My Generation is the debut studio album by English rock band the Who, released on 3 December 1965 by Brunswick Records in the United Kingdom, and Festival Records in Australia. In the United States, it was released on 25 April 1966 by Decca Records as The Who Sings My Generation, with a different cover and a slightly altered track listing. Besides the members of the Who, being Roger Daltrey (vocals), Pete Townshend (guitar), John Entwistle (bass) and Keith Moon (drums), the album features contributions by session musician Nicky Hopkins (piano).
American Beauty is the fifth studio album by American rock band the Grateful Dead. Released in November 1970, by Warner Bros. Records, the album continued the folk rock and country music style of their previous album Workingman's Dead, released earlier in the year.
Workingman's Dead is the fourth studio album by American rock band Grateful Dead. It was recorded in February 1970 and originally released on June 14, 1970. The album and its studio follow-up, American Beauty, were recorded back-to-back using a similar style, eschewing the psychedelic experimentation of previous albums in favor of Jerry Garcia and Robert Hunter's Americana-styled songcraft.
Squeeze is the debut studio album released by English group Squeeze. The album title was simply Squeeze in the United Kingdom, but in the United States, Canada, Australia and other countries, the album, like the band, was marketed under the name U.K. Squeeze to avoid confusion with similarly-named American and Australian groups.
The Photo Album is the third studio album by indie rock band Death Cab for Cutie, released October 9, 2001 on Barsuk Records.
Venus and Mars is the fourth studio album by the British–American rock band Wings. Released in May 1975 as the follow-up to Band on the Run, Venus and Mars continued Wings' run of commercial success and provided a springboard for a year-long worldwide tour. The album was Paul McCartney's first post-Beatles album to be released worldwide by Capitol Records rather than Apple.
Spike is the 12th studio album by English singer-songwriter Elvis Costello, released in 1989 by Warner Bros. Records. It was his first album for the label and first release since My Aim Is True without the Attractions. It peaked at No. 5 on the UK Albums Chart and also reached the Billboard 200 at No. 32, thanks to the single and his most notable American hit, "Veronica", which reached No. 19 on the Billboard Hot 100 and No. 1 on the US Modern Rock chart. In The Village Voice's annual Pazz & Jop critics poll for the year's best albums, Spike finished at No. 7.
Cool for Cats is the second studio album by the English new wave group Squeeze, released in 1979. Cool for Cats contains four UK hit singles, more than any other album the band has issued. The album peaked at number 45 in the UK Albums Chart, spending 11 weeks in that listing.
Clap Your Hands Say Yeah is an indie rock band active since the early 2000s in and out of Philadelphia. The band was founded as a collaboration between singer-songwriter Alec Ounsworth, Sean Greenhalgh, Robbie Guertin, Lee Sargent, and Tyler Sargent. Ounsworth now performs under the name, as a solo artist.
Common One is the twelfth studio album by Northern Irish singer-songwriter Van Morrison, released in 1980. The album was recorded over a nine-day period at Super Bear Studios, near Nice, on the French Riviera. Its title is in the lyrics of the song "Summertime in England": "Oh, my common one with the coat so old and the light in her head".
The Wolf is the second studio album by American rock musician Andrew W.K., released on Island Records on September 9, 2003.
Stratosfear is the seventh studio album by the German group Tangerine Dream.
The Snake is the first album by Shane MacGowan and the Popes, released in 1994 by ZTT Records. It peaked at No. 37 on the UK Albums Chart. The band supported the album with a North American tour.
If I Could Only Remember My Name is the debut solo album by American singer-songwriter David Crosby, released on February 22, 1971, by Atlantic Records. It was one of four high-profile albums released by each member of Crosby, Stills, Nash & Young in the wake of their chart-topping 1970 album Déjà Vu. Guests on the album include Jerry Garcia, Graham Nash, Neil Young, Joni Mitchell, and other prominent West Coast musicians of the era.
Some Loud Thunder is the second studio album by American musical project Clap Your Hands Say Yeah. It was released on January 29, 2007, in the United Kingdom, and the next day in the United States by Wichita Recordings; but people who pre-ordered the album were able to legally download it from Insound starting January 16. The album was produced by Dave Fridmann, known for his work with Mercury Rev and The Flaming Lips.
West is the eighth studio album by American singer-songwriter Lucinda Williams, released on February 13, 2007, by Lost Highway Records. The album debuted at No. 14 on the Billboard 200, selling about 57,000 copies that week. According to Nielsen SoundScan, the album had sold 250,000 copies in the United States by October 2008.
Alec Ounsworth is an American singer, songwriter, guitarist and frontman of indie rock band Clap Your Hands Say Yeah. He is also a member of The Pelican Picnic and Flashy Python. His first solo album, Mo Beauty was released October 20, 2009, on Anti- Records.
Skin and Bones is the debut album by Flashy Python. It appeared without any pre-release press on the band's official website, from where it is available for streaming, high-quality mp3 download, and purchase in physical form on CD or Vinyl.
Normal as Blueberry Pie – A Tribute to Doris Day is the fourth studio album by American singer-songwriter, Nellie McKay. Released in 2009 by Verve Records, it is McKay's first cover album, composed of songs previously recorded by American singer and actress Doris Day, except the track "If I Ever Had a Dream", which is an original song written by McKay in tribute to Day.
The Grand Theatre, Volume One is the title of the eighth studio album from alternative country/rock band the Old 97's, released on October 12, 2010. The band took up a week-long residency at Sons of Hermann Hall in Dallas, Texas, simulating the concert experience to test out new material. The songs which the band felt worked were then taken to Treefort Studios in Austin, Texas, for proper recording. Over two dozen songs were recorded during these sessions. The remaining material was released as The Grand Theatre, Volume Two in 2011.
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