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Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars.
Gloria Gaynor is an American singer, best known for the disco era hits "I Will Survive" (1978), "Let Me Know " (1979), "I Am What I Am" (1983), and her version of "Never Can Say Goodbye" (1974).
Donna Adrian Gaines, known professionally as Donna Summer, was an American singer and songwriter. She gained prominence during the disco era of the 1970s and became known as the "Queen of Disco", while her music gained a global following.
Jody Vanessa Watley is an American singer whose music crosses genres including pop, R&B, jazz, dance and electronic soul. During the late 1970s and early 1980s she was a member of the R&B/funk band Shalamar, who scored many hits, notably in the UK. In 1988, she won the Grammy Award for Best New Artist and has been nominated for three Grammy awards.
"Love Hangover" is a song by the Motown singer Diana Ross, recorded in 1975 and released as a single on March 16, 1976. It rose to number one on the Billboard Hot 100 and Hot-Selling Soul Singles. It also hit number one on the Record World disco charts.
Dance Club Songs was a chart published weekly between 1976 and 2020 by Billboard magazine. It used club disc jockeys set lists to determine the most popular songs being played in nightclubs across the United States.
Carol Douglas is an American singer whose hit "Doctor's Orders" (1974) was a pioneering track in the disco genre.
Evelyn "Champagne" King is an American singer, songwriter, and record producer. She is best known for her hit disco single "Shame", which was released in 1977 during the height of disco's popularity. King had other hits from the early through the mid–1980s including; "I'm in Love" (1981), "Love Come Down" (1982) and "Your Personal Touch" (1985).
Claudja Barry is a Jamaican-born Canadian singer. Her successful songs were "Down and Counting", "Boogie Woogie Dancin' Shoes", "Dancing Fever", and others. As an actress, she is known for appearing in the European versions of stage musicals AC/DC and Catch My Soul.
From October 26, 1974 until August 28, 1976, Billboard's Disco Action section published weekly single retail sales charts from various local regions along with Top Audience Response Records in their magazine. Billboard debuted its first national chart devoted exclusively to 12-inch Singles Sales in their issue dated March 16, 1985. This record type is most commonly used in disco and dance music genres where DJs use them to play in discos or dance clubs because of the exclusive extended remixes that are often only made available on this format, but Billboard's 12-inch Single Sales chart ranks releases by artists from all styles of music that release maxi-singles.
"Last Dance" is a song by American singer Donna Summer from the soundtrack album to the 1978 film Thank God It's Friday. It was written by Paul Jabara, co-produced by Summer's regular collaborator Giorgio Moroder and Pete Bellotte, and mixed by Grammy Award-winning producer Stephen Short, whose backing vocals are featured in the song.
"I Love the Nightlife (Disco 'Round)" is a popular disco song recorded by American singer-songwriter Alicia Bridges in 1978. It was released as the first single from her debut album, Alicia Bridges (1978), and went to number two on the US Billboard National Disco Action Top 30 (now the Dance Club Songs chart) for two weeks. It became a crossover hit, peaking at number five on the Billboard Hot 100, and found worldwide success, reaching the top 10 in Australia, Belgium, Canada, the Netherlands and South Africa, as well as making the reaching the top 30 in the UK. A re-release in 1994 allowed the song to reach number four in New Zealand and number five in Iceland.
"Try Me, I Know We Can Make It" is a song by American singer Donna Summer from her third studio album A Love Trilogy (1976).
"Can't Get Enough of Your Love, Babe" is a song written, recorded, and produced by American musician Barry White. Released in June 1974 as the first single from his third album, Can't Get Enough (1974), the song topped the US Billboard Hot 100 and Billboard R&B charts and has since become one of his signature tunes. It was his second US chart-topper, after "Love's Theme". It became a gold record in the US. White performed this song live on The Midnight Special in 1974, and on Soul Train on May 24, 1975.
Nu-disco is a 21st-century dance music genre associated with a renewed interest in the late 1970s disco, synthesizer-heavy 1980s European dance music styles, and early 1990s electronic dance music. The genre was popular in the early 2000s, and experienced a mild resurgence in the 2010s.
"You're My Driving Wheel" is a dance/disco song by The Supremes. The song was released on September 30, 1976 as the first single from their album Mary, Scherrie & Susaye. Along with the tracks, "Let Yourself Go" and "Love I Never Knew", "You're My Driving Wheel" peaked at number five on the disco chart. On the Soul chart, the single peaked at number fifty and number eighty-five on the Hot 100.
"I Love It" is a song by Australian singer-songwriter Kylie Minogue from her 15th studio album Disco (2020). It was released by Darenote and BMG on 23 October 2020. Minogue co-wrote the song with its producers Richard Stannard and Duck Blackwell.
"A Second to Midnight" is a song by Australian singer-songwriter Kylie Minogue and English singer-songwriter Olly Alexander, performing under his solo project Years & Years. The song was released on 6 October 2021. It serves as the lead single of Minogue's reissue album Disco: Guest List Edition, the re-release of her fifteenth studio album Disco (2020). The song is also included on the deluxe version of Years & Years' third studio album Night Call (2022) and featured as the intro music for the Night Call Tour. It marks the second collaboration between Minogue and Alexander following "Starstruck".
References
- ↑ Whitburn, Joel (2004). Hot Dance/Disco: 1974-2003. Record Research. p. 82.