Mexicali Biennial

Last updated

The MexiCali Biennial is a contemporary visual arts organization which focuses on the border between California and Mexico as a region of aesthetic production. The organization is migratory in nature and showcases exhibitions on both sides of the border. The MexiCali Biennial was originally started as a project critiquing the proliferation of international and regional art biennials and as a result may be shown at any time and at any location. The inaugural exhibition was in 2006 and subsequent programming occurred in the years spanning 2009 through 2010 and again in 2013. [1]

Contents

History

The MexiCali Biennial was conceived in 2006 by artists Ed Gomez and Luis G. Hernandez. [2] Curator Pilar Tompkins-Rivas was a founding member and curator of the inaugural exhibitions. [3] The 2006 round of programming first took place at La Casa de la Tia Tina, an artist-run space on the border town of Mexicali, MX before traveling to Chavez Studios in East Los Angeles. Due to the nature of the biennial's programming, the second biennial didn't occur until 2009 through 2010, during which time it took place in four different locations in both Mexico and California. Dr. Amy Pederson Converse joined the board and served as co-curator for the 2009-2013 programming. Pederson Converse was instrumental in conceptualizing the theme for the third MexiCali Biennial, which was cannibalism, specifically in regard to philosopher Cătălin Avramescu  [ ro ]'s studies of cultural cannibalism and its relationship to colonialism. [4]

MexiCali Biennial 2006

The 2006 MexiCali Biennial started in the border town of Mexicali, MX, at alternative art and music space La Casa de la Tia Tina before traveling to Chavez Studios in Los Angeles. It included installations and border-crossing interventions by Los Angeles and Mexicali based artists. 2006 California based artists exhibiting in Mexicali: [5]

2006 Mexico based artists exhibiting in East Los Angeles:

Musical guests included Lysa Flores, Olin, DJ Santos, DJ Chips and DJ Magallanes. MexiCali Biennial 2006 curators were Ed Gomez, Luis G. Hernandez and Pilar Tompkins-Rivas.

MexiCali Biennial 09/10

The second round of programming for the MexiCali Biennial occurred 3 years after the first, spanning two years in four sites in Mexico and California. Venues in Mexico were Casa de Tunel in Tijuana and Mexicali Rose and Sala de Arte UABC in Mexicali. The exhibition culminated in a showcase at OTIS Ben Maltz Gallery in Los Angeles. [6] As with 2006 programming, border interventions, site specific performances and installations occurred along the US/Mexico border, including a soccer game by the artist collective Homeless. [7] [8] MB 09/10 artists:

MexiCali Biennial 09/10 curators were Ed Gomez, Luis G. Hernandez and Amy Pederson Converse. [9] [10]

MexiCali Biennial 2013: Cannibalism in the New World

The 2013 programming was the first time that an official theme was conceived for the exhibitions. The theme of Cannibalism was influenced by philosopher Catalin Avramescu's research on the cannibal throughout history, in particular its place in colonialism. [11] [12] MB curator and art historian Amy Pederson Converse states, "There is no need to draw a line between actual and symbolic anthropophagy; they are part of the same system of meaning. Through ingestion, digestion, and subsumation, the cannibal bridges the gap between political science and moral philosophy, nature and civilization, north, south, east and west, the self and the other." [13] Artists chosen for MB 2013 were:

Musical performance by Los Nuevos Maevans. [14] MexiCali Biennial 2013: Cannibalism in the New World was curated by Ed Gomez, Luis G. Hernandez and Amy Pederson Converse. Exhibitions were hosted by alternative art space Mexicali Rose and Vestibulo de la Facultad de Artes, UABC in Mexicali as well as the Vincent Price Art Museum in Los Angeles.

MexiCali Biennial 2018–2020

The MB 2018-2020 round of programming will examine the character of Calafia and the myth of the island of California. Events and exhibitions occurred at LACE (Los Angeles Contemporary Exhibitions) Hollywood, the Robert and Francis Fullerton Museum (San Bernardino), the Armory Center for the Arts (Pasadena), Steppling Art Gallery (Calexico), Planta Libre Galeria Experimental (Mexicali), the Institute for Cultural Research Museum (Mexicali), i21 art space (Mexicali) and across the US/MX border.

Artists who participated in Calafia: Manifesting the Terrestrial Paradise:

Luis Alonso-Sanchez, Nicole Antebi Antena, Jacinto Astiazarán, Edna Avalos, Abraham Avila, Raul Baltazar, Juan Bastardo, Chelle Barbour, Mely Barragán, Carlos Beltran, Amber Bowser, Miguel Buenrostro, Cali (Claudia Algara), Chris Christion, Cog•nate Collective, Artemisa Clark, Abigail Raphael Collins, Nikki Darling, Yutsil Cruz, Victoria Delgadillo, David de Rozas, DINO DINCO, Dani Dodge, Dean Erdmann, Carmina Escobar, Melora Garcia, Melanie Griffin, Jorge Gutierrez, Rebeca Hernandez, Kenyatta A.C. Hinkle, Xandra Ibarra, Invasorix, Haydeé Jiménez, Kristi Lippire, Keaton Macon, Maya Mackrandilal, Ruben Garcia Marrufo, Max Martinez, Jane C. Mi, Mayte Miranda, Chinwe Okona, noé olivas, Jason Magabo Perez, Adee Roberson, Mónica Rodríguez, Sandy Rodriguez, Julio Romero, Enid Baxter Ryce, Timo Saarelma, Paulina Sánchez, Andrea Santizo, Slanguage, #SNATCHPOWER, Mariangeles Soto-Diaz, Erik Moskowitz, Hillary Mushkin, Jeniffer Pereda, Jessica Sevilla, Sergio Teran, Amanda Trager, Diane Williams, Jenny Yurshansky, and Kim Zumpfe. [15]

Related Research Articles

<span class="mw-page-title-main">Rodolfo Abularach</span> Guatemalan painter and printmaker (1933–2020)

Rodolfo Abularach was a Guatemalan painter and printmaker of Palestinian descent.

<span class="mw-page-title-main">Colección Jumex</span> Museum in Mexico City, Mexico

Colección Jumex is a private art collection owned by Eugenio López Alonso. It includes around 2,800 works by Damien Hirst, Andy Warhol, Gabriel Orozco, Cy Twombly, Jeff Koons, Marcel Duchamp, Andreas Gursky, Darren Almond, Tacita Dean, Olafur Eliasson, Martin Kippenberger, Carl Hopgood, Bruce Nauman, David Ostrowski, Francis Alÿs, Urs Fischer, Gego, Donald Judd, Ed Ruscha, Nancy Rubins, Richard Prince, Stefan Brüggemann, and Martin Creed.

<span class="mw-page-title-main">Kcho</span>

KCHO, born Alexis Leiva Machado on the Isle of Pines (1970), is a contemporary Cuban artist. He first attracted international attention by winning the grand prize at South Korea's Gwangju Biennale in 1995.

Raúl Zamudio is a New York-based independent curator, art critic, art historian and educator.

<span class="mw-page-title-main">SITE Santa Fe</span>

SITE Santa Fe is a nonprofit contemporary arts organization based in Santa Fe, New Mexico. Since its founding in 1995, SITE Santa Fe has presented 11 biennials, more than 90 contemporary art exhibitions, and works by more than 800 artists. Following its presentation of the first international biennial of contemporary art in the U.S., SITE expanded its programming to include ongoing exhibitions of notable artists in solo and group shows, often including new commissions and U.S. debuts. While SITE presents artists from all over the world, it has also provided support and career development opportunities for local New Mexico talent. Approximately 20% of the exhibited artists are based in New Mexico.

<span class="mw-page-title-main">Shamim M. Momin</span>

Shamim M. Momin is an American art director and curator of contemporary art.

<span class="mw-page-title-main">Gerardo Mosquera</span>

Gerardo Mosquera is a freelance curator, critic, art historian, and writer based in Havana, Cuba. He was one of the organizers of the first Havana Biennial in 1984 and remained central to the curatorial team until he resigned in 1989. Since then, his activity turned to be mainly international: he has been traveling, lecturing and curating exhibitions in more than 80 countries. Mosquera was adjunct curator at the New Museum of Contemporary Art, New York, from 1995 to 2009. Since 1995 he is advisor in the Rijksakademie van Beeldende Kusten in [Amsterdam]. His publications include several books on art and art theory, and more than 600 articles, reviews and essays have appeared in numerous magazines, including: Art Nexus, Cahiers, Lápiz, Neue Bildende Kunst, Oxford Art Journal, Poliester, Third Text. Among other volumes, Mosquera has edited Beyond the Fantastic: Contemporary Art Criticism from Latin America and co-edited Over Here: International Perspectives on Art and Culture. His theoretical essays – which have been influential in discussing art’s cultural dynamics in an internationalized world, and contemporary Latin American art – are dispersed in English, but have been collected in books in Caracas and Madrid in Spanish, and in Chinese in Beijing. Mosquera was the Artistic Director of PHotoEspaña, Madrid (2011–2013), the Chief Curator of the 4th Poly/Graphic San Juan Triennial (2015-2016), co-curator of the 3rd Documents, Beijing (2016) and co-curator of the Guangzhou Image Triennial (2021).

Meg Linton is an American curator of contemporary art and a writer. Her curatorial efforts have ranged from historical investigations such as "Doin’ It in Public: Feminism and Art at the Woman’s Building", "The Los Angeles School: Karl Benjamin, Lorser Feitelson, Frederick Hammersley, June Harwood, Helen Lundeberg, John McLaughlin", and "In the Land of Retinal Delights: The Juxtapoz Factor" to showcasing the work of single artists who are stylistically different such as "Alison Saar: STILL.. .", "Robert Williams: Through Prehensile Eye," and "Joan Tanner: On Tenderhook" to group exhibitions such as "Mexicali Biennial 2010," "Do It Now: Live Green!" and "Tapping the Third Realm."

Patricia Martín Méndez is a curator and art writer. She has conceptualized and directed three of the most relevant contemporary art foundations in Latin America: Colección Jumex, Fundación Alumnos 47 y Fundación Casa Wabi. In addition to creating the infrastructure to operate these institutions, she also served as chief curator, director of acquisitions; and she developed and promoted their educational, sponsorship and scholarship programs.

Susana Rodríguez is a Mexican visual artist who has had a number of solo exhibitions and has participated in various group exhibitions. Her work often consists of installations.

<span class="mw-page-title-main">Hugo Crosthwaite</span>

Hugo Crosthwaite is a contemporary figurative artist who is best known for his black and white graphite and charcoal drawings.

<span class="mw-page-title-main">Natalia Anciso</span> Chicana-Tejana visual artist

Natalia Anciso is an American Chicana-Tejana contemporary artist and educator. Her artwork focuses primarily on issues involving Identity, especially as it pertains to her experiences growing up along the U.S.-Mexico Border, via visual art and installation art. Her more recent work covers topics related to education, human rights, and social justice, which is informed by her experience as an urban educator in the San Francisco Bay Area. She is a native of the Rio Grande Valley of South Texas and currently lives and works in Oakland, California.

Cesar Garcia is a Mexican-born American scholar, writer, curator, and educator. He is the founder and current director and chief curator of The Mistake Room, in Los Angeles.

Mitzi Pederson is an American artist specializing in abstract sculptural work. Pederson is known for her use of ordinary household, construction, and building materials to explore sculptural concepts of weight, tension, balance, and permanence. She is the recipient of a 2006 SECA Art Award. Pederson splits her time between San Francisco and Berlin.

Miguel Ángel Rojas is a Colombian conceptual artist born in Bogotá in 1946. His work includes drawing, painting, photography, installations and video and is often related to the sexuality, the marginal culture, the violence and problems involved with drug consumption and production.

Mario García Torres is a visual and conceptual artist. He has used various media, including film, sound, performance, ‘museographic installations’ and video as a means to create his art.

Erin Christovale is a Los Angeles–based curator and programmer who currently works as a curator at the Hammer Museum at the University of California, Los Angeles. Together with Hammer Museum Senior Curator Anne Ellegood, Christovale curated the museum's fourth Made in L.A. biennial in June 2018. She also leads Black Radical Imagination, an experimental film program she co-founded with Amir George. Black Radical Imagination tours internationally and has screened at MoMA PS1; Museum of Contemporary Art, Los Angeles; and the Museo Taller Jose Clemente Orozco, among other spaces. Christovale is best known for her work on identity, race and historical legacy. Prior to her appointment at the Hammer Museum, Christovale worked as a curator at the Los Angeles Municipal Art Gallery. She has a bachelor's degree from the University of Southern California School of Cinematic Arts.

<span class="mw-page-title-main">Abel Alejandre</span> Mexican artist

Abel Alejandre is a Mexican-born, United States-based hyperrealist artist, best known for his explorations of masculinity and vulnerability. Working primarily in pencil, Alejandre creates cross-hatched drawings which can sometimes take months to complete. Alejandre's series of twelve panels, "Panoramas," is featured at the Los Angeles Metro Rancho Park/Westwood station.

Hannah Black is a British visual artist, critic, and writer. Her work spans video, text and performance. She is best known for her open letter written with Ciarán Finlayson and Tobi Haslett, The Tear Gas Biennial, criticizing co-chair of the board of the Whitney Museum, Warren Kanders, and his philanthropic endeavors. These are allegedly made possible through the sale of tear gas and other weapons via Safariland. The letter prompted artists to withdraw works from the 2019 Whitney Biennial.

Mia Locks is a contemporary art curator and museum leader.

References

  1. Hernandez, Luis. "The MexiCali Biennial: A Binational Art Project". Beyond Borders Gazette. Retrieved 25 April 2017.
  2. Knight, Christopher. "Art review: At MexiCali Biennial, cannibalism is consuming theme". LATimes.com. Retrieved 24 April 2017.
  3. "Pilar Tompkins:Mentors". BTWConnect.
  4. Vikram, Anuradha. "The Art of Anthropophagy". X-Tra.
  5. "MexiCali Biennial 2006".
  6. "MexiCali Biennial 2009/2010" (PDF). Otis College of Art and Design. Retrieved 24 April 2017.
  7. "transborder1". Youtube.com. Retrieved 24 April 2017.
  8. "transborder2". YouTube.com. Retrieved 24 April 2017.
  9. "Otis Ben Maltz Gallery: MexiCali Biennial 09/10". YouTube.com. Retrieved 24 April 2017.
  10. "MexiCali Biennial 2009/10". mexicalibiennial.org. Retrieved 24 April 2017.
  11. Knight, Christopher. "Art review: At MexiCali Biennial, cannibalism is consuming theme". latimes. Retrieved 25 April 2017.
  12. Rabe, John. "Feast on the MexiCali Biennial at Vincent Price Art Museum. This year: Cannibalism". Off Ramp. Retrieved 25 April 2017.
  13. Pederson Converse, Amy. "MexiCali Biennial 2013". mexicalibiennial.org. Retrieved 24 April 2017.
  14. "Los Nuevos Maevans at the MexiCali Biennial 2013". YouTube.com. Retrieved 24 April 2017.
  15. "2018/19/20 – Mexicali Biennial". mexicalibiennial.org. Retrieved 2020-09-15.