New jack swing, new jack, or swingbeat is a fusion genre of the rhythms and production techniques of hip hop and dance-pop, and the urban contemporary sound of R&B. Spearheaded by producers Teddy Riley, Bernard Belle, Jimmy Jam and Terry Lewis, new jack swing was most popular from the late 1980s to early 1990s.
Gregory Oliver Diamond was an American pianist, drummer, songwriter, and producer who was active in the jazz and disco music scenes of the 1970s.
"Popcorn" is an instrumental song composed by Gershon Kingsley in 1969 for the album Music to Moog By. It was performed on the Moog synthesizer and released on the Audio Fidelity label. The name is a combination of pop for pop music and corn for kitsch. The song became a worldwide hit in 1972, when it was covered by Hot Butter, an American pop band. Since then, multiple versions of the piece have been produced and released, including those by Vyacheslav Mescherin, Anarchic System, Popcorn Makers, the Boomtang Boys, M & H Band, Crazy Frog, and the Muppets.
"Sadeness (Part I)" is a song by German musical project Enigma, released in October 1990 by Virgin Records as the lead single from their first album, MCMXC a.D. (1990). It was written by Michael Cretu, Fabrice Cuitad and Frank Peterson, and produced by the latter. The song features French lyrics whispered by Cretu's then-wife, Sandra and became an international hit, reaching number one in 14 countries. In the United States, it peaked at number five on the Billboard Hot 100 and number one on both the Dance Club Play and 12-inch Singles Sales charts. Its music video was directed by Michel Guimbard, featuring a scribe dreaming of wandering into The Gates of Hell. A sequel to the song, "Sadeness (Part II)" featuring Anggun, was released on Enigma's eighth studio album, The Fall of a Rebel Angel (2016).
T-Connection was a funk and disco group from Nassau, the Bahamas, who scored two hits on the Billboard Hot 100 between 1977 and 1979. They did better on the US Hot Dance Music/Club Play chart, where they had five Top 10 hits, including "Do What You Wanna Do", which reached #1, and "Everything Is Cool", which peaked at #10 on the US Billboard R&B chart. In the United Kingdom, they scored five entries in the UK Singles Chart, with "Do What You Wanna Do" their highest placed success at #11.
Marvin Burns, known by his stage name Li'l Louis, is a Chicago-born house-music producer and DJ. He scored a number of hits on the Billboard Hot Dance Music/Club Play chart in the 1980s and 1990s, three of which hit #1.
Brothers in Rhythm are a British electronic music group comprising Dave Seaman, Steve Anderson and Alan Bremner. The group was originally a duo comprising Seaman and Anderson, with Bremner joining later in 1999. They have remixed and/or produced tracks by Lulu, M People, Secret Life, Rebekah Ryan, Seal, Janet Jackson, Michael Jackson, Orchestral Manoeuvres in the Dark, New Order, Dannielle Gaha, Pet Shop Boys, Kylie Minogue, Garbage, Placebo, Alanis Morissette, U2 and many others.
Blue Pearl are an English electronic music duo consisting of American female singer Durga McBroom and British musician Youth. They charted six times on the UK singles chart and had two songs reach the US Billboard Hot Dance Club Play chart.
"So Emotional" is a song by American singer Whitney Houston. It was released as the third single from her second studio album Whitney (1987) on October 12, 1987 by Arista Records. The song was written by Billy Steinberg and Tom Kelly and produced by Narada Michael Walden.
"Black or White" is a song by the American singer Michael Jackson, released by Epic Records on November 11, 1991, as the first single from Jackson's eighth studio album, Dangerous (1991). Jackson wrote, composed, and produced it with Bill Bottrell. Epic Records described it as "a rock 'n' roll dance song about racial harmony".
"I Feel Love" is a song by the American singer Donna Summer. Produced and co-written by Giorgio Moroder and Pete Bellotte, it was recorded for Summer's fifth studio album, I Remember Yesterday (1977). The album concept was to have each track evoke a different musical decade; for "I Feel Love", the team aimed to create a futuristic mood, employing a Moog synthesizer.
"The Bomb! " is a house music track by Kenny Dope's musical production team The Bucketheads, released in February 1995 by Positiva and Henry Street Music. It was later dubbed into the project's sole album, All in the Mind (1995). The single was a commercial hit in the United Kingdom, reaching number five on the UK Singles Chart, while in the United States, it peaked at numbers 49 and 41 on the Billboard Hot 100 and Cash Box Top 100. Its music video was directed by British directors Guy Ritchie and Alex De Rakoff. In 2020, Slant Magazine ranked "The Bomb! " number 48 in their "The 100 Best Dance Songs of All Time" and in 2022, Rolling Stone ranked it number 77 in their "200 Greatest Dance Songs of All Time".
"SOS" is a song by Barbadian singer Rihanna, and included in her second studio album, A Girl like Me (2006). It was released on February 14, 2006, through Def Jam Recordings as the lead single of the album. "SOS" was written by J. R. Rotem and E. Kidd Bogart, with additional credit assigned to Ed Cobb for inspiration built around a sample of Soft Cell's 1981 recording of "Tainted Love". This song was written by Cobb in 1965, later influencing the creation of "SOS". Production of the dance-pop, hip hop and R&B song was handled by Rotem. Critical reception of "SOS" was generally positive, with the majority of music critics praising the inclusion of the "Tainted Love" sample. Some critics compared "SOS" to Rihanna's debut single, "Pon de Replay".
"I Can't Go for That (No Can Do)" is a song by American duo Hall & Oates. Written by Daryl Hall, John Oates and Sara Allen, the song was released as the second single from their tenth studio album, Private Eyes (1981). The song became the fourth number one hit single of their career on the Billboard Hot 100. It features Charles DeChant on saxophone.
"I'll Take You There" is a song written by Al Bell, and originally performed by soul/gospel family band the Staple Singers. The Staple Singers version, produced by Bell, was released on Stax Records in February 1972, and spent a total of 15 weeks on the charts and reached #1 on the Billboard Hot 100. By December 1972, it had sold 2 million units and is ranked as the 19th biggest American hit of 1972. It remains one of the best-selling gospel songs of all time.
"Ride on Time" is a song by the Italian house music group Black Box. It was released as a single in July 1989 and included on Black Box's debut album, Dreamland (1990).
"Break 4 Love" is a song written, produced, and recorded by Vaughan Mason, the principal member of American house-music group Raze, the song's original credited performer. The song, the group's only significant US hit, featured vocals by Keith Thompson and Vaughan Mason, as well as sexual sound samples by Erique Dial. The single peaked at number 28 on the UK Singles Chart and topped the US Billboard Hot Dance Club Play chart in 1988. It is still considered a classic of the early house music genre.
"I'm in Love" is a 1981 single by singer Evelyn King. The single was a hit on three different music charts in the United States, hitting number one on both the Soul and dance charts and number 40 on the Billboard Hot 100. It was the first of two chart entries by King to reach number one on both the Soul and dance charts.
"Let's All Chant" is a song written by American record producer and composer Michael Zager and Alvin Fields, and performed by the Michael Zager Band. It was based on an idea originally suggested by former A&M Records head of A&R Jerry Love after he visited clubs in New York and saw people endlessly chanting "Ooh-ah, Ooh-ah". Although Zager was first embarrassed when Love asked him to write a song using these chants, he accepted the proposal and later co-wrote "Let's All Chant" with Fields.
"Harlem Shake" is a song recorded by American DJ and producer Baauer. It was released as his debut single on May 22, 2012, by Mad Decent imprint label Jeffree's. The uptempo song—variously described as trap, hip hop or bass music—incorporates a mechanical bassline, Dutch house synth riffs, a dance music drop, and samples of growling-lion sounds. It also samples Plastic Little's 2001 song "Miller Time", specifically the vocal "then do the Harlem shake", which is an allusion to the dance of the same name. Baauer added a variety of peculiar sounds to the song so that it would stand out.
