Flagellation of Christ

Last updated
Flagellation of Christ by Peter Paul Rubens Flagellation-of-christ- Rubens.jpg
Flagellation of Christ by Peter Paul Rubens
Stained glass from Dalhem Church, Sweden (c. 1240) Gotland-Dalhem-Kyrka Glasmalerei 07.jpg
Stained glass from Dalhem Church, Sweden (c. 1240)

The Flagellation of Christ, in art sometimes known as Christ at the Column or the Scourging at the Pillar, is an episode from the Passion of Jesus as presented in the Gospels. As such, it is frequently shown in Christian art, in cycles of the Passion or the larger subject of the Life of Christ . Catholic tradition places the Flagellation at the beginning of Via Dolorosa in Jerusalem, and the modern alternate Stations of the Cross locate it at the fourth station; it represents a Sorrowful Mystery of the Rosary. [1] [2] The column to which Christ is normally shown to be tied, and the rope, scourge, whip or birch are elements in the Arma Christi. [3] The Basilica di Santa Prassede in Rome is one of the churches claiming to possess the original column or parts of it.

Contents

In art, the subject was first depicted as one of a series of Passion scenes, but from the 15th century onwards it was also painted in individual works. The most-discussed single work is the enigmatic treatment on a small panel in Urbino by Piero della Francesca (1455–1460), the precise meaning of which has eluded generations of art historians. At the same time, Christ at the Column or Christ at the Stake developed as an image of Christ alone tied to a column or stake. This was most popular in Baroque sculpture, and also related to the subject, not found in the canonical Gospels, of Christ in the Dungeon. It is often difficult to distinguish between these two subjects, and between Christ at the Column and a Flagellation. [4]

Gospels

Flagellation at the hands of the Romans is mentioned in three of the four canonical Gospels: John 19:1, Mark 15:15, and Matthew 27:26, and was the usual prelude to crucifixion under Roman law. [5] None of the three accounts is more detailed than John's "Then Pilate took Jesus and had him flogged" (NIV). Luke's comparable account, Luke 22:63–65 is of the High Priest's guards beating and mocking Jesus. In the Passion of Christ, the episode precedes the Mocking of Christ and the Crowning with Thorns, which according to the Gospels happened at the same time or immediately afterwards. Unlike the flogging, these were not part of the normal Roman judicial process. [6]

In art

The Flagellation first appears in Western art in the 9th century. It is almost never found in Byzantine art, and remains very rare in Eastern Orthodox art of any date. Initially found in illuminated manuscripts and small ivories, there are surviving monumental wall-paintings of the subject from around 1000 in Italy. From the start, there are most often three figures, Christ and two servants of Pontius Pilate who flog him. In early depictions, Christ may be naked, or wearing a long robe, facing out or seen from behind; from the 12th century it is standard for Christ to wear a loincloth (perizoma) and face out towards the viewer. [7] Christ's face is normally visible, giving artists the "technical problem of showing him receiving the strokes on his back – the usual place – while at the same time leaving his face visible". [8] Often, he appears to be receiving strokes on the front of his body.

Pontius Pilate is sometimes shown watching the scene, and his wife's servant may approach him with her message, and in the later Middle Ages, probably under the influence of Passion plays, the number of men beating Christ may be three or four, increasingly caricatured in the North as grotesque figures in the dress of contemporary mercenaries. [9] Sometimes another figure, who may be Herod, is present. The Flagellation was at the hands of those working for Pontius Pilate, but the floggers may sometimes wear Jewish hats. [10] Following the Maestà of Duccio, the scene may take place in public, before an audience of the Jewish people. [11]

The Franciscans, who promoted self-flagellation as a means of identification with the suffering of Christ, were probably responsible for a number of large Italian processional crosses in which the Flagellation occupies the back of the cross, with a Crucifixion on the front. These were presumably sometimes followed in processions by flagellants, who could see Christ suffering in front of them. [12]

Notable examples

Single works:

In cycles:

In film and music

The flagellation of Jesus ("Trial Before Pilate (Including the 39 Lashes)") is a climactic event in the rock musical Jesus Christ Superstar. [13] [ circular reference ] Modern filmmakers have also depicted Christ being flogged. It is a significant scene in Mel Gibson's 2004 The Passion of the Christ . In Kubrick's A Clockwork Orange , Alex imagines himself as a Roman soldier flogging Jesus. [14]

Relics

Alleged pieces of the Column or Pillar of the Flagellation, also called the Scourging Post, are kept at different locations.

Column relic at Santa Prassede in Rome Monti - santa Prassede colonna flagellazione 01396.JPG
Column relic at Santa Prassede in Rome

See also

Related Research Articles

<span class="mw-page-title-main">Pontius Pilate</span> Roman governor of Judaea and condemner of Jesus

Pontius Pilate was the fifth governor of the Roman province of Judaea, serving under Emperor Tiberius from 26/27 to 36/37 AD. He is best known for being the official who presided over the trial of Jesus and ultimately ordered his crucifixion. Pilate's importance in Christianity is underscored by his prominent place in both the Apostles' and Nicene Creeds. Because the gospels portray Pilate as reluctant to execute Jesus, the Ethiopian Church believes that Pilate became a Christian and venerates him as both a martyr and a saint, a belief which is historically shared by the Coptic Church, with a feast day on 19 or 25 June, respectively.

<span class="mw-page-title-main">Flagellation</span> Whipping as a punishment

Flagellation, flogging or whipping is the act of beating the human body with special implements such as whips, rods, switches, the cat o' nine tails, the sjambok, the knout, etc. Typically, flogging has been imposed on an unwilling subject as a punishment; however, it can also be submitted to willingly and even done by oneself in sadomasochistic or religious contexts.

<span class="mw-page-title-main">Passion of Jesus</span> Final period in the life of Jesus, before his crucifixion and death

The Passion is the short final period before the death of Jesus, described in the four canonical gospels. It is commemorated in Christianity every year during Holy Week.

<span title="Latin-language text"><i lang="la">Via Dolorosa</i></span> Path taken by Jesus to his crucifixion

The Via Dolorosa is a processional route in the Old City of Jerusalem. It represents the path that Jesus took, forced by the Roman soldiers, on the way to his crucifixion. The winding route from the former Antonia Fortress to the Church of the Holy Sepulchre—a distance of about 600 metres (2,000 ft)—is a celebrated place of Christian pilgrimage. The current route has been established since the 18th century, replacing various earlier versions. It is today marked by 14 Stations of the Cross, nine of which are outside, in the streets, with the remaining five stations being currently inside the Church of the Holy Sepulchre.

The unnamed wife of Pontius Pilate appears only once in the Gospel of Matthew (27:19), where she intercedes with Pilate on Jesus' behalf. It is uncertain whether Pilate was actually married, although it is likely. In later tradition, she becomes known as Procula or Procla and plays a role in various New Testament Apocrypha. At a later date, she acquires the name Claudia Procula in Western tradition, as well as other names and variants of these names. She is venerated as a saint by the Eastern Orthodox Church, the Eastern Catholic Church, the Coptic Church, and the Ethiopian Church. She has also frequently been featured in literature and film.

<i>Ecce homo</i> Latin words used by Pontius Pilate when he presents Jesus Christ to the people (John 19:5)

Ecce homo are the Latin words used by Pontius Pilate in the Vulgate translation of the Gospel of John, when he presents a scourged Jesus, bound and crowned with thorns, to a hostile crowd shortly before his Crucifixion. The original New Testament Greek: "ἰδοὺ ὁ ἄνθρωπος", romanized: "idoù ho ánthropos", is rendered by most English Bible translations, e.g. the Douay-Rheims Bible and the King James Version, as "behold the man". The scene has been widely depicted in Christian art.

<i>Arma Christi</i> Objects associated with the Passion of Jesus Christ in Christian symbolism and art

Arma Christi, or the Instruments of the Passion, are the objects associated with the Passion of Jesus Christ in Christian symbolism and art. They are seen as arms in the sense of heraldry, and also as the weapons Christ used to achieve his conquest over Satan. There is a group, at a maximum of about 20 items, which are frequently used in Christian art, especially in the Late Middle Ages. Typically they surround either a cross or a figure of Christ of the Man of Sorrows type, either placed around the composition, or held by angels.

<span class="mw-page-title-main">Arrest of Jesus</span> Pivotal event in Christianity recorded in the canonical gospels

The arrest of Jesus was a pivotal event in Christianity recorded in the canonical gospels. It occurred shortly after the Last Supper, and immediately after the kiss of Judas, which is traditionally said to have been an act of betrayal since Judas made a deal with the chief priests to arrest Jesus. The event ultimately led, in the Gospel accounts, to Jesus's crucifixion.

<span class="mw-page-title-main">Sanhedrin trial of Jesus</span> Trial of Jesus before the Sanhedrin, a Jewish judicial body

In the New Testament, the Sanhedrin trial of Jesus refers to the trial of Jesus before the Sanhedrin following his arrest in Jerusalem and prior to the trial before Pontius Pilate. It is an incident reported by all three Synoptic Gospels of the New Testament, while the Gospel of John refers to a preliminary inquiry before Annas. The gospel accounts vary on a number of details.

<span class="mw-page-title-main">Christ Carrying the Cross</span> Christ on the road to Golgotha, artistic theme

Christ Carrying the Cross on his way to his crucifixion is an episode included in the Gospel of John, and a very common subject in art, especially in the fourteen Stations of the Cross, sets of which are now found in almost all Roman Catholic churches, as well as in many Lutheran churches and Anglican churches. However, the subject occurs in many other contexts, including single works and cycles of the Life of Christ or the Passion of Christ. Alternative names include the Procession to Calvary, Road to Calvary and Way to Calvary, Calvary or Golgotha being the site of the crucifixion outside Jerusalem. The actual route taken is defined by tradition as the Via Dolorosa in Jerusalem, although the specific path of this route has varied over the centuries and continues to be the subject of debate.

<span class="mw-page-title-main">Nativity of Jesus in art</span> Artistic depictions of the Nativity or birth of Jesus, celebrated at Christmas

The Nativity of Jesus has been a major subject of Christian art since the 4th century.

<span class="mw-page-title-main">Church of the Flagellation</span> Roman Catholic church in Jerusalem

The Church of the Flagellation is a Roman Catholic church and Christian pilgrimage site located in the Muslim Quarter of the Old City of Jerusalem, near St. Stephen's Gate. It is part a Franciscan monastery which also includes the Church of the Condemnation and Imposition of the Cross. The monastery stands at the traditional Second Station of the Cross on the Via Dolorosa.

<span class="mw-page-title-main">Lamentation of Christ</span> Subject in Christian art

The Lamentation of Christ is a very common subject in Christian art from the High Middle Ages to the Baroque. After Jesus was crucified, his body was removed from the cross and his friends mourned over his body. This event has been depicted by many different artists.

<span class="mw-page-title-main">Life of Christ in art</span> Set of subjects in art

The life of Christ as a narrative cycle in Christian art comprises a number of different subjects showing events from the life of Jesus on Earth. They are distinguished from the many other subjects in art showing the eternal life of Christ, such as Christ in Majesty, and also many types of portrait or devotional subjects without a narrative element.

<span class="mw-page-title-main">Church of the Condemnation and Imposition of the Cross</span> Roman Catholic church in Jerusalem

The Church of the Condemnation and Imposition of the Cross is a Roman Catholic church located within the Franciscan monastery that also contains the Church of the Flagellation in the old city of Jerusalem. The monastery stands at the traditional Second Station of the Cross on the Via Dolorosa.

<i>Flagellation of Christ</i> (Piero della Francesca) Painting by Piero della Francesca

The Flagellation of Christ is a painting by Piero della Francesca in the Galleria Nazionale delle Marche in Urbino, Italy. Called by one writer an "enigmatic little painting," the composition is complex and unusual, and its iconography has been the subject of widely differing theories. Kenneth Clark called The Flagellation "the greatest small painting in the world".

<span class="mw-page-title-main">Jesus, King of the Jews</span> Title of Jesus referred to in the New Testament

In the New Testament, Jesus is referred to as the King of the Jews, both at the beginning of his life and at the end. In the Koine Greek of the New Testament, e.g., in John 19:3, this is written as Basileus ton Ioudaion.

<span class="mw-page-title-main">Last Supper in Christian art</span>

The Last Supper of Jesus and the Twelve Apostles has been a popular subject in Christian art, often as part of a cycle showing the Life of Christ. Depictions of the Last Supper in Christian art date back to early Christianity and can be seen in the Catacombs of Rome.

<span class="mw-page-title-main">Transfiguration of Jesus in Christian art</span>

The Transfiguration of Jesus has been an important subject in Christian art, above all in the Eastern church, some of whose most striking icons show the scene.

Passion Gospels are early Christian texts that either mostly or exclusively relate to the last events of Jesus' life: the Passion of Jesus. They are generally classed as New Testament apocrypha. The last chapters of the four canonical gospels include Passion narratives, but later Christians hungered for more details. Just as infancy gospels expanded the stories of young Jesus, Passion Gospels expanded the story of Jesus's arrest, trial, execution, resurrection, and the aftermath. These documents usually claimed to be written by a participant mentioned in the gospels, with Nicodemus, Pontius Pilate, and Joseph of Arimathea as popular choices for author. These documents are considered more legendary than historical, however, and were not included in the eventual Canon of the New Testament.

References

  1. The encyclopedia of visual art, Volume 4 by Lawrence Gowing 1983, Encyclopedia Britannica, page 626
  2. Old Master Paintings and Drawings by Roy Bolton 2009 ISBN   1-907200-01-0 page 70
  3. Schiller, Gertrud (1972). Iconography of Christian Art: The Passion of Christ, pp. 66–68. ASIN: B000KGWGH4.
  4. Schiller, 69
  5. Schiller, 66; Academic in Newsweek
  6. Schiller, 66
  7. Schiller, 66–67
  8. Hall, James, Hall's Dictionary of Subjects and Symbols in Art, 123, 1996 (2nd edn.), John Murray, ISBN   0719541476
  9. Schiller,68
  10. See, for example Schiller fig. 231, a 13th-century wall-painting from Cologne
  11. Schiller, 68
  12. Schiller, 67
  13. Jesus Christ Superstar (album)
  14. D. K. Holm (4 February 2004). "The Passion of the Christ". Nocturnal Admissions. Movie Poop Shoot. Archived from the original on 8 September 2012. Retrieved 6 November 2009.
  15. Holy Wednesday in Jerusalem: the veneration of the Column from the website of the Franciscan Custody of the Holy Land, 20 April 2020. Accessed 6 October 2023.