 First edition cover | |
| Author | Bruce Sterling (editor) |
|---|---|
| Cover artist | Abbe Lubell |
| Genre | Cyberpunk |
| Publisher | Arbor House |
Publication date | 1986 |
| ISBN | 978-0-87795-868-0 |
| OCLC | 13945407 |
| 813/.0876/08 19 | |
| LC Class | PS648.S3 M57 1986 |
Mirrorshades: The Cyberpunk Anthology (1986) is a cyberpunk short story collection, edited by American writer Bruce Sterling.
Michael Bruce Sterling is an American science fiction author known for his novels and short fiction and editorship of the Mirrorshades anthology. In particular, he is linked to the cyberpunk subgenre.
Cyberpunk is a subgenre of science fiction in a dystopian futuristic setting that tends to focus on a "combination of lowlife and high tech", featuring futuristic technological and scientific achievements, such as artificial intelligence and cyberware, juxtaposed with societal collapse, dystopia or decay. Much of cyberpunk is rooted in the New Wave science fiction movement of the 1960s and 1970s, when writers like Philip K. Dick, Michael Moorcock, Roger Zelazny, John Brunner, J. G. Ballard, Philip José Farmer and Harlan Ellison examined the impact of drug culture, technology, and the sexual revolution while avoiding the utopian tendencies of earlier science fiction.
William Ford Gibson is an American-Canadian speculative fiction writer and essayist widely credited with pioneering the science fiction subgenre known as cyberpunk. Beginning his writing career in the late 1970s, his early works were noir, near-future stories that explored the effects of technology, cybernetics, and computer networks on humans—a "combination of lowlife and high tech"—and helped to create an iconography for the information age before the ubiquity of the Internet in the 1990s. Gibson coined the term "cyberspace" for "widespread, interconnected digital technology" in his short story "Burning Chrome" (1982), and later popularized the concept in his acclaimed debut novel Neuromancer (1984). These early works of Gibson's have been credited with "renovating" science fiction literature in the 1980s.
Cheap Truth was a free series of one-page, double-sided newsletters published in the period between 1983 and 1986. Its headquarters was in Austin, Texas. It was not-copyrighted and explicitly encouraged "xerox pirates" to circulate the zine for their own monetary gain or otherwise. It was the unofficial organ of a loose group of authors. This group called themselves many things, including "The Movement" but was later known as the Cyberpunk movement.
Molly Millions is a recurring character in stories and novels written by William Gibson, particularly his Sprawl trilogy. She first appeared in "Johnny Mnemonic", to which she makes an oblique reference in Neuromancer. She later appeared in Mona Lisa Overdrive under the name "Sally Shears".
Since the advent of the cyberpunk genre, a number of cyberpunk derivatives have become recognized in their own right as distinct subgenres in speculative fiction, especially in science fiction. Rather than necessarily sharing the digitally and mechanically focused setting of cyberpunk, these derivatives can display other futuristic, or even retrofuturistic, qualities that are drawn from or analogous to cyberpunk: a world built on one particular technology that is extrapolated to a highly sophisticated level, a gritty transreal urban style, or a particular approach to social themes.
Mirrored sunglasses are sunglasses with a reflective optical coating on the outside of the lenses to make them appear like small mirrors. The lenses typically give the wearer's vision a brown or grey tint. The mirror coating decreases the amount of light passing through the tinted lens by a further 10–60%, making it especially useful for conditions of sand, water, snow, and higher altitudes. Mirrored sunglasses are one-way mirrors.
Lewis Shiner is an American writer.
Tom Maddox was an American science fiction writer, known for his part in the early cyberpunk movement.
"The Gernsback Continuum" is a 1981 science fiction short story by American-Canadian author William Gibson, originally published in the anthology Universe 11 edited by Terry Carr. It was later reprinted in Gibson's collection Burning Chrome, and in Mirrorshades, edited by Bruce Sterling. With some similarity to Gibson's later appraisal of Singapore for Wired magazine in Disneyland with the Death Penalty, as much essay as fiction, it depicts the encounters of an American photographer with the period futuristic architecture of the American 1930s when he is assigned to document it for fictional London publishers Barris-Watford, and the gradual incursion of its cinematic future visions into his world. The "Gernsback" of the title alludes to Hugo Gernsback, the pioneer of early 20th century American pulp magazine science fiction.
"Red Star, Winter Orbit" is a short story written by William Gibson and Bruce Sterling in the 1980s. It was first published in Omni in July 1983, and later collected in Burning Chrome, a 1986 anthology of Gibson's early short fiction, and in Sterling's 1986 cyberpunk anthology Mirrorshades. The story is set in an alternate future where the Soviet Union controls most of the Earth's resources, especially oil. As a result of this the United States is no longer a dominant economic power on earth and the Soviets have won the space race.
Futures Past is a science fiction anthology edited by American writers Jack Dann and Gardner Dozois. It was published in 2006, and includes stories on the theme of "futures past" that were originally published from 1956 to 2004. It is the 34th book in their anthology series for Ace Books.
The works of William Gibson encompass literature, journalism, acting, recitation, and performance art. Primarily renowned as a novelist and short fiction writer in the cyberpunk milieu, Gibson invented the metaphor of cyberspace in "Burning Chrome" (1982) and emerged from obscurity in 1984 with the publication of his debut novel Neuromancer. Gibson's early short fiction is recognized as cyberpunk's finest work, effectively renovating the science fiction genre which had been hitherto considered widely insignificant.
Lewis Call is an American academic and central post-anarchist thinker. He is best known for his 2002 book Postmodern Anarchism, which develops an account of postmodern anarchism through philosophers such as Friedrich Nietzsche and cyberpunk writers such as William Gibson and Bruce Sterling. Call has written extensively on the intersection of post-anarchism and science fiction, covering philosophers and authors such as Gilles Deleuze, Jean Baudrillard, Octavia Butler, Samuel R. Delany and Ursula K. Le Guin.
The composer Wolfgang Amadeus Mozart (1756–1791) led a life that was dramatic in many respects, including his career as a child prodigy, his struggles to achieve personal independence and establish a career, his brushes with financial disaster, and his death in the course of attempting to complete his Requiem. Authors of fictional works have found his life a compelling source of raw material. Such works have included novels, plays, operas, and films.
Turkey City Writer's Workshop is a peer-to-peer, professional science fiction writer's workshop in Texas. Founded in 1973 and still ongoing today, it was consciously modeled after the east coast Milford Writer's Workshop. The workshop "was a cradle of cyberpunk" where many of the practitioners of what would become cyberpunk first met.
Storming the Reality Studio: A Casebook of Cyberpunk and Postmodern Science Fiction, edited by Larry McCaffery, was published by Duke University Press in 1992, though most of its contents had been featured in Mississippi Review in 1988.
The bibliography of American science fiction author Bruce Sterling comprises novels, short stories and non-fiction.
"Mozart in Mirrorshades" is a short science fiction story by Bruce Sterling and Lewis Shiner first published September 1985 in Omni. The story's protagonist is a man named Rice, who works for a company that obtains natural resources and valuable artifacts from alternate timelines created in the past. The story centers around hostility from the people in the 18th-century timeline, who are angry about their exploitation and the effective robbery of their resources, land, and artwork; these alternate versions of our ancestors ultimately force the company to evacuate the timeline.
The Year's Best Science Fiction: Third Annual Collection is a collection of science fiction short stories edited by Gardner Dozois and published in 1986.
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