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Merveilles | ||||
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Studio album by | ||||
Released | March 18, 1998 | |||
Recorded | 1997–1998 [1] | |||
Studio | Hitokuchizaka Studio Recording Studio Soundvalley Freedom Studio Bunkamura Studio Onkio Haus (mastered) | |||
Genre | ||||
Length | 47:39 | |||
Label | Nippon Columbia | |||
Producer | Malice Mizer | |||
Malice Mizer chronology | ||||
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Singles from Merveilles | ||||
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Review scores | |
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Source | Rating |
Sputnikmusic | [2] |
Merveilles (stylized as merveilles) is the third studio album by Japanese rock band Malice Mizer, released on March 18, 1998 by Nippon Columbia. It is the band's only album on a major record label and their commercially and critically most successful album, as well as their last album with their second vocalist Gackt.
Merveilles is the band's first album on a major record label, being released by Nippon Columbia (Midi:Nette established "Maitrize" for all the Major label releases). Its title was coined by Gackt as a keyword to the theme. Its overall concept is "a story that goes back and forth between the present, the past and the future across time". However, the lyrics are not set in the real world as it is, but in the fairy-tale world, the medieval world and the future world. This album marked the pinnacle of the band's success, being their best-selling album, charting high on the Oricon charts, and also earned them several national TV appearances. Japanese pop culture website Real Sound credited Malice Mizer as the first visual kei band to incorporate European aesthetics into heavy metal with the twin guitars in "Bel Air (Kūhaku no Toki no Naka de)". [3]
In 1998, the band played live at the Nippon Budokan which involved a large building as a stage prop and elaborate theatrics; each member performing a skit with another on their own (including a skit in which Gackt fell to the stage to sing the song "Le Ciel", and returned to "Heaven" by song's [and concert's] end). It was a success and was released on home video as Merveilles (Shūen to Kisū) l'espace. In July 1998, the band held their last live performance with Gackt at the Yokohama Arena, prior to the announcement of his departure in January 1999.
A few months after Gackt's departure, drummer Kami died of a subarachnoid hemorrhage on June 21. But the band continued to exist, as Kami was replaced by a non-official, supporting member, and new vocalist Klaha was recruited. By then the band had abandoned the lighter pop music sound of the Gackt era for a dramatic mixture of Baroque music, gothic, metal and electronic music, and adopted an elaborate funeral goth look.
Merveilles was released on March 18, 1998, by Columbia. In the fifth counting week of March it reached number two on the Oricon charts, with sales of 169,290 copies, [4] while in the first week of April it charted at number twelve with sales of 41,900 copies. [5] It charted for sixteen weeks. [6] It total reported sales were 307,450 copies. [7]
Also, the album singles are the most successful in the band's history. In July and December 1997, "Bel Air" and "Au Revoir" were released, both of which reached number forty-two and ten, [6] while the latter was the band's first top ten entry on the charts, and charted for eleven weeks. [6] "Bel Air" cumulative normal and limited edition sales were 56,570 copies, while "Au Revoir" sold 112,560 copies. [7] In February 1998, prior the album's release, "Gekka no Yasōkyoku" was released, which reached number eleven, and charted for twelve weeks, [6] selling over 168,090 copies. [7] It was later followed in May 1998 by "Illuminati", which reached number seven, [6] selling 117,410 copies. [7] In September 1998 was released their last major single, "Le Ciel", their best charting single as reached number four, [6] [8] and sold 117,240 copies. [7] It was also the band's only single written and composed by Gackt.
Merveilles in March 1998 and its single "Gekka no Yasōkyoku" in July 1998 were certified Gold by the RIAJ for sales of over 200,000 copies. [9]
In 2004, it was named one of the top albums from 1989–1998 in an issue of the music magazine Band Yarouze. [10] In 2021, Jamie Cansdale of Kerrang! included Merveilles on a list of 13 essential Japanese rock and metal albums. He wrote that with it, Malice Mizer embraced "antiquated piano and violin fanfare, resulting in symphonic ballads and avant-garde pomp heavier than anything on the airwaves at the time." [11]
All lyrics are written by Gackt (credited as Gackt Camui)
No. | Title | Music | Length |
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1. | "De Merveilles" | Mana | 1:07 |
2. | "Syunikiss (Nidome no Aitō)" (Syunikiss〜二度目の哀悼〜; "Second Lament") | Yu~ki | 4:14 |
3. | "Bel Air (Kūhaku no Toki no Naka de)" (ヴェル・エール~空白の瞬間の中で~; "In the Blank Time") | Mana | 5:34 |
4. | "Illuminati" | Közi | 5:12 |
5. | "Brise" | Közi | 5:03 |
6. | "Aegean (Sugisarishi Kaze to Tomo ni)" (エーゲ〜過ぎ去りし風と共に〜; "With the Passing Wind") | Mana | 4:58 |
7. | "Au Revoir" | Mana | 4:54 |
8. | "Je te Veux" | Közi | 4:37 |
9. | "S-Conscious" | Mana | 3:20 |
10. | "Le Ciel" | Gackt | 5:00 |
11. | "Gekka no Yasōkyoku" (月下の夜想曲) | Közi | 3:45 |
12. | "Bois de Merveilles" | Malice Mizer | 1:55 |
Personnel [1]
| Production [1]
Design [1]
|
Chart (1998) | Peak position |
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Japanese Albums (Oricon) [12] | 2 |
Malice Mizer was a Japanese visual kei rock band active from 1992 to 2001. The band was notable for their music and their live shows, featuring lavish historical costumes and stage sets, short silent theater pieces preluding various songs.
Visual kei, abbreviated v-kei, is a category of Japanese musicians that have a strong focus on extravagant stage costumes that originated in Japan during the early 1980s. Koji Dejima of Bounce wrote that visual kei is not a specific sound, but rather it "revolves around the creation of a band's unique worldview and/or stylistic beauty through visual expressions in the form of makeup and fashion". While visual kei acts can be of any music genre, it originated with bands influenced by glam rock, heavy metal, punk rock and gothic rock.
Mars is the first full-length studio album released by Japanese solo artist Gackt. It was released on April 26, 2000.
"Mizérable" is the debut extended-play or mini album of Japanese singer-songwriter Gackt, released on May 12, 1999, by Nippon Crown. It marked his solo debut, four months after he left Malice Mizer, immediately gaining success reaching second position on the Oricon Albums Chart.
The Sixth Day: Single Collection is a compilation album released by Gackt on February 25, 2004. The album collects the artist's previous single's title songs from 1999 up to 2003, some of them having been re-recorded for this release. The Sixth Day complements The Seventh Night, an unplugged album released three months later. In 2010, Gackt also released The Eleventh Day: Single Collection, which covers the material from 2004 to 2009.
The Seventh Night: Unplugged is a compilation album released by Gackt on May 26, 2004. It contains acoustic arrangements of previously released songs and complements The Sixth Day, a single collection released three months earlier. The unplugged theme of The Seventh Night would be continued by Gackt's subsequent album, Love Letter.
Rebirth is the second full-length studio album released by Japanese solo artist Gackt on April 25, 2001. It is a concept album linked to its successor Re:born from 2009.
Moon is the third full-length studio album released by Japanese solo artist Gackt on June 19, 2002. Instead of a booklet, the concept album comes with a printed note by the artist, asking readers to "sense" the record's story, rather than analyzing the lyrics. The booklet was eventually included in the packaging of Moon's 2003 follow-up Crescent. Both albums are linked, as well as his more recent albums Diabolos and Last Moon from the "Moon Saga".
Crescent is the fourth full-length studio album released by Japanese solo artist Gackt on December 3, 2003. It is a concept album linked to its predecessor Moon and comes with booklets for both records. Crescent also features a duet with L'Arc-en-Ciel vocalist Hyde for "Orenji no Taiyou" with whom Gackt co-starred in the 2003 movie Moon Child.
Love Letter is the fifth full-length studio album originally released by Japanese solo artist Gackt on February 14, 2005 in Japan.
Diabolos is the sixth full-length studio album released by Japanese solo artist Gackt on September 21, 2005 in Japan, and on October 26, 2007, in eighteen countries across Europe. As a concept album, it is a sequel entrant to the "Moon Saga" found in the eighth studio album Last Moon and theatre play Mysteries of Yoshitsune I&II, as well prequel to his third and fourth studio albums, Moon and Crescent, the film Moon Child, and novel Moon Child Requiem.
"Mizérable" is a single by Japanese singer-songwriter Gackt from his same-titled debut mini album. It was released on June 30, 1999, by Nippon Crown as his debut single, in a box edition. It was also available in a mini CD single edition, without additional material.
Bara no Seidou (薔薇の聖堂) is the fourth and final album by the Japanese visual kei rock band Malice Mizer, released on August 23, 2000. The title roughly translates as "Church of Roses" or "Sanctuary of Roses". In February 2007, Bara no Seidou was re-released by German record label Trisol Music Group, packaged in both jewel case and limited slipcase versions, both including the Cardinal music video collection DVD.
Ukyou Kamimura, better known by his stage name Kami, was a Japanese musician best known as drummer for the visual kei rock band Malice Mizer. He died on June 21, 1999, in his sleep of a subarachnoid hemorrhage at the age of 27.
The discography of Malice Mizer, a Japanese visual kei rock band formed by Mana and Közi in August 1992. Malice Mizer's earlier music during Gackt's era themes were characterized by their strong French and classical influences, but they later during Klaha's era incorporated Gothic-Victorian aspects after several tragedies befell the band. They went on an indefinite hiatus on December 11, 2001.
"Returner " is a single released by Gackt, on June 20, 2007, by Nippon Crown. It is Gackt's first single to top the Oricon Singles Chart, and first by record label since Kaze's "22-Sai no Wakare" released in 1975.
"Jūnigatsu no Love Song" is the ninth, Christmas single by Japanese singer-songwriter Gackt, released on December 16, 2001, under Nippon Crown. It was also recorded in English, Chinese and Korean language until 2004, all versions charting in the Top 10 on the Oricon Singles Chart and selling cumulatively over 340,000 copies. They, with some updated recordings, were released in limited edition Jūnigatsu no Love Songs: Complete Box (2006).
Re:Born is the seventh full-length studio album released by Japanese recording artist Gackt on December 2, 2009, in Japan. It is a concept album linked to its predecessor Rebirth from 2001, and besides the music disc, contains an original audio drama.
"Tsumi no Keishō " is the forty-eighth single of Japanese recording artist Gackt. It was released on March 22, 2017. The single was used as the ending theme for the anime Trickster. In the song Gackt was seeking to portray the essence of human beings.
Gekka no Yasōkyoku (月下の夜想曲) is a Japanese phrase that means "nocturne under the moonlight" and may refer to: