This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these template messages)
|
Mondomanila | |
---|---|
Directed by | Khavn |
Screenplay by | Norman Wilwayco & Khavn |
Produced by | Kamias Road Stephan Holl Antoinette Köster Achinette Villamor |
Starring | Tim Mabalot Marife Necesito Palito Whitney Tyson |
Music by | Khavn |
Distributed by | House of Film Rapid Eye Movies HE GmbH Kamias Road Hubert Bals Fund |
Release date |
|
Running time | 75 minutes |
Country | Philippines |
Language | Tagalog |
Mondomanila is a 2012 Filipino experimental musical exploitation horror comedy-drama crime film directed by independent filmmaker Khavn, based on a work by Norman Wilwayco, who also co-wrote the script with Khavn. It premiered at the International Film Festival Rotterdam in January 2012. [1] The film tells the story of teenage antihero Tony de Guzman and the rough neighborhood he calls home. [2]
Tony de Guzman is an anti-hero. Life, according to him, is short, brutal and is never on your side. Grab what you can, when you can. Settle scores. Be randy. Defy the rules. Cheat the system. Tough it out.
Tony knows nothing but tough times living, as he does, in the bleak circus of the slums he calls home amongst denizens of the underworld: the crippled pimp, the lonely housewife, the neighborhood gay and his macho father, the prostitutes, the small-time politician, and the Yankee pedophile. This is his story and the story of the world he lives in: a hopeless, closed-in decrepit world gone to seed.
Mondomanila is an unflinching and unflinchingly funny look at life in the underbelly of the urban diaspora—with songs.
Year | Festival | Award | Notes |
---|---|---|---|
2010 | Cinemanila International Film Festival | Best Director | Closing film Film screened was a rough cut, a work in progress |
2012 | International Film Festival Rotterdam | World premiere | |
2012 | Jeonju International Film Festival | ||
2012 | Anthology Film Archives | ||
2012 | Yerba Buena Center for the Arts | ||
2012 | Edinburgh International Film Festival | premiered in EIFF with another Khavn film, Philippine New Wave: This Is Not A Film Movement [3] | |
2012 | Festival Paris Cinéma | ||
2012 | Sarajevo Film Festival | ||
2012 | Fantasia Festival | Special Mention "For the accuracy with which the director looks at his country’s most disadvantaged, uncompromising but full of humanity" | Opening Film - Camera Lucida Section |
Khavn, known for his staunch advocacy of guerilla shooting methods, has a reputation for shooting very quickly on a small budget. However, unlike his other features, Mondomanila took Khavn nine years and numerous attempts, to make. [4]
Mondomanila entered production in 2003 but was stopped after the first day because of major miscasting issues. Most of the scenes were scrapped; what Khavn managed to salvage became parts of another film, Mondomanila: Overdosed Nightmare, which premiered at the Cinemalaya International Film Festival in 2008. [4] Writes critic Richard Bolisay:
"This film has lived up to its name—cranky, blasphemous, berserk, carnivorous—for the nightmare is not only overdosed, it is sacrilegious, the darkness is so imperial it looks like a work of evil, a devil of a craftsman Khavn is—and there is no point in deconstructing its stark elements because it only extinguishes the fire. The surrealist at work subscribes to absolute nihilism. The motive is anarchy. The enemy is false religion." [5]
In 2004, Khavn shot Mondomanila: Institute of Poets based on the short story which won a Palanca in 2000. The short film, which starred Filipino actor Marvin Agustin, premiered at the International Film Festival Rotterdam in 2005, [6] and was singled out by Brazilian critic Jorge Didaco, then writing for Senses of Cinema, as one of the ten best films of 2005. [7]
In between 2004 and 2009, Khavn worked on varying versions of the screenplay; one was a ten-hour epic which, though more faithful to the novel, had to be abandoned for practical reasons: cost would have been enormous and Khavn could not find project backers. [4]
In 2006, Mondomanila was one of the four projects awarded the first ever Digital Production Grant by the Hubert Bals Fund. [8] Khavn used this seed money to polish the screenplay. The final version of Mondomanila entered production in 2009. This time around, it was co-produced by the German film company, Rapid Eye Movies, co-managed by Stephan Holl and Antoinette Köster.
In 2010, Khavn screened a work in progress version of Mondomanila at the MFMF! Mondomanila FilmFest Motherf%*#ers [9] and the Cinemanila International Film Festival. The rough cut won for Khavn Best Director.
House of Film, a Beverly Hills-based sales company, for worldwide distribution is the world sales agent of Mondomanila. [10]
In an interview with Festival Scope during the film's premiere in Rotterdam, Khavn was asked why he did not choose to do a literal adaptation of the novel. He explained:
I chose to go straight to the heart of 'Mondomanila' and make a film that sprung from that. There was already some strong and grotesque imagery in the novel. But in the film, everything is heightened, pushed the farthest it could go. [11]
Twitch Film's Oggs Cruz points out that Mondomanila "will probably draw comparisons with the films of John Waters, for its unabashed obnoxiousness, and Alejandro Jodorowsky, for its unabashed strangeness. However, the film is a strange creature altogether, more venomous than any of Waters’ trash and more useful than any of Jodorowsky’s excesses." [12]
Indiocine's Macky Macarayan found some of the characters confusing, and believes a traditional ending featuring the narrator would have served the film better. But he praises the film for being a very honest social commentary, calling it "raw, uninhibited, and unforgiving". "Everything is exaggerated, meant as an inverse, or metaphorically presented. Subtlety is not in Khavn's vocabulary; he likes to confront the issues head on, but at least he has some style. Like Nolan's Inception you have to dig further." [13]
One viewer notes that in the film, Khavn combines the abrasive aspects of two of his other films, Squatterpunk and The Family That Eats Soil, to "transvaluate Julia Kristeva's notions of the abject and turns it from a source of horror to something darkly humorous". [14]
Film blogger Sanriel Ajero finds Mondomanila "quite offensive, as one would expect from the sick mind of Khavn, and by this virtue alone, should warrant a divisive reaction from its audience" but praises its vision. "Personally, I’m with the half that enjoyed the hell of it. Surely one of the few brave local directors we have now, that continually pushes the boundaries of violence and gore, even of lyricism and poetry.” [15]
Lagarista's Dodo Dayao calls Mondomanila "Glee on crack", likening it to Dusan Makavejev’s Sweet Movie but calls it "quintessential Khavn. Only with a grander sense of culmination."
There are almost inarguable parallels that run between the two films. But the twist here is that Khavn hasn’t seen Makavejev, and prefers to boil it down to something like John Waters by way of Tod Browning by way of Gualtiero Jacopetti. And it comes as no surprise how many are positioning the film, which is having its world premiere this week at Rotterdam, as his magnum opus, a coming to a head of his wildly prolific career, which in many ways it is. [16]
Dušan Makavejev was a Serbian film director and screenwriter, famous for his groundbreaking films of Yugoslav cinema in the late 1960s and early 1970s—many of which belong to the Black Wave. Makavejev's most internationally successful film was the 1971 political satire W.R.: Mysteries of the Organism, which he both directed and wrote.
Ernesto de Guzman de la Cruz, known by the stage name Weng Weng, was a Filipino actor, stunt performer, and martial artist. He was a short person at 83 centimeters tall. Born in what is now Baclaran in Parañaque, dela Cruz studied karate. In the mid-1970s, dela Cruz played supporting roles in films, until his first starring role in Agent OO (1981). At the Manila International Film Festival, dela Cruz's starring role in the Agent OO's sequel For Your Height Only (1981) outsold every other local production on foreign sales.
Alberto Pineda Martinez, is a Filipino actor, producer, and director. Dubbed as the "King of Philippine Teleseryes", he has since established himself as one of the most omnipresent figures in Philippine television and cinema. He is best known for his performances in acclaimed films such as Rosario (2010), Rizal in Dapitan (1997), Segurista (1996) and Sidhi (1999), as well as in multiple hit television series like Ang Probinsyano (2015), Kadenang Ginto (2018), Juan dela Cruz (2013) and The Generals Daughter (2019).
Jose Lorenzo "Pepe" Diokno III is a Filipino film director, producer, and screenwriter. His debut film, Engkwentro premiered at the 2009 Venice Film Festival and received the Lion of the Future Award for Best Debut Film, as well as the Orizzonti Prize.
Adolfo Borinaga Alix Jr., also known as Adolf Alix Jr., is a Filipino screenwriter and film director.
Erika Chryselle Gonzales Gancayco-Lorenzo, better known by her stage name Erich Gonzales, is a Filipino actress. She is a contract artist of ABS-CBN's Star Magic. She started her showbiz career at the age of 14, as a contestant of the reality talent search Star Circle Quest. She came to prominence in her lead role Katorse.
Lilia B. Cuntapay was a Filipina actress and former teacher. She is popularly recognized as the "Queen of Philippine Horror Movies" for her subsequent appearances in horror movies and exceptional contributions to Philippine film industry.
Ultraviolins is a collection of 14 short stories by Khavn, first published by the University of the Philippines Press in 2008 and subsequently by the University of Hawaii Press in 2009. It is his first book of fiction.
How I Fixed My Hair After a Rather Long Journey is Norman Wilwayco's triple Palanca-winning novel, which won in 2002; short story, which won in 2000; and screenplay, which won in 2003. Its original title is in Tagalog: Kung Paano Ko Inayos Ang Buhok Ko Matapos Ang Mahaba-haba Ring Paglalakbay. The book, however, is commonly but unofficially also called Mondomanila due to the success of the film Mondomanila, which is very loosely based on the story. Published in 2005 by Kamias Road's Automatic Writings, the book How I Fixed My Hair After a Rather Long Journey became a critical success, receiving praise for its unflinchingly honest portrayal of life in the slums.
San Lazaro is a Filipino horror film written and directed by Wincy Aquino Ong, starring Ramon Bautista, Wincy Aquino Ong, Nicco Manalo, Bianca King, Ely Buendia, Julia Clarete, Earl Ignacio, Kean Cipriano and Allan Forte. It is produced by Watusi Productions and Ramon Bautista Films. The film premiered in Cinemalaya 2011 as one of the finalists for the NETPAC Category.
Kubot: The Aswang Chronicles 2 is a 2014 Filipino science fiction action comedy horror adventure film co-written and directed by Erik Matti, and produced by GMA Pictures. It is the sequel to the 2012 film Tiktik: The Aswang Chronicles.
Kamera Obskura is a 2012 Filipino drama film produced and directed by Raymond Red. It was co-written by Red and Pen Medina, who stars as the protagonist of a fictional lost film recovered by film archivists.
Violator is a 2014 Filipino psychological horror film written and directed by Eduardo "Dodo" Dayao. It stars Victor Neri, Anthony Falcon, RK Bagatsing, Timothy Mabalot, Andy Bais, and Joel Lamangan. It premiered at the Cinema One Originals film festival, where it won Best Editing, Best Picture, Best Sound, and Best Supporting Actor for Bais. At the Gawad Urian Awards, it won Best Sound and was nominated for Best Cinematography, Best Editing, and Best Supporting Actor for Lamangan.
Barcelona: A Love Untold is a 2016 Philippine romance drama film, directed by Olivia Lamasan, starring Kathryn Bernardo and Daniel Padilla. The film was produced and released by Star Cinema and was released on September 14, 2016.
Whitney Tyson is an American actress, singer and comedian, best known for her role as Elizabeth in FPJ's Ang Probinsyano.
Our Mighty Yaya is a 2017 Philippine family comedy film written and directed by Jose Javier Reyes. The film stars Ai-Ai delas Alas as Virgie, a hideous-looking but sympathetic woman from the province, who hires as a nanny for a well-to-do family in Manila. Supporting roles feature Zoren Legaspi, Megan Young, Sofia Andres, Lucas Magallano, and Alyson McBride. Produced by Regal Multimedia, Inc. and Regal Entertainment, the film was released on May 17, 2017. The film was distributed by GMA Pictures.
BuyBust is a 2018 Philippine action thriller film co-written and directed by Erik Matti. It stars an ensemble cast top-billed by Anne Curtis and Brandon Vera. The plot centers on a team summoned by the Philippine Drug Enforcement Agency (PDEA) to conduct a drug bust in a Manila slum. Realizing the mission is poorly executed, the team find themselves trapped by settlers and attempts to escape by fighting their way out. The film has been viewed as a social commentary on the controversial Philippine Drug War initiated by the Duterte government.
Balangiga: Howling Wilderness is a 2017 Filipino film directed by Khavn De La Cruz and one of the circle competition entries to the 5th QCinema International Film Festival or QCinema. This movie shows, in the eyes of an eight-year-old, the tragedy that occurred in the days of 1901 when the Americans were supposed to identify with the Balangiga and other parts of Samar, including the events following the brutal massacre of several Samarnon and how they fled elsewhere to the neighboring island. The movie's shooting location took place in different parts of Samar, Leyte and Zambales. Although there were various issues the movie received just before its release to the public, it still managed to receive several top recognition from various prestigious award-giving bodies in the Philippines, including the highest "Best Picture" award. The director of this movie receives “Best Director” as well as the movie stars who were based in Tacloban City.
Carlo Francisco Manatad is a Filipino filmmaker and editor. He is one of the most prolific editors in the Philippines and has edited the films Ruined Heart (2014), A Gentle Night (2017), Balangiga (2017) and Women of the Weeping River (2018) to name a few. As a director, his films have screened in a number of international film festivals, such as in Locarno, Toronto, Busan, and Cannes.
Cattleya Killer is a Philippine psychological thriller drama television series directed by Dan Villegas. The series stars Arjo Atayde, with Jake Cuenca, Christopher de Leon, Jane Oineza, Ria Atayde, Ricky Davao, Nonie Buencamino and Zsa Zsa Padilla also starring. It is the sequel to the 1996 film Sa Aking mga Kamay.