Francisco de Zurbarán was a Spanish painter. He is known primarily for his religious paintings depicting monks, nuns, and martyrs, and for his still-lifes. Zurbarán gained the nickname "Spanish Caravaggio", owing to the forceful use of chiaroscuro in which he excelled.
Juan Sánchez Cotán was a Spanish Baroque painter, a pioneer of realism in Spain. His still lifes and bodegones were painted in an austere style, especially when compared to similar works in the Netherlands and Italy.
Santa Cruz, is the primary tourist neighborhood of Seville, Spain, and the former Jewish quarter of the medieval city. Santa Cruz is bordered by the Jardines de Murillo, the Real Alcázar, Calle Mateos Gago, and Calle Santa María La Blanca/San José. The neighbourhood is the location of many of Seville's oldest churches and is home to the Cathedral of Seville, including the converted minaret of the old Moorish mosque Giralda.
Antonio Fernández Arias was a Spanish painter of the Baroque period.
Félix Castello or Castelo was a Spanish painter of the Baroque period.
Angelo Nardi da Razzo was an Italian painter of the early Baroque period; active primarily in Spain.
Illescas is a town and municipality of Spain located in the province of Toledo, Castilla–La Mancha. The municipality spans across a total area of 56.75 km2 and, as of 1 January 2020, it has a registered population of 30,229, which makes it the third most populated municipality in the province. It belongs to the traditional comarca of La Sagra.
Francisco López was a Spanish painter and engraver. He was a pupil of Bartolommeo Carducci, whom he assisted in 1595 in painting for the church of San Felipe el Real at Madrid, destroyed by fire in 1718. He was appointed painter in ordinary to King Philip III of Spain. In 1603, he painted a series of paintings representing the victories of Charles V in the King's dressing-room at the Pardo Palace. He also etched the third, sixth, and seventh plates for Vincenzo Carducci's Dialogues on Painting. He also painted Saint John the Baptist which is now at the Real Academia de Bellas Artes de San Fernando.
Saint Jerome the Royal is a Roman Catholic church from the early 16th-century in central Madrid (Spain).
Calle de Alcalá is among the longest streets in Madrid. It starts at the Puerta del Sol and goes on for 11 kilometres (6.8 mi), to the northeastern outskirts of the city. Henry David Inglis described it in 1837 as "long, of superb width, and flanked by a splendid range of unequal buildings".
The Monasterio de las Descalzas Reales is a monastery located in Valladolid, in Castile and León, Spain. Literally the Monastery of the Barefoot Royals, the name refers to the practice of the usage of the Colettine branch of the Order of St. Clare to be barefoot while within the cloister. This monastery is to be distinguished from a similarly named one in Madrid of the same Order.
The Church of Our Lady of Montserrat is a Baroque-style, Roman Catholic church in central Madrid, Spain. Despite the imposing facade on Calle San Bernardo, the interior has relatively few bays because it was not possible to complete the building as originally projected.
The defunct Convento de Santo Tomás was a set of buildings belonging to the Dominicans, under the patronage of St. Thomas Aquinas, in Madrid.
The Convento de la Natividad y San José was a convent of Carmelite nuns located in Calle de Alcalá (Madrid). Was designed and started to build the building by foreman Juan de Lobera in mid-17th century, being finished in 1700 by his son-in-law Juan de Pineda. The convent due to the Confiscation of Mendizábal was demolished in 1836 and its site put on sale.
Sebastián Muñoz was a Spanish Baroque painter.
St. Buenaventura's Church is situated in the calle Carlos Cañal in the Casco Antiguo of Seville, Andalusia, Spain. It was the church of the Franciscan College of San Buenaventura that was destroyed in the 19th century.
The Arrabal of Saint Martin was a medieval arrabal (neighborhood) that sat outside the Christian Walls of Madrid. It was located around the location of the current Plaza of San Martín, and occupied the space between Calle del Arenal, the Plaza de las Descalzas, Plaza del Callao, and Calle de las Navas de Tolosa. It grew as a population center around the Monastery of Saint Martin, neighboring San Martín was the Arrabal of San Ginés, and both were absorbed by the growth of the city in the 17th century.
