An effects unit or effects pedal is an electronic device that alters the sound of a musical instrument or other audio source through audio signal processing.
Subtractive synthesis is a method of sound synthesis in which partials of an audio signal are attenuated by a filter to alter the timbre of the sound. While subtractive synthesis can be applied to any source audio signal, the sound most commonly associated with the technique is that of analog synthesizers of the 1960s and 1970s, in which the harmonics of simple waveforms such as sawtooth, pulse or square waves are attenuated with a voltage-controlled resonant low-pass filter. Many digital, virtual analog and software synthesizers use subtractive synthesis, sometimes in conjunction with other methods of sound synthesis.
Wah-wah is an imitative word for the sound of altering the resonance of musical notes to extend expressiveness, sounding much like a human voice saying the syllable wah. The wah-wah effect is a spectral glide, a "modification of the vowel quality of a tone".
A wah-wah pedal, or simply wah pedal, is a type of electric guitar effects pedal that alters the tone and frequencies of the guitar signal to create a distinctive sound, mimicking the human voice saying the onomatopoeic name "wah-wah". The pedal sweeps the peak response of a frequency filter up and down in frequency to create the sound, a spectral glide, also known as "the wah effect". The wah-wah effect originated in the 1920s, with trumpet or trombone players finding they could produce an expressive crying tone by moving a mute in and out of the instrument's bell. This was later simulated with electronic circuitry for the electric guitar when the wah-wah pedal was invented. It is controlled by movement of the player's foot on a rocking pedal connected to a potentiometer. Wah-wah effects may be used as a fixed-filter to alter an instrument’s timbre ; they may be used when a guitarist is soloing; or, classically, they may be used to create a "wacka-wacka" funk-styled rhythm for rhythm guitar playing.
The Gizmo, also called the Gizmotron, is an effects device for the electric guitar and bass guitar. It was invented in 1969 and patented by the English rock musicians Kevin Godley and Lol Creme in 1975, whilst they were members of the British rock group 10cc.
Electro-Harmonix is a New York City-based company that makes electronic audio processors and sells rebranded vacuum tubes. The company was founded by Mike Matthews in 1968. It is best known for a series of guitar effects pedals introduced in the 1970s and 1990s. EHX also made a line of guitars in the 1970s.
Juan Alderete de la Peña is an American musician, best known as the longtime bassist of Racer X, the Mars Volta and Marilyn Manson.
Octave effect boxes are a type of special effects unit which mix the input signal with a synthesised signal whose musical tone is an octave lower or higher than the original. The synthesised octave signal is derived from the original input signal by halving (octave-down) or doubling (octave-up) the frequency. This is possible due to the simple two-to-one relationship between the frequencies of musical notes which are separated by an octave. One of the first popular musicians to employ the octave effect was Jimi Hendrix, who also used a variety of other effects in his recordings and public performances. Hendrix used an octave-fuzz pedal known as the octavia.
Moogerfooger is the trademark for a series of analog effects pedals manufactured by Moog Music. There are currently eight different pedals produced; however, one of these models is designed for processing control voltages rather than audio signal. A sixth model, the Analog Delay, was released in a limited edition of 1000 units and has become a collector's item. Moog Music announced on August 28, 2018, that the Moogerfooger, CP-251, Minifooger, Voyager synthesizers, and some other product lines were being built using the remaining parts on hand and discontinued thereafter.
Chorus is an audio effect that occurs when individual sounds with approximately the same time, and very similar pitches, converge. While similar sounds coming from multiple sources can occur naturally, as in the case of a choir or string orchestra, it can also be simulated using an electronic effects unit or signal processing device.
Peter Holmström is an American rock musician. He is a member of the bands The Dandy Warhols, Pete International Airport, Radis Noir and Rebel Drones. Holmström's first guitar was a Gibson SG. Holmström is also an amateur photographer, and in the past he has also composed music for his sister's theater group.
Auto-wah is a type of wah-wah effects pedal typically used with electric guitar, bass guitar, clavinet, and electric piano etc. The distinctive choppy rhythm guitar sound on many funk and disco recordings from the 1970s popularized the effect.
The Roland GR-500 is a guitar synthesizer. Manufactured by the Roland Corporation and FujiGen in 1977, it was one of the first guitar synthesizers.
Multivox was an American-based synthesizer company since the mid-1970s until the 1980s. Originally it was founded in the mid-1940s as the guitar and amplifier manufacturing subsidiary of Peter Sorkin Music Company, a New York-based retailer/wholesaler. Then eventually it established separate corporate identity, and after the close of Sorkin Music in the mid-1970s, it continued in existence for fourteen years, according to the Blue Book of Guitar Values. In addition to synthesizers, the company marketed several effects pedals. These included the Big Jam series guitar effects line.
Source Audio is a guitar effects pedal company based near Boston, Massachusetts. They produce modular effects pedals for electric guitar and bass, such as the Nemesis Delay, Ventris Dual Reverb, and Collider Delay+Reverb, as well as the C4 Synth, a modular rack synthesizer in pedal format, the Aftershock Bass Distortion, and the EQ2, a 10-band parametric equalizer with a plug-in style desktop interface. They are also the creators of the Hot Hand Wireless Effects Controller, a device worn around the finger that uses an accelerometer to send expression signal to an effect like an envelope filter. Source Audio mainly uses DSP to create their effects, and are known to program their own processor chips.
Vintage musical equipment is older music gear, including instruments, amplifiers and speakers, sound recording equipment and effects pedals, sought after, maintained and used by record producers, audio engineers and musicians who are interested in historical music genres. While any piece of equipment of sufficient age can be considered vintage, in the 2010s the term is typically applied to instruments and gear from the 1970s and earlier. Guitars, amps, pedals, electric keyboards, sound recording equipment from the 1950s to 1970s are particularly sought. Musical equipment from the 1940s and prior eras is often expensive, and sought out mainly by museums or collectors.
The Mu-Tron III is an envelope filter made by Musitronics Corporation. "The world's first envelope-controlled filter" was first made in 1972 by Mike Beigel and quickly became an essential effect for many funk musicians. It was produced again, in a modified version, in 2014.
Shenzhen Mooer Audio Co., Ltd. is a manufacturer of musical accessories, especially effects units, based in Shenzhen, China.
An inertial audio effects controller is an electronic device that senses changes in acceleration, angular velocity and/or a magnetic field, and relays those changes to an effects controller. Transmitting the sensed data can be done via wired or wireless methods. To be of use the effects controller must be connected to an effect unit so that an effect can be modulated, or connected to a MIDI controller or musical keyboard. The Wah-Wah effect is a classic example of effect modulation.
David Cockerell is an electronics engineer and designer. He started his career in the synthesizer world when Peter Zinovieff hired him to work for his EMS company in Putney in 1966, where he designed classic EMS synthesizers such as the Synthi VCS3, Synthi AKS and Synthi 100. In 1974 he worked for Electro-Harmonix in New York, where he first designed guitar pedals like the Small Stone phaser and Electric Mistress flanger. Still working for Electro-Harmonix, in 1980, Cockerell designed one of the first digital delay pedals with looping capabilities, the Instant Replay, followed by the 2 Second Digital Delay in 1981 and the 16 Second Digital Delay in 1982. This led him later to work at Akai, where he was involved in the design of samplers like the S612, S900, S1000, and the famous MPC60.
