Sini Anderson (born November 6, 1969) is an American film director, producer, performance artist, choreographer, dancer and poet, from Chicago, Illinois. [1] Anderson is widely known for directing The Punk Singer (2013), a documentary about riot grrrl musician Kathleen Hanna's legacy and experience with late-stage Lyme disease. [2]
Anderson did not attend high school or college. [3] As a young adult, she began her artistic career as a professional dancer, studying contemporary modern dance with the Chicago Dance Medium. After some years of performing as a professional dancer in Chicago, Anderson desired a voice beyond choreography and began to write. At age 22, Anderson performed the first spoken word piece she had ever written at the Green Mill Cocktail Lounge in Uptown, Chicago, and won the slam for that evening. This was more than enough to encourage Anderson to fully delve into the Chicago poetry slam scene, prompting her to begin her own spoken word group called "The Words to Swallow Poets". Anderson continued to perform with The Words to Swallow Poets at local clubs and venues opening up for musical acts before moving to San Francisco.
Anderson is incredibly outspoken about her particular brand of feminism, which is entirely peer-taught, punk rock, and non-exclusionary. Having not have had the opportunity to attend high school or college and take women's studies classes, San Francisco was Anderson's creative college in terms of the feminist punk art scene. [3] It was here in her early twenties that she first heard the phrase "feminist" and immersed herself into the works of feminist artists through zines and touring, falling in love with third wave feminism for its accessibility and protesting of popular culture. [3] She cites Tammy Rae Carland, Kathleen Hanna, and Michelle Tea as her greatest peer influences. Anderson has said that her view of feminism has evolved over time yet still remains built around art, friends, and community. [3] She has also said that vulnerability and a willingness to emote can be strengths rather than weaknesses for women, and are important aspects of feminism. [4]
Upon moving to San Francisco, Anderson was enraged by the massive sexism in the city's poetry slam scene. Within her first few months of living in San Francisco, Anderson became close friends with Michelle Tea, with whom she would co-create an all-girl weekly open mic series, Sister Spit (1994–1997), and Sister Spit's Ramblin Road Show, a spoken word tour from 1997 to 2000. [5] Anderson and Tea performed in San Francisco for three years before they began Sister Spit's Rambling Road Show, in which they took ten other queer performers on the road with them across the country for three consecutive six-week national summer tours. Sister Spit released several albums including I Spit on Your Country (1997) on Mercury Records, Sister Spit's Ramblin Road Show (1998), Sister Spit's Ramblin Road Show (1999), Greatest Spits!: A Spoken Word Compilation (2001) on Mr. Lady Records and Tribe Spit Deep (2002). Her work is also found in The Outlaw Bible of American Poetry (ThunderMouth Press) [5] and Word Warriors: 35 Women Leaders in the Spoken Word Revolution (Seal Press). [6]
Anderson spent much of her career in San Francisco’s queer community as Chief Curator/Artistic Director for The National Queer Arts Festival, a co-producer for the Nectar Stage at San Francisco's Pride, president of the board of directors for the Harvey Milk Institute, and co-chair of the board of directors for The Queer Cultural Center. [7]
Anderson always knew she wanted to be a filmmaker, but didn't believe it was possible without film school. Nevertheless, Anderson's interest in the underground San Francisco film scene in the late 90s prompted her to work with other artists and assist first-time directors in making films. Anderson then began to make her own short films, incorporating video to go with her stage performances, becoming a multimedia performance artist.
Anderson and Hanna had known about each other as fellow artists for years, but it wasn't until mutual friend Tammy Rae Carland introduced the two at the Michigan Women's Music Festival in 2000 that the pair became friends. In 2009, family and friends grew increasingly worried about Hanna's deteriorating health. [8] Hanna had initially approached Anderson about directing the documentary Who Took the Bomp? (2010) for her band, Le Tigre, but Anderson was more concerned with preserving the legacy of her career as a whole. [9] In the spirit of third wave feminism, Hanna agreed to have the documentary made only if Anderson would direct it; Hanna encouraged Anderson to make her first feature-length while Anderson encouraged Hanna to tell her story. Anderson has stated that it is important for people "to hear the deeper story of who [Hanna] is and where she came from, so that they could feel less alone." [4] Halfway through filming, Hanna was diagnosed with late-stage Lyme disease. [8]
The film initially was not about Hanna's Lyme disease. [9] Anderson's purpose of making the film was to tell the story of Hanna's participation in the riot grrrl movement and career in punk band Bikini Kill through interviews conducted with Hanna's family and friends, and archival footage retrieved from personal archives. [9] The story evolved on its own, giving it entirely new purpose. [9] She has stated that Lyme disease is "such an isolating disease, quite often our own families don't even understand it." [8] Anderson feels that Hanna's willingness "to show the vulnerability" of her illness can "potentially be of service to other people". [4]
The film premiered in March 2013 at SXSW to positive reviews, [10] and proceeded to be released in 73 cities across America. [11]
The film was distributed by IFC films. [11]
Anderson's film has won numerous awards such as the Seattle International Film Festival's "Lena Sharpe Aware for Persistence of Vision, Women in Cinema" and Mexico City's Distrital International Film Festival's "Best First Feature Director" and "ARCA Best Director Award", and POV's Humanitarian Award in Media. [11]
In May 2014, BuzzFeed reported that some of the Kickstarter backers of The Punk Singer did not get the items they paid for, including signed posters, sneak previews and tickets to a private screening. Anderson said that since the documentary was now owned by IFC Films, she was unable to provide sneak previews or private screenings. [12]
Only six weeks after friend Kathleen Hanna's diagnosis of late stage Lyme disease, Anderson ended up in the hospital with signs of a possible heart attack or stroke, receiving an official diagnosis of late stage Lyme a month later. [8] At first, doctors told Anderson that there was nothing wrong with her, despite her getting more ill with every passing day. [8] Not wanting to complicate the story of The Punk Singer or detract the focus from Hannah's illness, Anderson was reluctant to admit publicly during the filming that she had been diagnosed as well. [8]
As the making of the film went into post-production, Anderson grew more ill, ending up on an IV PICC line as a means of receiving intravenous antibiotic treatments. [8] The treatments have strengthened Anderson's health and immune system, but today she still keeps a close watch for telltale signs of sickness, taking herbs and eating a healthy diet. [8]
After The Punk Singer was made, Anderson learned of 17 other feminist queer artists in her inner-circle that had been diagnosed with late-stage Lyme disease as well. [8] Today, the number of diagnosed feminist queer artists that Anderson knows personally has grown to 75.
Other independent film credits include first assistant director on Miggy n Lil (2006), Bare Knuckle (2007), and Karma Calling (2009). [13]
Anderson directed the book trailer for the memoir Whip Smart by Melissa Febos, [14] which won Best Short Documentary [15] at the Fetisch Film Festival 2010. [16]
She has directed numerous music videos including Jolie Holland's "All Those Girls" (2012), [17] Lovers' "Girl in the Grass" (2014), [18] and Girlpool's "Blah Blah Blah" (2014). [19]
Additionally, Anderson has lectured at several universities across America such as Yale University, [20] Wesleyan University, [21] University of Pennsylvania, [22] Smith College, [23] Rutgers University, and Ohio Wesleyan. [24]
Anderson is currently in production of her second feature-film, a documentary titled So Sick. [11] The film is Anderson's vessel of exploring the epidemic of feminist artists, academics, and activists with late stage Lyme disease. [11]
Anderson lived in San Francisco, California in her 20s [25] and currently splits her time between Brooklyn, New York and Los Angeles, California.
Queercore is a cultural/social movement that began in the mid-1980s as an offshoot of the punk subculture and a music genre that comes from punk rock. It is distinguished by its discontent with society in general, and specifically society's disapproval of the LGBT community. Queercore expresses itself in a DIY style through magazines, music, writing and film.
Kathleen Hanna is an American singer, musician and pioneer of the feminist punk riot grrrl movement, and punk zine writer. In the early-to-mid-1990s, she was the lead singer of feminist punk band Bikini Kill, and then fronted the electronic rock band Le Tigre in the late 1990s and early 2000s. Since 2010, she has recorded as The Julie Ruin.
Tobi Celeste Vail is an American independent musician, music critic and feminist activist from Olympia, Washington. She was a central figure in the riot grrl scene—she coined the spelling of "grrl"—and she started the zine Jigsaw. A drummer, guitarist and singer, she was a founding member of the band Bikini Kill. Vail has collaborated in several other bands figuring in the Olympia music scene. Vail writes for eMusic.
Born in Flames is a 1983 American utopian/dystopian docufiction drama film directed, produced and co-written by radical intersectional feminist Lizzie Borden. The film explores racism, classism, sexism and heterosexism in an alternate socialist democratic United States. The title comes from the Red Krayola song "Born in Flames", which appears in the filmand was written by Mayo Thompson, a member of the conceptual artists' group Art & Language.
Tribe 8 was a lesbian punk rock band from San Francisco, considered one of the first queercore groups. The band took their name from the practice of tribadism, with "tribe eight" being a play on the word tribade, a sexual practice sometimes also known as "scissoring."
Sta-Prest was a multi-racial queercore and riot grrrl band from San Francisco that was active in the 1990s. The group members included Aloofah and D.M. Feelings.
Tammy Rae Carland, is a photographer, video artist, zine editor, current provost at California College of the Arts (CCA), and former co-owner of the independent lesbian music label Mr. Lady Records and Videos. Her work has been published, screened, and exhibited around the world in galleries and museums in New York, Los Angeles, San Francisco, Berlin, and Sydney.
Mr. Lady Records was a San Francisco-based lesbian-feminist independent record label and video art distributor. Artists on the label included Le Tigre and The Butchies. OutSmart magazine noted that Mr. Lady was "queercore's strongest label."
Juliana Luecking is an American musician, spoken-word artist and video maker. QueenJuliana is her YouTube channel where People Are a Trip, a series filmed in public places in New York City, is featured. Luecking's videos were instrumental in Picture New York's 2007 fight to protect the rights of NYC artists to shoot video and take pictures free of police harassment. Punk rocker Kathleen Hanna described Luecking as a mentor and instrumental to her development as a feminist. Luecking's name appears in the lyrics of the Le Tigre song "Hot Topic". In 1993, Luecking performed in Washington, DC for the March on Washington for Lesbian, Gay and Bi Equal Rights and Liberation.
Naomi Elizabeth "Nomy" Lamm is an American singer-songwriter and political activist. Lamm has described herself as a "bad ass, fat ass, Jew, dyke amputee." Her left foot was amputated at age three, to be fitted with a leg prosthesis, to treat a bone growth disorder. This trauma influenced Lamm's later work concerning body image. She is also known for her activism on the issue of fat acceptance.
Michelle Tea is an American author, poet, and literary arts organizer whose autobiographical works explore queer culture, feminism, race, class, sex work, and other topics. She is originally from Chelsea, Massachusetts and has identified with the San Francisco, California literary and arts community for many years. She currently lives in Los Angeles. Her books, mostly memoirs, are known for their exposition of the queercore community.
Lynn Breedlove is an American musician, writer, and performer who was born in Oakland, California.
Sister Spit was a lesbian-feminist spoken-word and performance art collective based in San Francisco, signed to Mr. Lady Records. They formed in 1994 and disbanded in 2006. Founding members included Michelle Tea and Sini Anderson, Other members included Jane LeCroy and poet Eileen Myles. The group were noted for their Ramblin' Roadshow, performing at feminist events such as the Michigan Womyn's Music Festival. The Boston Phoenix described it as "the coolest line-up of talented, tattooed, pierced, and purple-pigtailed performance artists the Bay Area has to offer."
Lucy Thane is a British documentary filmmaker, event producer and performer, living in Folkestone. Her films include It Changed My Life: Bikini Kill in the UK (1993) and She's Real (1997).
Carol Leigh, also known as The Scarlot Harlot, was an American artist, author, filmmaker, sex worker, and sex workers' rights activist. She is credited with coining the term sex work and founded the Sex Worker Film and Arts Festival and was the co-founder of BAYSWAN, the Bay Area Sex Worker Advocacy Network.
Kris Kovick was an American writer, cartoonist, and printer based in California.
Madison Young is an American filmmaker, author, performance artist, feminist activist, and former adult film performer and award-winning erotic filmmaker. Young is a prominent figure in the feminist porn movement and is known for their work as a queer and kink-focused educator and an advocate of sex workers' rights.
Riot grrrl is an underground feminist punk movement that began during the early 1990s within the United States in Olympia, Washington, and the greater Pacific Northwest, and has expanded to at least 26 other countries. A subcultural movement that combines feminism, punk music, and politics, it is often associated with third-wave feminism, which is sometimes seen as having grown out of the riot grrrl movement and has recently been seen in fourth-wave feminist punk music that rose in the 2010s. The genre has also been described as coming out of indie rock, with the punk scene serving as an inspiration for a movement in which women could express anger, rage, and frustration, emotions considered socially acceptable for male songwriters but less commonly for women.
The Punk Singer is a 2013 documentary film about feminist singer Kathleen Hanna who fronted the bands Bikini Kill and Le Tigre, and who was a central figure in the riot grrrl movement. Directed by filmmaker Sini Anderson and produced by Anderson and Tamra Davis, the film's title is taken from the Julie Ruin song "The Punk Singer", from Hanna's 1998 solo effort.
Cristina Carrera, otherwise known as Cristy C. Road is a Cuban-American illustrator, graphic novelist, and punk rock musician whose posters, music, and autobiographical works explore themes of feminism, queer culture, and social justice. She primarily works as an illustrator and graphic novelist, but also published a long-running zine about punk music and her life as a queer Latina. She performed on the Sister Spit roadshow in 2007, 2009, and 2013 and was the lead vocalist and guitarist for the queercore/pop-punk band, The Homewreckers. She currently sings vocals and plays guitar in Choked Up. She has published three books and one collection of postcards, as well as numerous concert posters, protest flyers, book covers, and logos. Road has worked as a professor at the Center for Documentary Studies at Duke University.