australian artist Sidney Nolan. It depicts an Australian rules footballer standing before a crowd of spectators at a football match. For many years the painting was thought to be a generic image of a footballer, however Nolan later revealed that the painting is based on Bill Mohr, a star player for the St Kilda Football Club during the 1930s.
The Car is a 1955 painting by Australian artist John Brack. The painting depicts a family in a car on a drive in a rural area. The painting shows the father looking at the road ahead while the mother and children look towards the viewer. While the whole car cannot be seen, the car itself is identifiable as a Triumph Mayflower. The landscape, seen through the windows of the car, has been said to be inspired by the work of his contemporary Fred Williams.
The theft of The Weeping Woman from the National Gallery of Victoria took place on 2 August 1986 in Melbourne, Victoria, Australia. The stolen work was one of a series of paintings by Pablo Picasso all known as The Weeping Woman and had been purchased by the gallery for A$1.6 million in 1985—at the time the highest price paid by an Australian art gallery for an artwork. A group calling itself "Australian Cultural Terrorists" claimed responsibility, making a number of demands in letters to the then-Victorian Minister for the Arts, Race Mathews. The demands included increases to funding for the arts; threats were made that the painting would be destroyed. After an anonymous tip-off to police, the painting was found undamaged in a locker at Spencer Street railway station on 19 August 1986. The theft still remains unsolved.
Peter Bray Gallery was established as Stanley Coe Gallery in 1949 before being renamed in 1951, after a change of management. Situated at 435 Bourke Street, Melbourne, Victoria, Australia, it closed in 1957. Many of the major names in mid-century Australian contemporary art showed there during its brief, but very busy, lifespan.
Cahill Expressway is a 1962 painting by the Australian artist Jeffrey Smart. The painting depicts the Cahill Expressway, a motorway in inner Sydney. It is "considered by many to be one of his finest works" and "perhaps his best-known picture". The work has been described as "startling ... for its recognisability as an Sydney scene and doubly so for its timeless quality."
DabsMyla are a husband-and-wife team of artists from Melbourne, Australia.
Three of the Players is a 1953 painting by Australian artist John Brack. The painting depicts three Australian rules footballers from the Collingwood Football Club. The players are thought by some to be Lou Richards, Jack Regan and Phonse Kyne. However, Brack's widow, Helen, was of the opinion that they are not recognisable individuals but "stereotyped characters".
The Block is a 1954 painting by Australian artist John Brack. The painting depicts the interior of an empty butcher's shop, including the eponymous butcher's block. It is one of a series of paintings—including The Barber's Shop (1952), The Fish Shop (1955) and Men's Wear (1955)—of small high street businesses.
The tools of the trade – choppers, knives and meathooks – hang from the rails. The butcher’s block, centrally placed and painted in a darker tone, dominates the composition. Despite the rather grisly subject matter, Brack has achieved a small, perfectly contained and beautifully painted jewel-like interior. The detail of the brushwork, with its meticulous lines and opaque passages of thin paint in the background, the fine scratches incised into the block to indicate its use, and the artist’s handmade wooden frame, all converge in an exquisite synthesis
Latin American Grand Final is a 1969 painting by Australian artist John Brack. Part of a series of paintings on the theme of ballroom dancing painted by Brack in the late 1960s, the painting depicts two ballroom dancers – a man and a woman – in a dance competition.
