Ain't Life Grand is the fourth studio album by the Athens, GA-based band Widespread Panic. It was released by Capricorn Records and Warner Bros. Records on September 6, 1994. It was re-released in 2001 by Zomba Music Group. On July 3, 2014, the band announced that Ain't Life Grand would be reissued on vinyl in August 2014.
Out of Time is the seventh studio album by American alternative rock band R.E.M., released on March 12, 1991, by Warner Bros. Records. With Out of Time, R.E.M.'s status grew from that of a cult band to a massive international act. The record topped the album sales charts in both the United States and the United Kingdom, spending 109 weeks on U.S. album charts, with two separate spells at the top, and spending 183 weeks on the British charts, including one week at the top. The album has sold more than four and a half million copies in the United States and more than 18 million copies worldwide. Out of Time won three Grammy Awards in 1992: one as Best Alternative Music Album, and two for its first single, "Losing My Religion".
Peter Lawrence Buck is an American musician and songwriter. He was a co-founder and the lead guitarist of the alternative rock band R.E.M. He also plays the banjo and mandolin on several R.E.M. songs. Throughout his career with R.E.M. (1980–2011), as well as during his subsequent solo career, Buck has also been at various times an official member of numerous 'side project' groups. These groups included Arthur Buck, Hindu Love Gods, The Minus 5, Tuatara, The Baseball Project, Robyn Hitchcock and the Venus 3, Tired Pony, The No-Ones, and Filthy Friends, each of which have released at least one full-length studio album. Additionally, the experimental combo Slow Music have released an official live concert CD. Another side project group called Full Time Men released an EP while Buck was a member. As well, ad hoc "supergroups" Bingo Hand Job, Musical Kings and Nigel & The Crosses have each commercially released one track.
Reveal is the twelfth studio album by American rock band R.E.M. It was released on May 14, 2001, through Warner Bros. Records and was the second of three albums by the band to be produced with Pat McCarthy. It was also R.E.M.'s second album as a three-piece following the departure of drummer Bill Berry, and includes contributions from the band's touring members Joey Waronker, Scott McCaughey and Ken Stringfellow. The band recorded the album in various locations, including in Dublin, Miami, Vancouver, and their hometown of Athens, Georgia. The album saw R.E.M. continue to experiment with electronic music as they had on their previous album Up (1998), utilizing keyboards and drum machines, while also retaining elements of their earlier sound.
Lay It Down is the sixth studio album by the Canadian alt-country band Cowboy Junkies. Released on February 27, 1996, it was the group's first album for Geffen Records after the end of their contract with RCA Records. It was the band's first album that could be described as straight-ahead rock, rather than country rock, country or blues. It was also their first album consisting entirely of original material, with no covers. "A Common Disaster" and "Speaking Confidentially" were notable hits for the band on Canadian radio.
Porno for Pyros is the debut studio album by the American alternative rock band Porno for Pyros, released on April 27, 1993, by Warner Bros. Records. Jane's Addiction guitarist Dave Navarro and bassist Eric Avery, battling substance abuse issues, had left the band in 1991 in an attempt to stay clean, though the other half of the band wished to continue creating music. The remaining members of Jane's Addiction, Perry Farrell and Stephen Perkins, were joined by guitarist Peter DiStefano and future Jane's Addiction bassist Martyn LeNoble, and continued under the new band name Porno for Pyros. The band name is a reference to the 1992 Los Angeles riots, which are mentioned throughout the songs on the album as a recurring theme.
March 16–20, 1992 is the third studio album by alternative country band Uncle Tupelo, released on August 3, 1992. The title refers to the five-day span during which the album was recorded. An almost entirely acoustic recording, the album features original songs and covers of traditional folk songs in near equal number, and was produced by R.E.M. guitarist Peter Buck.
Cerebral Caustic is the seventeenth full-length studio album by English post-punk group The Fall, released in 1995 on Permanent Records. It spent one week on the UK Albums Chart at number 67, 19 places lower than its predecessor Middle Class Revolt, marking the end of one of the group's relatively more successful periods.
The Lonesome Death of Buck McCoy is an album by American rock band The Minus 5. Their final release of new material for Hollywood Records, it was released in 1997. The album was met with positive reception from critics.
Music for Pleasure is the second studio album by English punk rock band the Damned. It was released on 18 November 1977 by Stiff Records. The album failed to chart in the UK.
White Light from the Mouth of Infinity is the seventh album by the American band Swans. It was released in 1991, through the record label Young God. The band supported the album with a North American tour.
The Original Sins were a garage rock band that formed in 1987 in Bethlehem, Pennsylvania. The group were known for combining the musical stylings of punk rock, psychedelic rock, and even pop music with their songs. The band released a total of nine full-length studio albums across their entire career before they band broke up in early 1998.
The Hardest Way is an album by the American garage punk band the Original Sins. It was released in 1989 by Psonik Records.
Self Destruct is the third album by the American garage punk band the Original Sins. It was released in 1990 through Psonik Records. The CD version of the album included bonus tracks that originally appeared from their 1990 "Coca-Cola" 7" single.
Green is the sixth studio album by American rock band R.E.M., released in the United States on November 8, 1988, by Warner Bros. Records and the following day in the UK and Europe. The second album to be produced by the band and Scott Litt, it continued to explore political issues both in its lyrics and packaging. The band experimented on the album, writing major-key rock songs and incorporating new instruments into their sound including the mandolin, as well as switching their original instruments on other songs.
Out There is the fifth studio album by garage rock band The Original Sins, released during the latter half of 1992. It was only a couple of months after their previous release Move. It was the first album of the group to feature drummer Seth Baer.
Acidbubblepunk is the sixth full-length studio album by garage rock band The Original Sins, released in 1994 through Psonik records. The album is considered by many fans as a disappointing record, with Trouser Press referring to the record as a "disappointing drop in [The Original Sins'] standards". The album cover was drawn by frontman John Terlesky.
Turn You On is the seventh studio album by garage rock band The Original Sins, which was independently released in 1995 through their very own Bedlam Records imprint, a label John Terlesky uses to release his solo material. The album was only ever released as a limited edition vinyl, with its artwork screen printed by hand.
Bethlehem is the eighth studio album by garage rock band The Original Sins, released in 1996 through Bar/None Records. The album shows a change in tone for the band, focusing much more on pop music and psychedelic rock than the energetic garage punk fury from previous releases. The album has been considered as the band's best, with some describing it as "the band's greatest achievement" and a "great leap-forward".
Suburban Primitive is the ninth and final studio album by garage rock band The Original Sins, which was released in 1997 through Blood Red Vinyl & Discs. The album features the return of Dave Ferrara, the band's original drummer. The album was released on 10" vinyl and CD formats. The photograph shown on the front cover was provided by John Terlesky's parents.
