Mira Bellwether | |
---|---|
Born | March 31, 1982 |
Died | December 25, 2022 40) (aged New York City, U.S. |
Occupation |
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Language | English |
Subject | Transgender sexuality |
Years active | 2010–2022 |
Notable works | Fucking Trans Women |
Mira Bellwether [lower-alpha 1] (March 31, 1982 –December 25, 2022) was an American author, artist, and sex educator [4] best known for Fucking Trans Women , a single-issue zine in which she wrote and illustrated all articles. Described in Sexuality & Culture as "a comprehensive guide to trans women's sexuality", [5] Fucking Trans Women was the first publication of note to focus on sex with trans women and was innovative in its focus on trans women's own perspectives and its inclusion of instructions for many of the sex acts depicted. [6] Bellwether was also an advocate for transgender women and in opposition to trans-exclusionary feminism.
Bellwether's work has served as an influence to trans writers, journalists, and scholars, particularly in the field of transgender sexuality. Her death in 2022 was met with grief in the trans community, in which her work had attained a "mythic status" according to Kai Cheng Thom in Xtra. [7]
Mira Bellwether [lower-alpha 1] was born on March 31, 1982. [8] Her mother, Tammy, was a hospice nurse; her father, Terry, was a respiratory therapist. In her youth she was diagnosed with an autoimmune disease, a disability that would frame the rest of her life. [4] Raised in the U.S. state of Iowa, she began playing dress-up with girls starting at the age of six, ending when her parents moved to a more rural area in her teens. Describing herself later as "the smallest, slightest boy [she] knew", Bellwether experimented with women's clothing and makeup—drag, in her words—while at the same time exploring her sexuality. [9] She left Iowa as soon as she was able to. [4] As of 2010, she described herself as "a trans dyke and student ... a femme, a queer, a dork, a cocksucker, and lots of other things". [1]
In 2010, living in Iowa at the time, [10] Bellwether self-published Fucking Trans Women #0 , intended as the first issue of a zine about sex with trans women. Finding submitted materials insufficient, she chose to make the zine a solo effort and number it "#0" to leave room for a "#1" featuring others' contributions. [11] (Bellwether grew frustrated in subsequent years as, despite issue #0's popularity, submissions for issue #1 failed to materialize. [4] ) The zine (sometimes abbreviated FTW) explores a variety of sexual activities involving trans women, [lower-alpha 2] primarily ones who are pre-op or non-op with respect to bottom surgery. [12] Bellwether emphasized sex acts possible with flaccid penises or not involving penises at all, [13] writing that "almost all sexual discourse on penises" was "on erect penises, hard penises, penetrating penises". [14] Bellwether emphasized this point throughout the rest of her life. She told Autostraddle in 2013: [15]
One thing that I really tried to capture in FTW was that there are all sorts of ways to pleasure trans women. I gave a lot of time to soft penises for this reason, because in sexual literature they are almost completely ignored, and if they're not ignored, they're treated as defective or at rest or, even worse, an object of pity or scorn.
This attitude subverted prevailing associations regarding inability to become erect. [16] Lucie Fielding's Trans Sex (2021) cites Bellwether on this topic among others. [17] Fielding later said of Bellwether's influence on her, "Her work is stating that our bodies should not just be tolerable or accepted, but that they are there to be joyously experienced", crediting Fucking Trans Women as "a huge lightbulb moment" in her own gender transition. [4]
Bellwether coined the term muffing in Fucking Trans Women to refer to stimulation of the inguinal canals with fingers, testicles, or both—a practice she discovered by accident while tucking. [18] The zine in turn popularized that act. [19] Muffing has since received coverage in Autostraddle, [20] Playboy , [18] Broadly , [12] and The Daily Dot , [21] with Fielding promoting it in Trans Sex [22] and in Jessica Stoya's sex advice column with Slate . [23] Bellwether likewise continued to promote muffing as an affirming form of masturbation in the years following the release of Fucking Trans Woman. [24]
Fucking Trans Women is heavily colored by Bellwether's own experiences as a disabled trans woman. Sexual health scholars Riggs et al. write in an editorial, "To speak of Mira Bellwether ... as a powerful trans advocate also requires speaking about Mira as a woman who lived in the context of a health-care system that failed to meet her needs." [25] Writes Sloane Holzer in Them : [4]
The innovative determination it takes to survive in the world as a disabled person is evident in FTW and all of Mira's writing about sex. She was tenacious and endlessly curious, always focused on sharing new, accessible ways to move through a hostile world and still find pleasure.
In her 20s and early 30s, Bellwether moved numerous times around the U.S. to cities including Chicago, Austin, and San Francisco, ultimately settling down in 2016 in New York City with her husband, who had read Fucking Trans Women for advice on dating his first trans girlfriend years prior to meeting Bellwether. [4] In 2020, the two launched a GoFundMe seeking funds for Bellwether's planned vaginoplasty. [26]
Bellwether was a strong critic of Valerie Solanas's radical feminist work SCUM Manifesto . In the context of some criticizing Solanas as trans-exclusionary, Bellwether wrote on her blog that the manifesto was "the pinnacle of misguided and hateful second-wave feminism and lesbian feminism". [27] She accused Solanas of biological essentialism for equating male-ness with having a Y chromosome in order to argue that "the male is an incomplete female, a walking abortion". [28] In the essay "On Liking Women", Andrea Long Chu objects to Bellwether's association of Solanas with lesbian feminism [29] and argues that, by associating trans-exclusionary radical feminism with second-wave feminism, Bellwether incorrectly implies that it is a relic of the past. [30]
In 2015, Bellwether advocated for the release of an Illinois trans woman who was arrested after checking in to a Des Moines, Iowa, hotel with an ID bearing a male gender marker. [31] Bellwether's other advocacy for trans women included supporting Camp Trans and speaking out for access to transgender hormone therapy. According to her widower, on at least one occasion she bailed out a transgender sex worker but took no credit. [4]
Bellwether was diagnosed with lung cancer in October 2021. The cancer returned at stage four in September 2022. On December 19, 2022, two weeks into a hospital stay, Bellwether was admitted to an intensive care unit, where she had a massive stroke; she died on December 25 beside her husband and sister. [32] Her death led to grief within many trans communities. [7] Bellwether's widower subsequently proclaimed March 31, 2023—Bellwether's birthday, and also International Transgender Day of Visibility—the "First Annual Mira Bellwether Buy a Trans Woman a Pizza Day", pizza in the trans community often serving as a placeholder for any sort of care. [33]
Trans author Emily Zhou described her short story collection Girlfriends as inspired by Bellwether's work. [34] Ro White of Autostraddle, obituarizing Bellwether, said that "Writing about trans bodies in a way that centers playfulness—or really, writing about trans bodies at all—was revolutionary in 2010, and it's still revolutionary today." [35] Ana Valens, who had frequently written about Bellwether's work, credited her career to her, writing in a tweet that Fucking Trans Women had "changed the landscape of trans and queer sexuality" and "saved countless trans people and opened their eyes to what their bodies can do and be". [36] Kai Cheng Thom in Xtra Magazine wrote that "Bellwether profoundly transformed the conversation around trans women and sex, to the extent that her zine has attained mythic status among us: We tell each other about it as though we are passing on community lore to one another." [7]
Riggs et al.'s December 2023 editorial in Women's Reproductive Health highlights the "outpouring of tributes" for "the late and great Mira Bellwether" as showing "how her words gave trans women and their lovers a voice to speak about desire and pleasure, when no one else outside of trans communities was speaking about trans women as desirable". [25] Holzer's profile in Them, published several months after Bellwether's death, begins, "Few people have done more to expand our understanding of women's sexuality than Mira Bellwether". [4]
A zine is a small-circulation self-published work of original or appropriated texts and images, usually reproduced via a copy machine. Zines are the product of either a single person or of a very small group, and are popularly photocopied into physical prints for circulation. A fanzine is a non-professional and non-official publication produced by enthusiasts of a particular cultural phenomenon for the pleasure of others who share their interest. The term was coined in an October 1940 science fiction fanzine by Russ Chauvenet and popularized within science fiction fandom, entering the Oxford English Dictionary in 1949.
Transfeminism, or trans feminism, is a branch of feminism focused on transgender women and informed by transgender studies. Transfeminism focuses on the effects of transmisogyny and patriarchy on trans women. It is related to the broader field of queer theory. The term was popularized by Emi Koyama in The Transfeminist Manifesto.
FTW or F.T.W. may refer to:
Sexual attraction to transgender people has been the subject of scientific study and social commentary. Psychologists have researched sexual attraction toward trans women, trans men, cross dressers, non-binary people, and a combination of these. Publications in the field of transgender studies have investigated the attraction transgender individuals can feel for each other. The people who feel this attraction to transgender people name their attraction in different ways.
Sheila Jeffreys is a former professor of political science at the University of Melbourne, born in England. A lesbian feminist scholar, she analyses the history and politics of human sexuality.
Sexuality in transgender individuals encompasses all the issues of sexuality of other groups, including establishing a sexual identity, learning to deal with one's sexual needs, and finding a partner, but may be complicated by issues of gender dysphoria, side effects of surgery, physiological and emotional effects of hormone replacement therapy, psychological aspects of expressing sexuality after medical transition, or social aspects of expressing their gender.
Julia Michelle Serano is an American writer, musician, spoken-word performer, transgender and bisexual activist, and biologist. She is known for her transfeminist books, such as Whipping Girl (2007), Excluded (2013), and Outspoken (2016). She is also a public speaker who has given many talks at universities and conferences. Her writing is frequently featured in queer, feminist, and popular culture magazines.
Transmisogyny, otherwise known as trans-misogyny and transphobic misogyny, is the intersection of transphobia and misogyny as experienced by trans women and transfeminine people. The term was coined by Julia Serano in her 2007 book Whipping Girl to describe a particular form of oppression experienced by trans women. In a 2017 interview with The New York Times, Serano explores the roots of transmisogyny as a critique of feminine gender expressions which are "ridiculed in comparison to masculine interests and gender expression."
Feminist views on transgender topics vary widely.
Transgender studies, also called trans studies or trans* studies, is an interdisciplinary field of academic research dedicated to the study of gender identity, gender expression, and gender embodiment, as well as to the study of various issues of relevance to transgender and gender variant populations. Interdisciplinary subfields of transgender studies include applied transgender studies, transgender history, transgender literature, transgender media studies, transgender anthropology and archaeology, transgender psychology, and transgender health. The research theories within transgender studies focus on cultural presentations, political movements, social organizations and the lived experience of various forms of gender nonconformity. The discipline emerged in the early 1990s in close connection to queer theory. Non-transgender-identified peoples are often also included under the "trans" umbrella for transgender studies, such as intersex people, crossdressers, drag artists, third gender individuals, and genderqueer people.
TERF is an acronym for trans-exclusionary radical feminist. First recorded in 2008, the term TERF was originally used to distinguish transgender-inclusive feminists from a group of radical feminists who reject the position that trans women are women, reject the inclusion of trans women in women's spaces, and oppose transgender rights legislation. Trans-inclusive feminists assert that these ideas and positions are transphobic and discriminatory towards transgender people. The use of the term TERF has since broadened to include reference to people with trans-exclusionary views who are not necessarily involved with radical feminism. In the 2020s, the term "trans-exclusionary radical feminism" is used synonymously with or overlaps with "gender-critical feminism".
Nia King is a mixed-race woman of Black/Lebanese/Hungarian descent, queer, art activist, multimedia journalist, podcaster, public speaker, and zine maker. She lives in Oakland, California. Within her podcast, "We Want the Airwaves," Nia interviews queer and trans artists about their lives and about their work. The title of her podcast was inspired from a Ramones song and played as a demand for media access and an insistence on the right for marginalized people to take up space.
Meghan Emily Murphy is a Canadian writer, journalist, and founder of Feminist Current, a feminist website and podcast. Her writing, speeches, and talks have criticized third-wave feminism, male feminists, the sex industry, exploitation of women in mass media, censorship, and gender identity legislation. She is based in Vancouver.
Andrea Long Chu is an American writer and critic. Chu has written for such publications as n+1 and The New York Times, and various academic journals including Differences, Women & Performance, and Transgender Studies Quarterly. Chu's first book, Females, was published in 2019 by Verso Books and was a finalist for the Lambda Literary Award. In 2021, she joined the staff at New York magazine as a book critic.
Magdalen Berns was a British YouTuber, boxer, and software developer. Berns, a lesbian radical feminist, produced a series of YouTube vlogs in the late 2010s concerning topics such as women's rights and gender identity. Berns's vlogs attracted attention from transgender rights activists, some of whom characterized her as being transphobic and a TERF. Berns co-founded the non-profit organisation For Women Scotland, which campaigns against possible changes to the Gender Recognition Act 2004, among other things.
Fierce Femmes and Notorious Liars: A Dangerous Trans Girl's Confabulous Memoir is a 2016 Canadian book by Kai Cheng Thom. A surrealist novel, it follows an unnamed transgender woman protagonist who leaves home at a young age to live on the Street of Miracles—where various sex work takes place—with other "femmes". After one of them is killed, others form a gang and begin to attack men on the street.
Fucking Trans Women (FTW) is a zine created by Mira Bellwether. A single 80-page issue, numbered "#0", was published in October 2010 and republished in 2013 as Fucking Trans Women: A Zine About the Sex Lives of Trans Women; further issues were planned, but none had been published as of Bellwether's death in December 2022. Bellwether wrote all of the issue's articles, which explore a variety of sexual activities involving trans women, primarily ones who are pre-op or non-op with respect to bottom surgery. Fucking Trans Women was the first publication of note to focus on sex with trans women and was innovative in its focus on trans women's own perspectives and its inclusion of instructions for many of the sex acts depicted. Emphasizing sex acts possible with flaccid penises or not involving penises at all, it coined the term muffing to refer to stimulation of the inguinal canals, an act it popularized. The zine has received both popular-culture and scholarly attention, and was described in Sexuality & Culture as "a comprehensive guide to trans women's sexuality" and in Playboy as "widely considered" the "most in-depth guide to having sex with pre- and non-op trans femme bodies".
Cotton ceiling is the purported marginalization of trans women in queer sexual spaces. The term has been the subject of criticism, with some arguing that the idea of the cotton ceiling is coercive.
A bellwether is an indicator of trends, often in the context of politics. The term is derived from the practice of placing a bell on the neck of a wether at the head of a herd of sheep.
Transgender people use a variety of terms to refer to their genitals and other sexually dimorphic body parts and bodily functions. While some may use the standard clinical and colloquial terms, others follow neologistic approaches. These replacement words serve as alternatives to existing names that may conflict with a person's gender identity and trigger gender dysphoria. In medical contexts, providers may use traditional clinical terms, may mirror patients' preferred terms, or may use alternate terms such as internal genitals and external gonads.