Mateo Albéniz, also known as Mateo Antonio Pérez de Albéniz was a Spanish composer, theorist, and priest. He is not related to the better-known composer Isaac Albéniz, but he was the father of Pedro Albéniz. He is identified by the name Pedro Albéniz in some older biographical sources and was said to have died in 1821.
Maestro is an honorific title of respect, sometimes abbreviated Mo. The term is most commonly used in the context of Western classical music and opera, in line with the ubiquitous use of Italian musical terms.
Kaiserin Josephine is an operetta in 8 scenes by Hungarian composer Emmerich Kálmán. The German libretto was by Paul Knepler and Géza Herczeg. It premiered in Zürich, at the municipal theatre, on 18 January 1936.
Prior to the arrival of Europeans, the music of Tahiti was dominated by festivals called heiva. Dancing was a vital part of Tahitian life then, and dances were used to celebrate, pray and mark almost every occasion of life. Examples include the men's ʻōteʻa dance and the couple's 'upaʻupa.
French classical music began with the sacred music of the Roman Catholic Church, with written records predating the reign of Charlemagne. It includes all of the major genres of sacred and secular, instrumental and vocal music. French classical styles often have an identifiably national character, ranging from the clarity and precision of the music of the late Renaissance music to the sensitive and emotional Impressionistic styles of the early 20th century. Important French composers include Pérotin, Machaut, Du Fay, Ockeghem, Josquin, Lully, Charpentier, Couperin, Rameau, Leclair, Grétry, Méhul, Auber, Berlioz, Alkan, Gounod, Offenbach, Franck, Lalo, Saint-Saëns, Delibes, Bizet, Chabrier, Massenet, Widor, Fauré, d'Indy, Chausson, Debussy, Dukas, Vierne, Duruflé, Satie, Roussel, Hahn, Ravel, Honegger, Milhaud, Poulenc, Auric, Messiaen, Françaix, Dupré, Dutilleux, Xenakis, Boulez, Guillou, Grisey, and Murail.
A false relation is the name of a type of dissonance that sometimes occurs in polyphonic music, most commonly in vocal music of the Renaissance and particularly in English music into the eighteenth century. The term describes a "chromatic contradiction" between two notes sounding simultaneously in two different voices or parts; or alternatively, in music written before 1600, the occurrence of a tritone between two notes of adjacent chords.
Étienne Moulinié was a French Baroque composer. He was born in Languedoc, and when he was a child he sang at the Narbonne Cathedral. Through the influence of his brother Antoine, Moulinié gained an appointment at court, as the director of music for Gaston d'Orléans, the younger brother of the king. For this post he wrote sacred and secular music, for voice or voices and lute or continuo. He also wrote music to accompany the ballet or other dances. He taught Gaston's daughter, Mlle de Montpensier. Moulinié worked for Gaston until the latter's death in 1660, at which point he was forced to find new employment. For this he returned to his birthplace of Languedoc.
Johannes Alanus was an English composer. He wrote the motet Sub arturo plebs/Fons citharizancium/In omnem terram. Also attributed to him are the songs "Min frow, min frow" and "Min herze wil all zit frowen pflegen", both lieds, and "S'en vos por moy pitié ne truis", a virelai. O amicus/Precursoris, attributed simply to "Johannes", may be the work of the same composer.
Guillaume Faugues was a French composer of Renaissance music.
The first decade of the 16th century marked the creation of some significant compositions. These were to become some of the most famous compositions of the century.
Caterina Benedicta Grazianini (1685-1715) was an Italian composer of oratorios in Vienna. She was among the female composers of oratorios in Vienna who, according to Wellesz, were regular canonesses, rather than employed at the court. This group included Maria de Raschenau, Maria Margherita Grimani, and Camilla de Rossi. Grazianini is known only through her two surviving works, the oratorios S Gemignano vescovo e protettore di Modena and S Teresa. On one of these is a note to the effect that it was performed for the ladies of Modena and Brunswick, and was very well received. Her works are in two sections and an Italian overture, for four soloists and string orchestra.
Rosa Giacinta Badalla was an Italian composer from the Milan area and Benedictine nun. The first record of her is in the lists of the monastery of Saint Radegonda in Milan from 1678. Claudia Sessa, Claudia Rusca, and Chiara Margarita Cozzolani were also active at Milanese convents during the same period.
Elisabeth Sophie of Mecklenburg, Duchess of Brunswick-Lüneburg was a German poet, composer and impresario.
Kunegunde Hergot was a German printer in Nuremberg and the wife of first Hans Hergot, and later of Georg Wachter, both printers.
Giuseppe Antonio Vincenzo Aldrovandini was an Italian Baroque composer.
Johannes de Stokem, was a Flemish composer of the Renaissance. He is considered to be part of the post-Dufay generation in France. He was a friend of Johannes Tinctoris, another composer of the period.
Makar Grigori Yekmalyan was an Armenian composer.
Theobaldo di Gatti (c.1650-1727) was a composer and musician, born in Florence. He moved from Italy to France after hearing the music of Jean-Baptiste Lully. King Louis XIV made him a naturalised French subject in 1675. In France he was simply known by the name Théobalde.
