Michael Okuda | |
|---|---|
 Okuda in 2013 | |
| Born | Tokyo, Japan |
| Known for | Star Trek, NASA |
| Spouse | Denise Okuda |
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Michael Okuda is an American graphic designer best known for his work on Star Trek including designing futuristic computer user interfaces known as "okudagrams".
Okuda received a bachelor of art in communications from the University of Hawaiʻi.
In the mid-1980s, he designed the look of animated computer displays for the USS Enterprise-A bridge in Star Trek IV: The Voyage Home . [1] This led to a staff position on Star Trek: The Next Generation in 1987 as a scenic artist, adding detail to set designs and props. To The Next Generation he contributed the GUI of the fictional LCARS computer system used throughout the USS Enterprise-D and other Starfleet starships. In homage to its creator, this visual style has come to be known among fans as "okudagrams".
Okuda also served as a technical consultant on the various TNG-era Star Trek series along with Rick Sternbach, advising the scriptwriters on the technology used throughout the Star Trek universe such as the transporters and the warp drive. For example, Okuda created the Heisenberg compensator as a way to explain how Star Trek's fictional transporter might work, despite the limitation of the uncertainty principle. [2] Okuda famously answered the question "How does the Heisenberg compensator work?" with "It works very well, thank you." [3] This work resulted in a technical manual which was distributed to prospective scriptwriters along with the series bible. The manual was later published in revised and updated form as the Star Trek: The Next Generation Technical Manual by Pocket Books. Okuda then went on to write a number of Star Trek books with his wife, Denise. He continued working at Paramount Studios on multiple Star Trek series that followed The Next Generation, including as an art supervisor on Star Trek: Deep Space Nine , Star Trek: Voyager and through to the cancellation of Star Trek: Enterprise in 2005. [4] He also worked on the Star Trek movies that were produced while the various television series were in production. He also provided advice when CBS digitally remastered and updated special visual effects for the original series.
Okuda is known for including in-jokes within his designs. In April 2013, Phil Plait (Bad Astronomy blogger) reported that Okuda had included an oblique homage to The West Wing in the Voyager episode "Imperfection", by having Seven of Nine look at a list of Voyager crew who had died, and there listing Commander J. Bartlett (intentional misspelling), Lieutenant Commander L. McGarry, Lieutenant Commander T. Ziegler, Lieutenant J. Lyman, Lieutenant S. Seaborn, Ensign Claudia J. Craig (intentional misspelling) and Ensign Charles Young. Plait reported contacting Okuda who revealed that Okuda and his wife, Denise and graphic artist James Van Over, were all huge fans of The West Wing. Okuda is reported as saying that "one of my rules regarding jokes was that they should never be apparent to the casual viewer. If they were, they would yank the viewer out of the story, and that would be a serious disservice to both. For this reason, I generally tried to keep the text on such gags at the ragged edge of legibility." [5]
Mike and Denise Okuda served as consultants on the project to upgrade Star Trek: The Next Generation to high definition. [6] They also created the text commentaries in the ten Star Trek Special Edition DVD movies, as well as special text commentaries for the Star Trek Fan Collection sets. In 2005, Okuda contributed as a consultant for Perpetual Entertainment in their development of the MMORPG Star Trek Online . [7] He also helped with the cataloging of items for the auction of Star Trek memorabilia by Christie's auction house. The event, and the preparation for it, is included in the History Channel documentary film Star Trek: Beyond the Final Frontier .
In a 2016 interview, Okuda said that his "favorite" Star Trek series is: "The Original Series. No question." [8]
Okuda designed logos for a number of NASA missions and programs including the STS-125 mission of Space Shuttle Atlantis to repair the Hubble Space Telescope and the Ares I-X development test flight. His work for Project Constellation, subsequently cancelled, included logos for the Ares booster, the Altair lunar lander, and the Orion spacecraft, designed to carry astronauts to the International Space Station and to return humans to the Moon. [1] The Orion logo was unveiled on August 26, 2006. [9] Okuda also designed a team emblem for the planned STS-400 rescue mission, which would have been launched if there had been a major problem during the STS-125 mission. [1]
In 2015, Okuda served as a visual consultant for the pilot Firestorm , [10] a crowd-funded project set up by Jamie Anderson, son of Gerry Anderson, creator of Thunderbirds . Firestorm used advances in animatronic marionettes, props and miniature set design dubbed 'Ultramarionation'.
After Terry Matalas took over as showrunner of Star Trek: Picard at the start of season two, he and production designer Dave Blass invited creative/technical production staff he had previously worked with on Voyager back to work on Picard including Mike and Denise Okuda. [11]
Okuda also worked on the Netflix series Space Force , the Clint Eastwood film Richard Jewell , Mark Altman's Pandora , and as a technical advisor on Ronald D. Moore's For All Mankind . [12]
For his work as the designer of many NASA mission patches, Okuda received the NASA Exceptional Public Service Medal. He was presented with the award at a ceremony at the Johnson Space Center in Houston, Texas on July 9, 2009. [13]
In 2022, Okuda and his wife Denise were awarded a "Lifetime Achievement Award" from the Scenic, Title & Graphic Artists council of the Art Directors Guild. [14]
The Cardassians are a fictional extraterrestrial species in the American science fiction franchise Star Trek. They were devised in 1991 for the series Star Trek: The Next Generation before being used in the subsequent series Star Trek: Deep Space Nine and Star Trek: Voyager.
Enterprise or USS Enterprise, often referred to as the Starship Enterprise, is the name of several fictional spacecraft, some of which are the main craft and setting for various television series and films in the Star Trek science fiction franchise. The most notable were Captain James T. Kirk's USS Enterprise (NCC-1701) from the original 1960s television series, and Captain Jean-Luc Picard's USS Enterprise (NCC-1701-D) from Star Trek: The Next Generation.
Starfleet is a fictional organization in the Star Trek media franchise. Within this fictional universe, Starfleet is a uniformed space force maintained by the United Federation of Planets as the principal means for conducting deep space exploration, research, defense, peacekeeping, and diplomacy. While most of Starfleet's members are human and it has been headquartered on Earth, hundreds of other species are also represented. Most of the franchise's protagonists are Starfleet commissioned officers.
In the Star Trek fictional universe, shields refer to a 23rd and 24th century technology that provides starships, space stations, and entire planets with limited protection against damage. They are sometimes referred to as deflectors, deflector shields, or screens. Types of shields include navigational deflectors.
USS Voyager(NCC-74656) is the fictional Intrepid-class starship which is the primary setting of the science fiction television series Star Trek: Voyager. It is commanded by Captain Kathryn Janeway. Voyager was designed by Star Trek: Voyager production designer Richard D. James and illustrator Rick Sternbach. Most of the ship's on-screen appearances are computer-generated imagery (CGI), although models were also sometimes used. The ship's motto, as engraved on its dedication plaque, is a quote from the poem "Locksley Hall" by Alfred, Lord Tennyson: "For I dipt in to the future, far as human eye could see; Saw the vision of the world, and all the wonder that would be."
The bat'leth is a double-sided scimitar/hook sword/lujiaodao hybrid-edged weapon with a curved blade, four points, and three handholds on the back. It was designed and created by Star Trek: The Next Generation visual effects producer Dan Curry for the Star Trek franchise, where it is the characteristic close combat weapon of Klingons. Curry has called the bat'leth "one of the iconic images associated with the show." It has spawned a smaller weapon, which became known as the mek'leth; in Klingon, this is written meqleH. A third weapon, a kur'leth, was later designed by Dan Curry, for Season 3 of Star Trek: Picard. Bat'leths have become an enduring symbol of the franchise among fans, and they are occasionally referenced in other media.
The Star Trek Encyclopedia: A Reference Guide to the Future is a 1994 encyclopedia of in-universe information from the Star Trek television series and films. It was written by Michael Okuda and Denise Okuda, who were production staff on Star Trek: The Next Generation, Star Trek: Deep Space Nine and Star Trek: Voyager and Debbie Mirek. It was illustrated by Doug Drexler.
In the Star Trek franchise, the Klingon Empire makes use of several classes of starships. As the Klingons are portrayed as a warrior culture, driven by the pursuit of honor and glory, the Empire is shown to use warships almost exclusively and even their support ships, such as troop transports and colony ships, are armed for battle. This contrasts with the exploration and research vessels used by Starfleet, the protagonists of the franchise. The first Klingon ship design used in The Original Series, the D7-class battlecruiser, was designed by Matt Jefferies to evoke a shape akin to that of a manta ray, providing a threatening and instantly recognizable form for viewers. The configuration of Jefferies's design featured a bulbous forward hull connected by a long boom to a wing-like main hull with the engine nacelles mounted on each wingtip. Though a variety of Klingon ships have appeared in Star Trek, their design generally conforms to this style. Most Klingon vessels were physically built as scale models, although later computer-generated imagery was used to create the models. In recent years, many of the original studio models have been sold at auctions.
Runabouts are a fictional class of small, multi-purpose starships appearing in the Star Trek science-fiction franchise, primarily the television series Star Trek: Deep Space Nine, which aired on syndicated television between 1993 and 1999. They served as a means of transport for the crew of the fictional space station Deep Space Nine, in the early seasons of the series enabling storylines taking place away from the station.
USS Enterprise (NCC-1701-D), or Enterprise-D, to distinguish it from other vessels with the same name, is a starship in the Star Trek media franchise. Under the command of Captain Jean-Luc Picard, it is the main setting of Star Trek: The Next Generation (1987–1994) and the film Star Trek Generations (1994). It has also been depicted in various spinoffs, films, books, and licensed products.
The Star Trek franchise has produced a large number of novels, comic books, video games, and other materials, which are generally considered non-canon.
Shuttlecraft are fictional vehicles in the Star Trek science fiction franchise built for short trips in space, such as between a planetary surface and orbit. Also referred to as shuttles, their introduction preceded the development of the Space Shuttle.
The Star Trek canon is the set of all material taking place within the Star Trek universe that is considered official. The definition and scope of the Star Trek canon has changed over time. Until late 2006, it was mainly composed of the live-action television series and films before becoming a more vague and abstract concept. From 2010 until 2023, the official Star Trek website's site map described their database, which listed both animated and live-action series and films as its sources, as "The Official Star Trek Canon."
Richard Michael Sternbach is an illustrator who is best known for his space illustrations and his work on the Star Trek television series.
Denise Lynn Okuda is a computer, scenic and video supervisor, and a writer known for her work on several Star Trek film and television productions, as well as other science fiction television. She also co-authored the Star Trek Encyclopedia and the Star Trek Chronology.
Andre Bormanis is an American television producer, screenwriter, and author of the book Star Trek: Science Logs. Bormanis is most notable for his involvement in the long-running Star Trek franchise, and was the science consultant on Star Trek: The Next Generation, Star Trek: Deep Space Nine, Star Trek: Voyager and Star Trek: Enterprise. He also wrote a number of episodes of the Star Trek: Voyager series and became a writer and producer on the Enterprise series, as well as acting as a science/technical advisor on two of the Next Generation films.
Doug Drexler is an Oscar winning visual effects artist, designer, sculptor, illustrator, and a makeup artist who has collaborated with such talents as Al Pacino, Dustin Hoffman, James Caan, Meryl Streep, and Warren Beatty. He began his career in the entertainment industry working for makeup artist Dick Smith on such films as The Hunger and Starman. He has also contributed to Three Men and a Little Lady, The Cotton Club, FX, Manhunter and Dick Tracy. Dick Tracy earned Drexler an Oscar, as well as The British Academy Award and the Saturn Award for his special makeup effects on characters such as Big Boy Caprice and Mumbles. Two Emmy nominations in the same field followed for three years working on Star Trek: The Next Generation, where he performed such tasks as aging Captain Picard for "The Inner Light". His final make-up job for the series was the Mark Twain makeup worn by Jerry Hardin in the two part episode "Times Arrow"
The Star Trek franchise features many spacecraft. Various space vessels make up the primary settings of the Star Trek television series, films, and expanded universe; others help advance the franchise's stories. Throughout the franchise's production, spacecraft have been depicted by numerous physical and computer-generated models. Producers worked to balance often tight budgets with the need to depict convincing, futuristic vessels.
The third and final season of the American television series Star Trek: Picard features the character Jean-Luc Picard in the year 2401 as he reunites with the former command crew of the USS Enterprise while facing a mysterious enemy who is hunting Picard's son. The season was produced by CBS Studios in association with Secret Hideout, Weed Road Pictures, and Roddenberry Entertainment, with Terry Matalas serving as showrunner.
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