Mo' Roots (Maceo Parker album)

Last updated
Mo'Roots
Album Cover, Maceo Parker, Mo Roots.jpg
Studio album by
Released1991
RecordedMarch 1991
StudioSound On Sound, New York
Genre Soul, jazz
Length1:03:46
Label Verve [1]
Producer Stephan Meyner, Maceo Parker
Maceo Parker chronology
Roots Revisited
(1990)
Mo'Roots
(1991)
Life on Planet Groove
(1992)

Mo'Roots is an album by the American saxophonist Maceo Parker, released in 1991. [2] [3] It peaked at No. 4 on Billboard's Traditional Jazz Albums chart. [4]

Contents

Production

Mo' Roots was produced by Stephan Meyner and Parker. [5] Fred Wesley and Pee Wee Ellis played on the album. [6] "Sister Sadie" is a cover of the Horace Silver song. [7]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [8]
Calgary Herald A [9]
Chicago Tribune Star full.svgStar full.svgStar full.svgStar half.svg [10]
Windsor Star B+ [6]

The Chicago Tribune determined that "there's enough variety to keep things interesting, but enough clarity of musical direction to make it all hang together and, more important, make Parker feel at home with the material." [10] The Washington Post wrote: "From Dixieland to hard bop to R&B, from Lionel Hampton to Ray Charles to Marvin Gaye to Otis Redding to Maceo himself, it's all here, underscored by an unfussy and decidedly funky rhythm section and enlivened by a now legendary horn triumvirate." [11]

Track listing

No.TitleWriter(s)Length
1."Hallelujah, I Love Her So" Ray Charles 3:58
2."Chicken" Alfred Ellis 8:19
3."Let's Get It On" Marvin Gaye, Ed Townsend 7:46
4."Hamp's Boogie Woogie" Lionel Hampton, Milt Buckner 6:16
5."Fa Fa Fa (The Sad Song)" Otis Redding, Steve Cropper 4:50
6."Jack's Back" Fred Wesley 5:42
7."Sister Sadie" Horace Silver 5:27
8."Daddy's Home" 6:02
9."Down By The Riverside" 6:36
10."Southwick" Maceo Parker  
Total length:63:46

Personnel

Technical

Related Research Articles

<span class="mw-page-title-main">Maceo Parker</span> American saxophonist and composer

Maceo Parker is an American funk and soul jazz saxophonist, best known for his work with James Brown in the 1960s, Parliament-Funkadelic in the 1970s and Prince in the 2000s. Parker was a prominent soloist on many of Brown's hit recordings, and a key part of his band, playing alto, tenor and baritone saxophones. Since the early 1990s, he has toured under his own name.

<span class="mw-page-title-main">Fred Wesley</span> American jazz trombonist (born 1943)

Fred Wesley is an American trombonist who worked with James Brown in the 1960s and 1970s, and Parliament-Funkadelic in the second half of the 1970s.

<span class="mw-page-title-main">The J.B.'s</span> Band

The J.B.'s was James Brown's band from 1970 through the early 1980s. On records the band was sometimes billed under alternate names such as Fred Wesley and the JBs, The James Brown Soul Train, Maceo and the Macks, A.A.B.B., Fred Wesley and the New JBs, The First Family, and The Last Word. In addition to backing Brown, the J.B.'s played behind Bobby Byrd, Lyn Collins, and other singers associated with the James Brown Revue, and performed and recorded as a self-contained group. In 2015, they were nominated for induction into the Rock and Roll Hall of Fame but failed to be inducted and can be considered for Musical Excellence in the future. They have been eligible since 1995.

<i>Our Time in Eden</i> 1992 studio album by 10,000 Maniacs

Our Time in Eden is the fifth studio album by American alternative rock band 10,000 Maniacs. It was released in 1992 on Elektra Records. The release is 10,000 Maniacs' last studio album with original lead singer Natalie Merchant. The album included her future replacement Mary Ramsey on violin and viola on such tracks as "Stockton Gala Days" and "How You've Grown". Singles released from the album were "These Are Days", "Candy Everybody Wants" and "Few and Far Between". The brass and woodwind section is covered by the J.B.'s, or James Brown's band. The album had the working title African Violet Society.

<span class="mw-page-title-main">Say It Loud – I'm Black and I'm Proud</span> 1968 single by James Brown

"Say It Loud – I'm Black and I'm Proud" is a funk song performed by James Brown, and written with his bandleader Alfred "Pee Wee" Ellis in 1968. It was released as a two-part single which held the number-one spot on the R&B singles chart for six weeks, and peaked at number ten on the Billboard Hot 100. Both parts of the single were later included on James Brown's 1968 album A Soulful Christmas and on his 1969 album sharing the title of the song. The song became an unofficial anthem of the Black Power movement.

<span class="mw-page-title-main">Pee Wee Ellis</span> American saxophonist (1941–2021)

Alfred James Ellis, known as Pee Wee Ellis due to his diminutive stature, was an American saxophonist, composer, and arranger. With a background in jazz, he was a member of James Brown's band in the 1960s, appearing on many of Brown's recordings and co-writing hits like "Cold Sweat" and "Say It Loud – I'm Black and I'm Proud". He also worked with Van Morrison.

"Cold Sweat" is a song performed by James Brown and written with his bandleader Alfred "Pee Wee" Ellis. Brown recorded it in May 1967. An edited version of "Cold Sweat" released as a two-part single on King Records was a No. 1 R&B hit, and reached number seven on the Pop Singles chart. The complete recording, more than seven minutes long, was included on an album of the same name.

<span class="mw-page-title-main">Mother Popcorn</span> 1969 single by James Brown

"Mother Popcorn (You Got to Have a Mother for Me)" is a song recorded by James Brown and released as a two-part single in 1969. A #1 R&B and #11 Pop hit, it was the highest-charting of a series of recordings inspired by the popular dance the Popcorn which Brown made that year, including "The Popcorn", "Lowdown Popcorn", and "Let a Man Come In and Do the Popcorn". The "mother" of the song's title was, in the words of biographer RJ Smith, "[Brown's] honorific for a big butt".

<span class="mw-page-title-main">Give It Up or Turnit a Loose</span> 1969 single by James Brown

"Give It Up or Turnit a Loose" is a funk song recorded by James Brown. Released as a single in 1969, the song was a #1 R&B hit and also made the top 20 pop singles chart. "Give It Up or Turnit a Loose" appeared as an instrumental on the Ain't It Funky (1970) album, removing Brown's vocals and adding guitar overdubs, while the vocal version was released on It's a New Day – Let a Man Come In (1970).

<i>A Blow for Me, a Toot to You</i> 1977 studio album by Fred Wesley and the Horny Horns

A Blow for Me, a Toot to You is a 1977 album by funk musician Fred Wesley and the Horny Horns featuring Maceo Parker.

<i>Say Blow by Blow Backwards</i> 1979 studio album by Fred Wesley and the Horny Horns

Say Blow by Blow Backwards is the second and last album by Fred Wesley and the Horny Horns, featuring Maceo Parker. The album was released in August 1979 by Atlantic Records and was produced by George Clinton, Bootsy Collins, and Fred Wesley.

<i>Blacktronic Science</i> 1993 studio album by Bernie Worrell

Blacktronic Science is the third solo album by the former Parliament-Funkadelic keyboardist Bernie Worrell. The album was released by Gramavision Records in 1993.

<i>The Third Power</i> 1991 studio album by Material

The Third Power is a 1991 album by the New York based music group Material. The album mixes reggae. funk, dub and rap music.

<i>Life on Planet Groove</i> 1992 live album by Maceo Parker

Life on Planet Groove is a live album by Maceo Parker, released in 1992. It was recorded in concert at the club Stadtgarten in Cologne, Germany.

<i>Say It Live and Loud: Live in Dallas 08.26.68</i> 1998 live album by James Brown

Say It Live and Loud: Live in Dallas 08.26.68 is a live album by James Brown released in 1998. Taped at Dallas Memorial Auditorium soon after "Say It Loud – I'm Black and I'm Proud" had been released to the airwaves, it includes one of the only live recordings of the song, with the arena crowd shouting the call and response portions. Village Voice critic Robert Christgau deemed it the second best live recording from Brown's "crucial" 1967–71 period, behind 1970's Sex Machine. Following the 50th anniversary of the recording, the entire performance, including never before released live performances of "That's Life" and "The Popcorn", was released on vinyl by Republic Records on October 12, 2018.

"Get It Together" is a song performed by James Brown. Released in October 1967 as a two-part single, it charted #11 R&B and #40 Pop. Both parts also appeared on the album I Can't Stand Myself When You Touch Me. Donald A. Guarisco of Allmusic described the song as "a taut, minimalist tune that combines soulful but frantically paced verse melodies with a bubbling, two-note staccato chorus."

"The Chicken" or simply "Chicken" is an instrumental funk tune composed by Pee Wee Ellis that was the B-side to James Brown's 1969 single "The Popcorn". The tune gained greater exposure with versions by jazz bassist Jaco Pastorius.

<i>Funk Overload</i> Album by Maceo Parker

Funk Overload is an album by Maceo Parker, released in 1998 via What Are Records? and Cream Records.

<i>Roots Revisited</i> 1990 studio album by Maceo Parker

Roots Revisited is an album by saxophonist Maceo Parker which was originally released on the Minor Music label in 1990.

<i>Southern Exposure</i> (Maceo Parker album) 1993 studio album by Maceo Parker

Southern Exposure is an album by the American musician Maceo Parker. It was released in 1993. Although marketed as a jazz album, Parker considered it to be "98%" funk.

References

  1. Chapman, Geoff (26 Dec 1991). "All that jazz from funk to boogie to Nefertiti". Toronto Star. p. B3.
  2. Woodard, Josef (Nov 1991). "Mo' Roots by Maceo Parker". DownBeat. 58 (11): 57.
  3. Stewart, Zan (13 Dec 1991). "A Batch of Holiday Treats From Connick to Cole". Los Angeles Times. p. F19.
  4. "Maceo Parker". Billboard. Retrieved 1 February 2023.
  5. "Mo' Roots by Maceo Parker". Billboard. 103 (41): 80. Oct 12, 1991.
  6. 1 2 Jones, Owen (26 Oct 1991). "Record Review". Windsor Star. p. C2.
  7. Garland, Phyl (Apr 1992). "Mo' Roots by Maceo Parker". Stereo Review. 57 (4): 71.
  8. "Mo' Roots Review by Rob Bowman". AllMusic. Retrieved 1 February 2023.
  9. Wagamese, Richard (10 Nov 1991). "Recent Releases". Calgary Herald. p. C4.
  10. 1 2 Heim, Chris (10 Oct 1991). "Recordings". Chicago Tribune. Tempo. p. 7.
  11. Joyce, Mike (25 Oct 1991). "Soul Fuel: Horns Pumped by Parker". The Washington Post. p. N19.