 | This article needs additional citations for verification .(February 2024) |
This is the discography for American jazz musician Maceo Parker.
| | This article needs additional citations for verification .(February 2024) |
This is the discography for American jazz musician Maceo Parker.
| Year | Artist | Album | Label |
|---|---|---|---|
| 1970 | Maceo & All the King's Men | Doing Their Own Thing | House of the Fox / Charly Records |
| 1972 | Maceo & All the King's Men | Funky Music Machine | Excello |
| 1974 | Maceo | Us | People / P-Vine |
| 1989 | Maceo Parker | For All the King's Men | 4th & Broadway |
| 1990 | Maceo Parker | Roots Revisited | Verve / Minor Music |
| 1991 | Maceo Parker | Mo' Roots | Verve / Minor Music |
| 1992 | Maceo Parker | Life on Planet Groove | Verve / Minor Music |
| 1993 | Maceo Parker | Southern Exposure [1] | Jive / Novus / Minor Music |
| 1994 | Maceo Parker | Maceo (Soundtrack) | Minor Music |
| 1998 | Maceo Parker | Funk Overload | What Are Records? / ESC |
| 2000 | Maceo Parker | Dial: M-A-C-E-O | What Are Records? / ESC |
| 2003 | Maceo Parker | Made by Maceo | What Are Records? / ESC |
| 2004 | Maceo Parker | My First Name Is Maceo | Minor Music |
| 2005 | Maceo Parker | School's In! | BHM Productions |
| 2007 | Maceo Parker | Roots & Grooves | Intuition / Heads Up |
| 2012 | Maceo Parker | Soul Classics | Listen2 Entertainment / Razor & Tie |
| Year | Artist | Album | Label |
|---|---|---|---|
| 1964 | James Brown | Out of Sight | PolyGram |
| 1969 | James Brown | Say It Loud, I'm Black and I'm Proud | Polydor / Umgd |
| 1970 | James Brown | Sex Machine | Polydor / Umgd |
| 1972 | James Brown | Get on the Good Foot | PolyGram |
| 1972 | Johnny Hammond | The Prophet | Kudu |
| 1974 | James Brown | The Payback | Polydor / Umgd |
| 1974 | James Brown | Hell | Polydor / Umgd |
| 1975 | James Brown | Reality | PolyGram |
| 1976 | Bootsy Collins | Stretchin' Out in Bootsy's Rubber Band | Warner Bros. |
| 1976 | Parliament | The Clones of Dr. Funkenstein | Island / Mercury |
| 1975 | Parliament | Mothership Connection | Island / Mercury |
| 1977 | Bootsy Collins | Ahh... The Name Is Bootsy, Baby! | Warner Bros. |
| 1977 | Parliament | Live: P-Funk Earth Tour | Island / Mercury |
| 1977 | Parliament | Funkentelechy Vs. the Placebo Syndrome | Island / Mercury |
| 1977 | Fred Wesley | A Blow for Me, A Toot for You | Atlantic |
| 1978 | Parliament | Motor Booty Affair | Island / Mercury |
| 1978 | Bernie Worrell | All the Woo in the World | Arista |
| 1979 | Bootsy Collins | This Boot Is Made for Fonk-N | Warner Bros. |
| 1979 | Parliament | Gloryhallastoopid | MCA |
| 1980 | Bootsy Collins | Ultra Wave | Warner Bros. |
| 1980 | Parliament | Trombipulation | PolyGram |
| 1983 | P-Funk All Stars | Urban Dancefloor Guerillas | Sony |
| 1983 | George Clinton | You Shouldn't-Nuf Bit Fish | Capitol |
| 1985 | George Clinton | Some of My Best Jokes Are Friends | Capitol |
| 1985 | Red Hot Chili Peppers | Freaky Styley | EMI |
| 1986 | James Brown | Gravity | Volcano |
| 1986 | James Brown | James In the Jungle Groove | Polydor / Umgd |
| 1986 | Ryuichi Sakamoto | Futurista | |
| 1987 | Mico Wave | Cookin' from the Inside Out!!! | Columbia |
| 1987 | Yvonne Jackson | I'm Trouble | Ichiban |
| 1988 | James Brown | James Brown's Funky People, Pt. 2 | Polydor / Umgd |
| 1988 | Bootsy Collins | What's Bootsy Doin'? | Sony |
| 1988 | Keith Richards | Talk Is Cheap | EMI |
| 1989 | Criminal Element Orchestra | Locked Up | Atlantic |
| 1990 | Various Artists | Gramavision 10th Anniversary Sampler | Gramavision |
| 1990 | Deee-Lite | World Clique | Elektra / Wea |
| 1990 | Living Colour | Time's Up | Sony |
| 1990 | P-Funk All Stars | Live at the Beverly Theatre in Hollywood | Westbound |
| 1990 | Fred Wesley | New Friends | PolyGram |
| 1990 | Rev. Billy C. Wirtz | Backslider's Tractor Pull | HighTone |
| 1991 | James Brown | Messing with the Blues | PolyGram |
| 1991 | Material | The Third Power | Axiom |
| 1991 | Bernie Worrell | Funk of Ages | Rhino |
| 1991 | Kenny Neal | Walking on Fire | Alligator |
| 1991 | Various Artists | House Party 2 | MCA |
| 1992 | Bachir Attar | The Next Dream | CMP |
| 1992 | 10,000 Maniacs | Our Time in Eden | Elektra / Wea |
| 1992 | Deee-Lite | Infinity Within | Elektra / Wea |
| 1993 | Various Artists | The Best Jazz Is Played with Verve | PolyGram |
| 1993 | George Clinton | "P" Is the Funk | AEM |
| 1993 | Candy Dulfer | Sax-A-Go-Go | Sony |
| 1993 | Color Me Badd | Time and Chance | Warner Bros. |
| 1993 | Bernie Worrell | Blacktronic Science | Gramavision |
| 1993 | Bryan Ferry | Taxi | Warner Bros. |
| 1993 | Various Artists | Manifestation: Axiom Collection II | PolyGram |
| 1993 | James Brown | Soul Pride: The Instrumentals (1960–1969) | PolyGram |
| 1993 | De La Soul | Buhloone Mindstate | Rhino |
| 1993 | Hans Theessink | Call Me | Deluge |
| 1993 | Dave Koz | Lucky Man | Capitol |
| 1993 | George Clinton | Plush Funk | Aem |
| 1993 | Bernie Worrell | Blacktronic Science | Gramavision |
| 1994 | Bootsy Collins | Blasters of the Universe | Rykodisc |
| 1994 | Pedro Abrunhosa | Viagens | PolyGram |
| 1994 | Bryan Ferry | Mamouna | Virgin |
| 1994 | Nils Landgren Funk Unit | Live in Stockholm | Red Horn |
| 1992 | The JB Horns | I Like It Like That | Soulciety |
| 1995 | Parliament | The Best of Parliament: Give Up the Funk | PolyGram |
| 1995 | Fred Wesley | Say Blow by Blow Backwards | Aem |
| 1995 | Larry Goldings | Whatever It Takes | Warner Bros. |
| 1995 | Brooklyn Funk Essentials | Cool And Steady And Easy | Groovetown Records |
| 1995 | Various Artists | Back to Basics, Vol. 2 | Instinct |
| 1996 | James Brown | Foundations Of Funk: A Brand New Bag | Polydor / Umgd |
| 1996 | Various Artists | Little Magic in a Noisy World | Act |
| 1996 | Various Artists | A Celebration of Blues: The New Breed | Celeb. of Blues |
| 1997 | Various Artists | Booming on Pluto: Electro for Droids | Ambient |
| 1997 | Kenny Neal | Deluxe Edition | Alligator |
| 1997 | Phil Upchurch | Whatever Happened to the Blues | Go Jazz |
| 1999 | Ani DiFranco | To The Teeth | Righteous Babe Records |
| 1999 | Prince | Rave Un2 The Joy Fantastic | NPG |
| 2001 | Dave Matthews Band | Live in Chicago 12.19.98 | RCA |
| 2001 | Ani DiFranco | Revelling/Reckoning | Righteous Babe Records |
| 2002 | Prince and The New Power Generation | One Nite Alone... Live! | NPG |
| 2003 | Prince and The New Power Generation | C-Note | NPG |
| 2004 | Prince | Musicology | NPG / Columbia |
| 2006 | Prince | 3121 | NPG / Universal |
| 2007 | Prince | Planet Earth | NPG / Columbia |
| 2007 | Various Artists | Goin' Home: A Tribute to Fats Domino | Vanguard |
| 2008 | Prince | Indigo Nights | NPG |
| 2009 | Prince | Lotusflower | NPG |
| Year | Artist | Album | Label |
|---|---|---|---|
| 2000 | Prince | Rave Un2 the Year 2000 | NPG Music Club |
| 2002 | Maceo Parker | Roots Revisited | Arthaus Musik |
| 2003 | Prince | Live at the Aladdin Las Vegas | NPG Music Club |
| 2004 | Maceo Parker | My First Name Is Maceo | Minor Music |
Maceo Parker is an American funk and soul jazz saxophonist, best known for his work with James Brown in the 1960s, Parliament-Funkadelic in the 1970s and Prince in the 2000s. Parker was a prominent soloist on many of Brown's hit recordings, and a key part of his band, playing alto, tenor and baritone saxophones. Since the early 1990s, he has toured under his own name.
Melvin Parker was an American drummer. He and his brother, saxophonist Maceo Parker, were key members of James Brown's band.
The J.B.'s was James Brown's band from 1970 through the early 1980s. On records the band was sometimes billed under alternate names such as Fred Wesley and the JBs, The James Brown Soul Train, Maceo and the Macks, A.A.B.B., Fred Wesley and the New JBs, The First Family, and The Last Word. In addition to backing Brown, the J.B.'s played behind Bobby Byrd, Lyn Collins, and other singers associated with the James Brown Revue, and performed and recorded as a self-contained group. In 2015, they were nominated for induction into the Rock and Roll Hall of Fame but failed to be inducted and can be considered for Musical Excellence in the future. They have been eligible since 1995.
Ahh...The Name Is Bootsy, Baby! is a funk album by Bootsy's Rubber Band, released on January 15, 1977. It reached number one on Billboard magazine's Top R&B/Soul albums chart, the first P-Funk release to achieve this goal. The album was produced by George Clinton and William "Bootsy" Collins and arranged by Bootsy and Casper.
Rave Un2 the Year 2000 is a 1999 Prince concert film.
This Boot Is Made for Fonk-N is the fourth album by the American funk band Bootsy's Rubber Band, released through Warner Bros. Records in 1979. Unlike previous albums by Bootsy's Rubber Band, the album did not generate any hit singles. The album was more experimental in nature than previous efforts. It would also mark the last time that the name "Bootsy's Rubber Band" would be used on a Bootsy Collins related project until the 1982 12" single release "Body Slam". This Boot Is Made for Fonk-N peaked at number 9 on the Billboard Top R&B/Hip-Hop Albums chart and number 52 on the Billboard 200 album chart.
The One Giveth, the Count Taketh Away is an album by William Bootsy Collins, released by Warner Bros. Records. It would be the last album that Bootsy Collins would record for the label. It would also be the first album produced solely by Bootsy Collins, with the exception of the track "Shine-O-Myte " which was produced by Bootsy Collins and George Clinton. The album was released on April 28, 1982.
A Blow for Me, a Toot to You is a 1977 album by funk musician Fred Wesley and the Horny Horns featuring Maceo Parker.
Say Blow by Blow Backwards is the second and last album by Fred Wesley and the Horny Horns, featuring Maceo Parker. The album was released in August 1979 by Atlantic Records and was produced by George Clinton, Bootsy Collins, and Fred Wesley.
Sweat Band is the 1980 debut album by the P-Funk spin off act the Sweat Band. The album was the first official release on the Uncle Jam Records label, formed by George Clinton and his business manager Archie Ivy, and distributed by CBS Records. The band was formed by P-Funk bassist Bootsy Collins after losing the rights to the name Rubber Band to a folk music group of the same name. The album features many of the same musicians and singers from Bootsy's Rubber Band. The album was released during the same week as Ultra Wave, Collins' fifth album for Warner Bros. Records.
"Worried Life Blues" is a blues standard and one of the most recorded blues songs of all time. Originally recorded by Big Maceo Merriweather in 1941, "Worried Life Blues" was an early blues hit and Maceo's most recognized song. An earlier song inspired it and several artists have had record chart successes with their interpretations of the song.
The Final Blow is a compilation album by Fred Wesley and the Horny Horns. The album first released on the P-Vine record label in 1994, then on the Sequel label in the United Kingdom, and the AEM label in the United States. The album is made up of unreleased tracks recorded during band's heyday in the late 1970s.
Blacktronic Science is the third solo album by the former Parliament-Funkadelic keyboardist Bernie Worrell. The album was released by Gramavision Records in 1993.
Jungle Bass is an EP by American funk band Bootsy's Rubber Band. The disc was released in 1990 by 4th & Broadway Records. Jungle Bass reunites most of the original members of Bootsy's Rubber Band, whose last album was released in 1979. The album represents one of the earliest collaborations between Bootsy and producer Bill Laswell.
Blasters of the Universe is a 1993 2-CD set by Bootsy's New Rubber Band. The album was first released on the P-Vine record label and then by Rykodisc in the US and the UK. In terms of musical personnel, the album features more P-Funk and Funk alumni than any other Bootsy Collins related release. It also contains one of the last tracks to feature original Parliament-Funkadelic guitarist Eddie Hazel, to whom the album is dedicated. The album also contains a lyric sheet and a comic book called "Back 'N' Dah Day: A Boot Tune Adventure".
Life on Planet Groove is a live album by Maceo Parker, released in 1992. It was recorded in concert at the club Stadtgarten in Cologne, Germany.
Live at Chastain Park is a live album recorded by James Brown in 1985 at the titular city park in Atlanta, Georgia. Originally released in the UK and Europe in 1988 by Charly Records, it has been reissued numerous times on budget labels. The concert was also filmed and has been issued on DVD by Charly and other companies. Maceo Parker is featured on saxophone.
Mo'Roots is an album by the American saxophonist Maceo Parker, released in 1991. It peaked at No. 4 on Billboard's Traditional Jazz Albums chart.
Funk Overload is an album by Maceo Parker, released in 1998 via What Are Records? and Cream Records.
Roots Revisited is an album by saxophonist Maceo Parker which was originally released on the Minor Music label in 1990.