Michael Ahlers (born 1973) is a German music educator.
Ahlers graduated as a teacher for secondary education in the subjects Germanistics and literature and music with the artistic main subject guitar as well as musicology. After his studies, he worked as managing editor of the journal Musikunterricht und Computer (MUC) at Lugert Verlag . After the third issue, he took over editorial activities in the publishing house and additionally supervised individual projects in the areas of "Content Management" as well as "Network Administration". [1] Since 2005, he worked as a research assistant at the Paderborn University and in 2008, he received his Dr. phil. [2] Since 2009 he was academic council at the Paderborn University.
In 2010, he received an appointment to a professorship in music education with a focus on digital media at the Leopold Mozart Centre of the University of Augsburg. Since June 2012, he has held a professorship for music education at the Leuphana Universität Lüneburg. In September 2012, he accepted the appointment to a professorship for music didactics with a focus on pop music at the same University. [1]
Friedrich Blume was professor of musicology at the University of Kiel from 1938–1958. He was a student in Munich, Berlin and Leipzig, and taught in the last two of these for some years before being called to the chair in Kiel. His early studies were on Lutheran church music, including several books on J.S. Bach, but broadened his interests considerably later. Among his prominent works were chief editor of the collected Praetorius edition, and he also edited the important Eulenburg scores of the major Mozart Piano Concertos. From 1949 he was involved in the planning and writing of Die Musik in Geschichte und Gegenwart. Coincidentally he died within a few weeks of another prominent Mozart musicologist, Cuthbert Girdlestone, and was thus almost his exact contemporary.
Hymnen is an electronic and concrete work, with optional live performers, by Karlheinz Stockhausen, composed in 1966–67, and elaborated in 1969. In the composer's catalog of works, it is Nr. 22.
Wilhelm Ehmann was a German musicologist, editor, church musician and conductor. He founded the choir Westfälische Kantorei that toured internationally and made many recordings. He was a cofounder and director of the later Hochschule für Kirchenmusik Herford.
Renate Wieland was a German philosopher, music pedagogue and musicologist.
Silke Leopold is a German musicologist and university lecturer.
Joseph Maria Müller-Blattau was a German musicologist and National Socialist cultural official. He is regarded as a "nestor of Saarbrücken musicology" but also as a "singer of a musical seizure of power" because of his activities in National Socialism.
Hans Heinrich Eggebrecht was a German musicologist and professor of historical musicology at the Albert-Ludwigs-Universität in Freiburg.
Albrecht Riethmüller is a German musicologist.
Bernd Riede is a German music educator, author of several textbooks and director of studies at the Friedrich-Engels-Gymnasium (Berlin) in the Reinickendorf borough of Berlin.
Hermann Danuser is a Swiss-German musicologist.
Hans Joachim Marx is a German music historian. He has been professor for European music history at the University of Hamburg.
Walther Hermann Vetter was a German musicologist. From 1946 to 1958, he was professor at the Humboldt University of Berlin.
Arno Forchert was a German musicologist.
Jobst Peter Fricke is a German musicologist and professor at the musicological institute of the University of Cologne.
Karl-Heinz Reinfandt is a German musicologist and music educator.
Günter Kleinen is a German musicologist and professor of musicology with a focus on music education and systematic musicology as well as music psychology.
Günther Rötter is a German musicologist and music psychologist.
Werner Felix was a German music historian and Bach scholar. He was rector of the Hochschule für Musik Franz Liszt, Weimar and the University of Music and Theatre Leipzig as well as president of the Chopin-Gesellschaft of the DDR.
Gustav Fock was a German music historian, editor early music and organologist. He is considered the most important Schnitger researcher of his time.
Peter Sühring is a German musicologist, publicist and music critic.