Michael Townsend Smith (born October 5, 1935) is an American playwright, theatre director, impresario, critic, and lighting designer.
Smith was born in Kansas City, Missouri, and received his primary education in Kansas City. He then went to the Hotchkiss School and to Yale University.
He was a theatre critic for The Village Voice during the 1960s and early 1970s, and was active in the development of Off-Off-Broadway theatre in New York City. He also worked as a director, playwright, and lighting designer during this time. Smith directed early works by Sam Shepard, Ronald Tavel, María Irene Fornés, Emanuel Peluso, Jean-Claude van Itallie, Soren Agenoux, H. M. Koutoukas, and William M. Hoffman, and others. [1] He also directed some of his own plays, and works by Samuel Beckett, Edward Albee, Christopher Fry, and Gertrude Stein.
During the 1960s, Smith interviewed Wolfgang Zuckermann, noted manufacturer and scholar of harpsichords, for The Village Voice. They became friends and collaborated on projects in the performing arts. These projects included the Sundance Festival of Chamber Arts, a performing arts festival in rural Pennsylvania, and an unsuccessful attempt to revive the Caffe Cino, an early off-off-Broadway theater located near Zuckermann's workshop in Greenwich Village. [2] In the 1980s, Smith himself began to make harpsichords and fortepianos.
In the 1990s, Smith was the editor of Santa Barbara Magazine and founded Genesis West, a theatre company in Santa Barbara. They presented Smith's own plays and plays by Shepard, Fornes, and George F. Walker. He also worked as the arts editor of the Santa Barbara Independent and the music and dance critic for the Santa Barbara News-Press . In 2003, he moved to Silverton, Oregon, where he is affiliated with the Brush Creek Playhouse.
Smith's plays include Captain Jack's Revenge, Country Music, Cowgirl Ecstasy, Heavy Pockets, and Half Life. A number of his early plays were produced at La MaMa Experimental Theatre Club, an off-off-Broadway theatre in the East Village of Manhattan. These included The Next Thing (1966), directed by Jacques Levy and presented by The Open Theater at La MaMa; [3] Captain Jack's Revenge (1970), which Smith dedicated to Joe Cino; [4] and Prussian Suite, which featured music by John Smead and was in aid of H.M. Koutoukas. [5]
He also worked on a number of other productions at La MaMa during the 1960s and 1970s. He directed Emanuel Peluso's Hurricane of the Eye [6] and contributed slides to Robert Schwartz's Nova, [7] both in 1969. He then did lighting for Tom Murrin's Cock-Strong [8] and Son of Cock-Strong, [9] both directed by John Vaccaro in 1970. Also in 1970 he did lighting for Jackie Curtis' Heaven Grand in Amber Orbit, which was performed by the Playhouse of the Ridiculous. [10] Smith wrote the libretto for John Herbert McDowell's opera A Dog's Love, and played harpsichord in the 1971 production. A Dog's Love was produced alongside Smith's play Tony, performed by Lucy Silvay. [11] In 1973, he contributed to John Patrick Dodd's City of Light. [12] In 1991, he did the lighting design for a production of Jean-Claude van Itallie's Ancient Boys directed by Gregory Keller. [13]
More, More, More, I Want More was a three-minute play Smith wrote with Remy Charlip and Johnny Dodd. [14] They wrote the play for Joyce Aaron to perform at a 1965 benefit for La MaMa to upgrade its electrical wiring and devices. [15] The performance, called BbAaNnGg and organized by playwright Robert Patrick, consisted of over 25 three-minute skits and was reviewed by Smith in his Theatre Journal column. [16] [17] Smith also directed Charles Stanley and Ondine in a scene from a Koutoukas play at a production to benefit Koutoukas at La MaMa in 1974. [18]
Lanford Wilson was an American playwright. His work, as described by The New York Times, was "earthy, realist, greatly admired [and] widely performed." Wilson helped to advance the Off-Off-Broadway theater movement with his earliest plays, which were first produced at the Caffe Cino beginning in 1964. He was one of the first playwrights to move from Off-Off-Broadway to Off-Broadway, then Broadway and beyond.
Samuel Shepard Rogers III was an American actor, playwright, author, director and screenwriter whose career spanned half a century. He won 10 Obie Awards for writing and directing, the most by any writer or director. He wrote 58 plays as well as several books of short stories, essays, and memoirs. Shepard received the Pulitzer Prize for Drama in 1979 for his play Buried Child and was nominated for an Academy Award for Best Supporting Actor for his portrayal of pilot Chuck Yeager in the 1983 film The Right Stuff. He received the PEN/Laura Pels Theater Award as a master American dramatist in 2009. New York magazine described Shepard as "the greatest American playwright of his generation."
Jackie Curtis was an American actor, writer, singer, and Warhol superstar.
Mary Alice Smith, known professionally as Mary Alice, was an American television, film, and stage actress. Alice was known for her roles as Leticia "Lettie" Bostic on the sitcom A Different World (1987–1989) and Effie Williams in the 1976 musical drama Sparkle, and won an Emmy Award for Outstanding Supporting Actress for her recurring role on the series I'll Fly Away. Alice also performed on the stage, and received a Tony Award for Best Featured Actress in a Play for her appearance in the 1987 production of August Wilson's Fences.
David Patrick Kelly is an American actor, musician and lyricist who has appeared in numerous films and television series. He is best known for his role as the main antagonist Luther in the cult film The Warriors (1979). Kelly is also known for his collaborations with Spike Lee, in the films Malcolm X (1992), Crooklyn (1994), and Chi-Raq (2015), and with David Lynch, appearing in Wild at Heart (1990) as well as Twin Peaks (1990–91) and its 2017 revival.
Robert Patrick was an American playwright, poet, lyricist, short story writer, and novelist.
Wolfgang Joachim Zuckermann was a German-born American harpsichord maker and writer. He was known for inventing a highly popular kit for constructing new instruments and wrote an influential book, The Modern Harpsichord. As a social activist, he authored books including The Mews of London and The End of the Road.
Home Free! is a one-act play by American playwright Lanford Wilson. The play is among Wilson's earlier works, and was first produced off-off-Broadway at the Caffe Cino in 1964.
Magie Dominic is a Canadian poet, author, and artist who was born in Corner Brook, Newfoundland.
Joseph Cino, was an Italian-American theatre producer. The Off-Off-Broadway theatre movement is generally credited to have begun at Cino's Caffe Cino in the West Village of Manhattan.
William M. Hoffman was an American playwright, theatre director, editor, and professor.
Helen Hanft was an American actress.
Tom Eyen was an American playwright, lyricist, television writer and director. He received a Tony Award for Best Book of a Musical for Dreamgirls in 1981.
La MaMa Experimental Theatre Club is an Off-Off-Broadway theater founded in 1961 by African-American theatre director, producer, and fashion designer Ellen Stewart. Located in the East Village neighborhood of Manhattan in New York City, the theater began in the basement boutique where Stewart sold her fashion designs. Stewart turned the space into a theater at night, focusing on the work of young playwrights.
Marguerite Duffy, known professionally as Megan Terry, was an American playwright, screenwriter, and theatre artist.
Jeffrey Weiss was an American playwright, impresario, and actor, both on Broadway and a theater he ran with partner Ricardo Martinez in the East Village, Manhattan.
Haralambos Monroe "Harry" Koutoukas was a surrealist playwright, actor and teacher. Along with Sam Shepard, Lanford Wilson, Doric Wilson, Tom Eyen and Robert Patrick, Koutoukas was among the artists who gave birth to the Off-Off Broadway theatre movement of the 1960s and 1970s.
Theatre Genesis was an off-off-Broadway theater founded in 1964 by Ralph Cook. Located in the historic St. Mark's Church in-the-Bowery in the East Village of Manhattan, it produced the work of new American playwrights, including Lanford Wilson, Tony Barsha, Murray Mednick, Leonard Melfi, Walter Hadler, and Sam Shepard. Theatre Genesis is often credited as one of the original off-off-Broadway theaters, along with Joe Cino's Caffe Cino, Ellen Stewart's La MaMa Experimental Theatre Club, and Judson Poets Theatre.
Jean-Claude van Itallie was a Belgian-born American playwright, performer, and theatre workshop teacher. He is best known for his 1966 anti-Vietnam War play America Hurrah;The Serpent, an ensemble play he wrote with Joseph Chaikin's Open Theatre; his theatrical adaptation of the Tibetan Book of the Dead; and his translations of Anton Chekhov's plays.
Anthony J. Ingrassia, better known as Tony Ingrassia, was an American director, producer, and playwright whose works were produced on Broadway, Off Broadway, Off-Off-Broadway, and internationally.