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"Miss Hit and Run" is a song written by Lynsey de Paul and Barry Blue. [1] [2] Blue released the single in 1974 as a follow-up single to "School Love" on Bell Records in the UK, Germany, Italy and Spain and on the Barclay label in France [3] and recorded it with a "Beach Boys" type of arrangement. [4] [5] Indeed, the Liverpool Echo wrote "Barry Blue could easily have a case of mistaken identity on his hands this week - for on his new release "Miss Hit And Run" he sounds more like the "Beach Boys" than they do themselves". [6] The single sided acetate label of the single reveals that the original title was "Little Miss Hit and Run", confirming what was reported in the music press at the time. [7] The song was Blue's fourth consecutive hit, reaching number 26 on the official UK Singles Chart in August 1974. [8] It also reached number 9 on Capitol Radio's "Capitol Countdown" chart, [9] number 24 on the Melody Maker singles chart [10] and it spent three weeks on the Dutch Tipparade. [11] In some UK regional charts based on sales (such as the HMV store in Birmingham), it reached the Top 20 [12] The original single version of the song performed by Blue was also a track on the K-Tel album, Music Explosion, [13] Music Power [14] and the Polydor LP "20 Super Power Hits". [15]
Notable TV performances of the song included appearances on 10 August 1974 on TopPop , the Dutch pop music program [16] as well as Lift Off with Ayshea (Episode 124) on 22 July 1974 [17] [18] and the BBC programme Top of the Pops . [19] "Miss Hit and Run" was re-released by Blue as the B-side to "Do You Wanna Dance" in 1980. [20] The song has been released on a number of Barry Blue compilation CDs such as The Singles Collection, [21] Dancin' (On A Saturday Night)... Best Of. [22] and most recently Out of the Blue - 50 Years of Discovery (2021). [23]
Chart (1974) | Peak position |
---|---|
UK Singles (OCC) [24] | 26 |
Lynsey de Paul was an English singer-songwriter and producer. After initially writing hits for others, she had her own chart hits in the UK and Europe in the 1970s, starting with UK top 10 single "Sugar Me", and became the first British female artist to achieve a number one with a self-written song. She represented the UK in the 1977 Eurovision Song Contest, coming second and scoring another chart-topping hit in Switzerland, and had a successful career as a two-time Ivor Novello Award-winning composer, record producer, actress and television celebrity.
Barry Blue is an English singer, producer, and songwriter. As an artist, he is best known for his hit songs "Dancin' " and "Do You Wanna Dance".
"Eloise" is a song first released in 1968 on the MGM label. It was sung by Barry Ryan, and written by his twin brother Paul Ryan. Running for over five minutes, it features strong orchestration, melodramatic vocals, and a brief slow interlude. It sold three million copies worldwide, and reached No. 2 in the UK Singles Chart as published by Record Retailer, but hit No. 1 in the NME and Melody Maker charts. It topped the chart in 17 countries, including Italy, the Netherlands and Australia.
Ronald Ernest Alfred Roker is an English songwriter, singer and record producer.
"Guilty" is a vocal duet between Barbra Streisand and Barry Gibb. The song was written by all three Bee Gees: Barry, Robin & Maurice Gibb. Released as a single from Streisand's 1980 album of the same name, "Guilty" peaked at No. 3 on the US Billboard Hot 100 chart and No. 5 on the adult contemporary chart. In the UK, the song reached No. 34 on the UK Singles Chart. The single was certified gold by the RIAA. In addition, "Guilty" won a Grammy Award in the category Best Pop Vocal Performance, Duo or Group. The song also appeared on the 2001 Bee Gees compilation, Their Greatest Hits: The Record.
"Rock Bottom" was the British entry in the Eurovision Song Contest 1977, performed in English by Lynsey de Paul and Mike Moran. It was also written and produced by de Paul and Moran and released on the Polydor record label. Originally it was written for the group Blue Mink; and submitted unbeknown to de Paul and Moran as an entry for A Song For Europe by the publishers; when it was selected, de Paul agreed to perform the song if Moran would join her. On 9 March 1977, "Rock Bottom" was selected to represent the UK at the A Song for Europe 1977 event held at the New London Theatre, presented by Terry Wogan.
Taste Me...Don't Waste Me is the third album by the English singer-songwriter Lynsey de Paul but the second album of completely new material and de Paul also was the producer for all of the songs. It was released in the UK in November 1974 and was the first album on Don Arden's then new label, Jet Records, and initially distributed by Polydor, although Island Records was soon contracted by Arden to take over distribution and this confusion may have negatively affected sales. Releases in all other countries, such as Spain, Germany, Australia, Japan and South America, were on the Polydor label in early 1975. The album was generally well received by music critics from leading magazines of the day. AllMusic journalist Craig Harris stated that "one of the first successful female singer-songwriters in England, de Paul has had an illustrious career" and lists this as one of her best albums. The Sunday Sun reviewed the album and wrote "Lynsey de Paul has shown her fine smoochy new album "Taste Me Don’t Waste Me" that she consistent song-writing talent". It was also de Paul's personal favourite album and she wrote on her music store website some years later "The Taste Me... Don't Waste Me album was a romantic collection of songs that I wrote and recorded as a relaxing, late night album", echoing earlier comments to the music press. The LP was listed as one of the best album releases of 1975 by journalist Judith Simons. It has stood the test of time in that it is listed as one of the top albums released in 1974 by online site "Best ever albums", as well as one of the top 1000 albums released in the 1970s.
"Storm in a Teacup" is a song written by Lynsey de Paul and Ron Roker, recorded by the British group The Fortunes and released as a single in 1972.
"Ooh I Do" is the fifth single released by Lynsey de Paul on 17 May 1974 and her only single released on the Warner Bros. label, after moving there from MAM Records. Co-written by de Paul and Barry Blue, this Phil Spector-ish song with a nod to the style of the Roy Wood/Wizzard sound, conveys the angst about parents not believing in a teenage love affair represented a change of style for de Paul, who also produced the recording. De Paul performed the song on TV shows in Spain and Germany, however, her only UK performance was for Top of the Pops, but this was never shown because of industrial action at the BBC. De Paul re-recorded the song for this episode and this version was released on the BBC Transcription Services album, Top Of The Pops-495, which also featured an interview conducted by Brian Matthews.
"Dancin' (on a Saturday Night)" is a song written by Lynsey de Paul and Barry Blue, that was recorded by Blue and released as a single in 1973 on Bell Records. Blue's backing band of session musicians were well known in the industry and one year later the drummer, John Richardson, joined the Rubettes.
"School Love" is a song written by Lynsey de Paul and Barry Blue, which was recorded by Blue and released as his third single on Bell Records in 1974. It reached No. 11 on the UK Singles Chart, No. 3 on the Danish charts, No. 9 on the Rhodesian charts No. 24 on the Australian GoSet chart and No. 31 in the Australian Kent Music Report chart, making it Blue's last international hit, although he would go on to have another two UK hit singles later that year. It also reached No. 4 on the Radio Northsea Toppers 20 on 15 March 1974 and No. 5 on the Hessische Rundfunk Hitparade International chart.
Bond was a Canadian rock band in the 1970s, most noted for garnering a Juno Award nomination for Most Promising Group at the Juno Awards of 1976. The band released just one album during its lifetime, and had singles with "Dancin' " and "When You're Up" in 1975, but never released another album or had another hit single before breaking up in 1979.
Surprise is the first album released by Lynsey de Paul on the MAM record label in 1973. In Australia, the album name was changed to Sugar Me, after de Paul's first hit single. All of the songs on the album were written or co-written by de Paul, who was accompanied by some of the UK's leading session musicians including Terry Cox, Ralph McTell, Ray Cooper, Jeff Daly, John Gustafson, Chris Rae, Danny Thompson, Gary Boyle, Barry de Souza, Dick Katz, Robert Kirby, Francis Monkman, John Richardson and violinist Johnny Van Derrick. The album front cover is a portrait photo of de Paul photographed by Clive Arrowsmith, and a gatefold sleeve with illustrations provided by de Paul, a nod to her previous career of designing album sleeves and song lyrics.
"When You've Gotta Go" was written by Lynsey de Paul and Ron Roker. It was recorded by Solomon King at 10cc's Strawberry Studios and produced by Harvey Lisberg and released as a single in July 1972. The single was a chart hit in Australia in early 1973, and also spent four weeks on the Dutch "Tipparade", peaking at No. 17. It also appeared on the Polydor compilation album Doppel Pop Tops 3.
"Tip of My Tongue" is a song written by Lynsey de Paul and Barry Blue that was originally registered as "On the Tip of My Tongue" (ISWC:T0104548028). It has been a modest hit in different territories for at least 4 artists during the 1970's and 1980's and is also a Barry Blue fan favourite.
"House of Cards" is a song written by Lynsey de Paul and Barry Blue and is one of their most covered songs. It was first released as a single by Chris Kelly on the CBS label on 7 April 1972, credited as being written by Rubin and Green (Blue). The song was a radio hit in Italy, receiving multiple plays on national radio stations.
Love Bomb is the fourth album released in 1975 by the British singer-songwriter Lynsey de Paul, and her second album released on Jet Records in the UK and Polydor in Germany, Australia and Japan. In the US and Canada, it was released in January 1976 on Mercury Records. The album was recorded at the Marquee Studios, London, England, produced by de Paul and arranged by Tony Hymas, with Terry Cox playing drums, John Dean percussion, Chris Rea guitar and Frank McDonald bass. The striking sleeve cover photo of de Paul in U.S. military style clothing was taken by Brian Aris.
"Hot Shot" is a song written by Barry Blue and Lynsey de Paul, that was released as a single on 2 September 1974 on the Bell Record label by Barry Blue. It was Blue's last chart entry with an original song, reaching no. 23 on the UK Singles Chart. Despite this, it is considered as one of Blue's best songs. The song was also his biggest hit in Sweden where it reached no. 1 on the Poporama singles chart, and in Zimbabwe where it peaked at no. 3. "Hot Shot" also reached no. 8 on the Hessischer Rundfunk Hitparade, and spent three weeks on the Dutch Tipparade in 1975.
"Rhythm and Blue Jean Baby" is a song that was written and produced by Lynsey de Paul, and released in July 1975 as her third single on the newly designed yellow Jet Record label in the UK, as a follow-up to the hit single "My Man and Me". It was released on Polydor in Belgium, France and Germany ; backed with another de Paul composition "Into My Music". The release of the single was also announced in the American music industry magazine Cashbox. The song as well as the lyrics and credits are listed on the Italian music resource "Rockol".
"All Night" is a song written by Lynsey de Paul and Ron Roker. De Paul released her version of the song on 27 April 1973 as her third single released on MAM Records, with arrangements by Martyn Ford and John Bell and produced by de Paul. The song is listed in the U.S. Library of Congress Catalog of Copyright Entries and in the "The Directory of American 45 R.p.m. Records" It features an uncredited male vocal. A slinky, sexy song, it compares a love relationship to that of the spider and a fly. The single is backed by the more socially aware song "Blind Leading the Blind", composed and produced by de Paul. The song was an unusual release since neither the A-side or the B-side featured as tracks on her debut album. Surprise had been released a little more than a month earlier - presumably it was not included since "All Night" has a very different style than the tracks on Surprise.