Mr. Lady Records | |
---|---|
Founded | 1996 |
Founder | Kaia Wilson Tammy Rae Carland |
Defunct | 2004 |
Status | Defunct |
Genre | Feminist |
Country of origin | United States |
Location | Durham, North Carolina San Francisco, California |
Mr. Lady Records (or Mr. Lady Records and Video) was a San Francisco-based lesbian-feminist independent record label and video art distributor. [1] Artists on the label included Le Tigre [2] and The Butchies. [3] OutSmart magazine noted that Mr. Lady was "queercore's strongest label." [4]
The label was founded in 1996 in Durham, North Carolina by musician Kaia Wilson and artist/UNC photography professor Tammy Rae Carland, [5] aiming to redress what they saw as a lack of feminist record labels at the time. [6] As well as a range of recording artists, the label was also heavily involved in other events that promoted feminist thinking and music, such as the Michigan Womyn's Music Festival – which led to some controversy in 1999 – and various art showcases. [7] [8] Mr. Lady closed down in June 2004. [9]
Kaia Wilson was a member of lesbian punk group The Butchies, and felt their "out politics held them back." [10] Without a record company to specifically represent the work of herself and other "out" female musicians, Wilson and her girlfriend, Tammy Rae Carland, found their opportunities limited. Subsequently, they formed Mr. Lady to redress the "lack of enough women and/or dyke run record labels," which they felt led to an "extremely limited amount of affordable and accessible means for independent artists to distribute their work." [6] Thus, Mr. Lady Records was started with, in Wilson's words, "$35 and a lotta...faith." [11]
(Our music is) feminist music: strong women-identified women playing music. That doesn't necessarily fall into a genre but describes the people playing. To me, we are women's music.
— Kaia Wilson [12]
Wilson stated the name "Mr. Lady" came from a trip to Italy while on tour with Team Dresch: "I saw a store called Mr. Baby, and it freaked me out. Then everyone started calling me Mr. Baby. Then I became Mr. Baby onstage. I had my own theme song and everything. I wore a little eyeliner mustache. From there it changed into Mr. Lady, which just seemed like a good name for a queer label." [5] It also related to Ladyman, Wilson's first solo LP, produced with the aid of Melissa York after they both left lesbian "supergroup" Team Dresch.
Mr. Lady Records released recordings by groups such as Kathleen Hanna's lo-fi group Le Tigre (who released their first two records – Le Tigre and Feminist Sweepstakes – with Mr. Lady), [2] punk group The Butchies (of whom Kaia Wilson is the lead singer), [3] British group Electrelane, [13] Tara Jane O'Neil, [14] spoken-word collective Sister Spit (Sini Anderson and Michelle Tea), [15] and others. In March 2001, Calling All Kings & Queens , a sampler album, was released which featured eighteen tracks from various artists and friends of the label, including Sleater-Kinney and Team Dresch. It followed 1999's New Women's Music Sampler .
No band that signed with Mr. Lady contained a male artist. Carland said "It's not that we're necessarily never going to put out a band with men in it, but it's just kind of organically happened that way. We wanted to focus on putting out music by women. We do consider ourselves a feminist business and part of that involves prioritizing work made by women." [16]
Due to their work with Mr. Lady, Wilson and Carland were described as two of the "100 most influential gay people in the world" by About.com in 2002. [17]
Although initially a vehicle for Wilson to release her own albums, Mr. Lady grew into a label whose musical and political contributions gained national attention. [16] During a review of Tami Hart's debut release with Mr. Lady, online magazine PopMatters described the label as "one of the bright spots in new music. Whether the groups or singers are punk or indie, they are all anti-mainstream hip, political, and good – really good." [18] Discorder magazine described the label in 2004 as "lead[ing] the way when it came to releasing music that was as politically significant as it was danceable." [19]
Initially distributing music through mail order, the label signed a deal to distribute records nationally across the US in 2001. [15] [20] The Independent Weekly described the label as having "grown from a community that perhaps needed it the most," contrasting the scarcity of a gay/lesbian-oriented label in the southern United States at the time with the many in New York. [15]
In 1999, Mr. Lady records (along with one of its artists, The Butchies), were involved in issues surrounding the debate as to whether transgender women should be entitled to attend the Michigan Womyn's Music Festival, which had a formal stance against allowing transsexual and transgender women to attend the festival. [7] In response to a request from transgender activists to boycott the festival, Mr. Lady released a statement which defended the festival, believing that they did not consider an event for "womyn born womyn" and the transgender community to be mutually exclusive, but backed the right of the festival to exclude those not born as women.
Kaia Wilson confirmed this in a June 1999 statement: "[W]e strongly believe that transgender/transsexual people are an important part of the queer community and that they face an enormous amount of opposition. [...] We know that the MWMF started as a separatist event for womyn born womyn and we personally still feel the continued need for that kind of space and event. [...] We don't think that our support of the trans communities and womyn born womyn communities are in direct contradiction to each other." [21]
Formally backing the festival's trans-exclusion policy led to protests and boycotts aimed towards Mr. Lady acts, Wilson and The Butchies in particular. Groups such as Camp Trans, and many participants in the queercore community, disagreed with Mr. Lady's stance and felt that the group and label exploited transgender images. [7] The label went defunct in June 2004. [19]
Mr. Lady Records has sponsored numerous showcases of feminist and lesbian music, including events at the Weisman Art Museum [1] at the University of Minnesota Twin Cities campus in Minneapolis, Minnesota (working with the Queer Student Cultural Center) and "Mr. Sister", a showcase at the National Queer Arts Festival in 2003 at the Center for Lesbian Gay Bi Transgender Art & Culture in San Francisco. [8]
Artists formerly on Mr. Lady include:
The label's name appears in the lyrics of the Le Tigre song "Hot Topic." [28]
Womyn is one of several alternative political spellings of the English word women, used by some feminists. There are other spellings, including womban or womon (singular), and wombyn or wimmin (plural). Some writers who use such alternative spellings, avoiding the suffix "-man" or "-men", see them as an expression of female independence and a repudiation of traditions that define women by reference to a male norm. Recently, the term womxn has been used by intersectional feminists to indicate the same ideas while foregrounding or more explicitly including transgender women, non-binary women, intersex women, queer women, and women of color.
Kathleen Hanna is an American singer, musician and pioneer of the feminist punk riot grrrl movement, and punk zine writer. In the early-to-mid-1990s, she was the lead singer of feminist punk band Bikini Kill, and then fronted the electronic rock band Le Tigre in the late 1990s and early 2000s. Since 2010, she has recorded as The Julie Ruin.
The Michigan Womyn's Music Festival, often referred to as MWMF or Michfest, was a lesbian feminist women's music festival held annually from 1976 to 2015 in Oceana County, Michigan, on privately owned woodland near Hart Township referred to as "The Land" by Michfest organizers and attendees. The event was built, staffed, run, and attended exclusively by women, with girls, young boys and toddlers permitted.
Le Tigre is an American art punk and riot grrrl band formed by Kathleen Hanna, Johanna Fateman and Sadie Benning in 1998 in New York City. Benning left in 2000 and was replaced by JD Samson. They mixed punk's directness and politics with playful samples, eclectic pop, and lo-fi electronics. Like with many bands in and from the riot grrrl movement, many of the lyrics addressed feminist themes and ideas. The group also added multimedia and performance art elements to their live shows, which often featured support from like-minded acts such as the Need.
Transfeminism, or trans feminism, is a branch of feminism focused on transgender women and informed by transgender studies. Transfeminism focuses on the effects of transmisogyny and patriarchy on trans women. It is related to the broader field of queer theory. The term was popularized by Emi Koyama in The Transfeminist Manifesto.
Camp Trans was the name of an annual demonstration and event held outside the Michigan Womyn's Music Festival in Oceana County, Michigan. This demonstration was held by transgender women and their allies to protest against the Festival's policy of excluding trans women from attending, until the Music Festival's end in 2015.
The Butchies were an all-female punk rock band from Durham, North Carolina, that existed from 1998 to 2005. They reunited from their hiatus to tour with Amy Ray of the Indigo Girls promoting Ray's new album in 2010. The frequent focus of their lyrical content concerned lesbian and queer themes.
Melissa York is a rock drummer noted for her work with iconic lesbian bands such as Team Dresch, The Butchies, and Amy Ray. She lives in Durham, North Carolina.
Kaia Lynn Wilson is an American musician from Portland, Oregon, best known as a founding member of both Team Dresch, a revered 1990s queercore punk band, and The Butchies, a pop-rock spin-off from her solo work. In addition to singing, songwriting and guitar, Wilson co-established and operated Mr. Lady Records from 1996 to 2004.
Tammy Rae Carland, is a photographer, video artist, zine editor, current provost at California College of the Arts (CCA), and former co-owner of the independent lesbian music label Mr. Lady Records and Videos. Her work has been published, screened, and exhibited around the world in galleries and museums in New York, Los Angeles, San Francisco, Berlin, and Sydney.
Jocelyn Rachel Samson, known professionally as JD Samson, is an American musician, producer, songwriter and DJ best known as a member of the bands Le Tigre and MEN.
Women's music is a type of music base on the ideas of feminist separatism and lesbian-separatism, designed to inspire feminist consciousness, chiefly in Western popular music, to promote music "by women, for women, and about women".
Feminist Sweepstakes is the second studio album by American electro-punk band Le Tigre. It was released on October 16, 2001, by record label Mr. Lady.
Donna Dresch is an American punk rock musician, perhaps best known as founder, guitarist and bass guitarist of Team Dresch.
Calling All Kings & Queens is a sampler album of alternative rock songs by artists on the San Francisco, California based lesbian-feminist independent record label, Mr. Lady Records. It was released in March, 2001, following on from the label's first sampler released in 1999, entitled New Women's Music Sampler.
New Women's Music Sampler is a sampler album of alternative rock songs by artists on the San Francisco, California based lesbian-feminist independent record label, Mr. Lady Records. It was released in October 1999. A second sampler was released in 2001, entitled Calling All Kings & Queens.
Sister Spit was a lesbian-feminist spoken-word and performance art collective based in San Francisco, signed to Mr. Lady Records. They formed in 1994 and disbanded in 2006. Founding members included Michelle Tea and Sini Anderson, Other members included Jane LeCroy and poet Eileen Myles. The group were noted for their Ramblin' Roadshow, performing at feminist events such as the Michigan Womyn's Music Festival. The Boston Phoenix described it as "the coolest line-up of talented, tattooed, pierced, and purple-pigtailed performance artists the Bay Area has to offer."
Womyn-born womyn (WBW) is a term developed during second-wave feminism to designate women who were assigned female at birth, were raised as girls, and identify as women. The policy is noted for exclusion of trans women. Third-wave feminism and fourth-wave feminism have generally done away with the idea of WBW.
The Mountain Moving Coffeehouse for Womyn and Children was a lesbian feminist music venue, located in Chicago and known across the United States. It operated for thirty-one years, from 1974 until 2005. The name of the organization evokes the political task that feminists must "move the mountains" of institutional sexism and homophobia. The alternative spelling of "womyn" represented an expression of female independence and a repudiation of traditions that define women by reference to a male norm.
Womyn's land is an intentional community organised by lesbian separatists to establish counter-cultural, women-centred space, without the presence of men. These lands were the result of a social movement of the same name that developed in the 1970s in the United States, Australia, New Zealand, and western Europe. Many still exist today. Womyn's land-based communities and residents are loosely networked through social media; print publications such as newsletters; Maize: A Lesbian Country Magazine; Lesbian Natural Resources, a not-for-profit organisation that offers grants and resources; and regional and local gatherings.