Micro-Phonies

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Micro-Phonies
Micrpphonries45.jpg
Lobby card for Micro-Phonies. Columbia Pictures incorrectly listed Harry Edwards as director instead of Ed Bernds.
Directed by Edward Bernds
Produced by Hugh McCollum
Written byEdward Bernds
Starring Moe Howard
Larry Fine
Curly Howard
Christine McIntyre
Symona Boniface
Gino Corrado
Fred Kelsey
Lynton Brent
Ted Lorch
Heinie Conklin
Chester Conklin
Judy Malcolm
Cinematography Glen Gano
Edited by Henry Batista
Distributed by Columbia Pictures
Release date
  • November 15, 1945 (1945-11-15)(U.S.)
Running time
16:53
CountryUnited States
LanguageEnglish

Micro-Phonies is a 1945 short subject directed by Edward Bernds starring American slapstick comedy team The Three Stooges (Moe Howard, Larry Fine and Curly Howard). It is the 87th entry in the series released by Columbia Pictures starring the comedians, who released 190 shorts for the studio between 1934 and 1959.

Contents

Plot

The trio are employed as handymen in a recording studio at the fictional radio station KGBY. Larry and Curly battle back and forth as they unhook a pipe to connect it to a radiator. Moe gets mad at the two of them, only to slip and fall down. While not doing their work, the trio watches a recording session through a window as Alice Van Doren (Christine McIntyre) sings "Voices of Spring". She is recording this song under a pseudonym (Miss Andrews) to audition for a radio show, an endeavor to which her father (Sam Flint) objects. After she finishes her song, the Stooges' boss (Fred Kelsey) comes into the room and sees them not working. He orders them to finish the job.

Outside in the hallway, Larry and Curly accidentally hit Moe with two long pieces of pipe, leading to an argument. Their boss intervenes and as he's yelling at them, he's accidentally struck with the same pipes. The Stooges flee into an adjoining recording room with their boss on their heels. The room is occupied by a bad-tempered Italian baritone singer/violinist (Gino Corrado) and piano player in a session. During the battle with their boss, they end up destroying the singer's glasses and violin. They defeat their boss only to have the irate singer attack them, forcing them to run again into another room.

Inside the room, which served as the recording room for Alice, they pretend to be recording a ridiculous soap commercial (with Moe portraying the voice of The Shadow radio narrator Bret Morrison), before finding Alice's record. Impressed by the operatic virtuosity of this stunningly beautiful soprano (Christine McIntyre was, in fact, a trained opera singer) Curly lip syncs, as the other stooges adorn him as a woman. Moe pretends to be playing a flute while Larry is "playing" the piano. Curly (in drag) is "heard" by the radio host Mrs. Bixby (Symona Boniface). Moe dubs Curly "Señorita Cucaracha," and the trio are hired to sing professionally on the radio, but must also appear at the home of the radio show's sponsor for a party.

The Stooges arrive at Mrs. Bixby's home and discover that the Italian baritone is also present. They proceed to sabotage his singing of "Vieni Sul Mar" by tossing cherries into his mouth, until he chokes on one and another guest is blamed. The team then has a brief quarrel prior to performing, resulting in Moe breaking the record over Curly's head. Ironically the quarrel was over protecting the record. Larry then notices a collection of records, hastily selects the "Lucia Sextet," and announces it as the "Sextet from Lucy". This song, however, requires pantomime by all three. This works well until the baritone recognizes them and unplugs the phonograph midway through the "Lucia Sextet", leaving the trio groaning out loud. They claim that Curly's voice is gone.

The trio tries to leave after the baritone makes a threatening gesture towards them. Alice Van Doren is also present at the party, and catches onto the boys' scheme. She aids them by singing "Voices of Spring" from behind a curtain, with Moe playing the flute off key, as Curly once again mimes the lyrics, so her father would properly judge her performance without knowing it was his daughter singing. The Italian baritone notices the ruse and reacts by tossing a banana into Curly's mouth, revealing the trio as phonies. He pulls back the curtain hiding the real singer, and removes Curly's wig.

Alice's father, however, sees that his daughter has genuine talent, and decides she should indeed pursue her singing career. As for the Stooges, they are pelted with records by the guests as they make a quick exit from the party.

Production notes

Micro-Phonies was filmed on June 4–7, 1945, several months after Curly Howard suffered a mild stroke. [1] His performances were marred by slurred speech and slower timing. Though Micro-Phonies was the first film released that was directed by novice director Edward Bernds, it was not his first attempt (that honor goes to the lackluster A Bird in the Head ). Understandably, Bernds was excited at his big chance to direct, but was shocked when he saw how ill Curly had become. [2] Years later, Bernds discussed his trying experience during the filming of A Bird in the Head:

"It was an awful tough deal for a novice rookie director to have a Curly who wasn't himself. [3] I had seen Curly at his greatest and his work in this film was far from great. The wallpaper scene was agony to direct because of the physical movements required to roll up the wallpaper and to react when it curled up in him. It just didn't work. As a fledgling director, my plans were based on doing everything in one nice neat shot. But when I saw the scenes were not playing, I had to improvise and use other angles to make it play. It was the wallpaper scene that we shot first, and during the first two hours of filming, I became aware that we had a problem with Curly." [2]

Bernds feared that his directing days would be over as soon as they began if A Bird in the Head (featuring a sluggish Curly) was released as his first effort. Producer Hugh McCollum acted quickly, and reshuffled the release order of the films Bernds had directed (Bernds had already completed Micro-Phonies and The Three Troubledoers in addition to A Bird in the Head). As a result, the superior Micro-Phonies (in which Curly was in much better form) was released first, securing Bernds' directing position. Bernds would forever be indebted to McCollum for this act of kindness; henceforth, McCollum produced all of Bernds' Stooge films. [3]

Bernds later recalled how Curly's condition was inconsistent:

"...it was strange the way he [Curly] went up and down. In the order I shot the pictures, not in the order they were released, he was down for A Bird in the Head and The Three Troubledoers, he was up for Micro-Phonies, way down for Monkey Businessmen and then up again, for the last time, in Three Little Pirates ." [4]

Footage was reused in the 1960 compilation feature film Stop! Look! and Laugh!

Quotes

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References

  1. Micro-Phonies threestooges.net
  2. 1 2 Howard Maurer, Joan; Jeff Lenburg; Greg Lenburg (2013) [1982]. The Three Stooges Scrapbook. Citadel Press. p. 76. ISBN   978-0-8065-0946-4.
  3. 1 2 Fleming, Michael (2002) [1999]. The Three Stooges: An Illustrated History, From Amalgamated Morons to American Icons. Broadway Publishing. pp. 79, 80. ISBN   0-7679-0556-3.
  4. Okuda, Ted; Watz, Edward; (1986). The Columbia Comedy Shorts, pp. 66-67, McFarland & Company, Inc., Publishers. ISBN   0-89950-181-8