A multiplex or mux, also known as a bouquet, is a grouping of program services as interleaved data packets for broadcast over a network or modulated multiplexed medium, particularly terrestrial broadcasting. The program services are broadcast as part of one transmission and split out at the receiving end.
The conversion from analog to digital television made it possible to transmit more than one video service, in addition to audio and data, within a fixed space previously used to transmit one analog TV service (varying between six and eight megahertz depending on the system used and bandplan). The capacity of a multiplex depends on several factors, including the video resolution and broadcast quality, compression method, bitrate permitted by the transmission standard, and allocated bandwidth; statistical time-division multiplexing is often used to dynamically allocate bandwidth in accordance with the needs of each individual service. Each service in a multiplex has a separate virtual channel (also known as a logical channel number) for identification and tuning. Depending on the country, a multiplex may be controlled by one broadcaster offering multiple subchannels or may feature services from multiple broadcasters with separate licenses.
Multiplexing has made it possible for many new free-to-air television services to be introduced, some of them expressly designed for carriage as additional channels. In the United States, such services are called digital multicast television networks or diginets. The term is also used in an otherwise unrelated sense to refer to additional channels offered by premium pay television services, such as HBO, similar to its meaning with regard to movie theaters. [1]
Depending on the type of transmission system, individual services are either numbered with whole numbers (e.g. 36) or a two-part channel number (e.g. 20.1) consisting of a major and minor channel number.
The digital conversion in countries where broadcasters retained control of their entire multiplex after switchover permitted broadcasters to introduce new supplemental and ancillary services, many of them national in scope. In Australia, [2] Mexico, [3] and the United States, [4] new TV channels were introduced with national coverage. [5]
The licensing of such additional services varies according to national broadcasting regulations. In the United States, a broadcast license covers the full 6 MHz channel and any services broadcast within it. The United Kingdom frequency plan includes three "universal" multiplexes for the national public service broadcasters and three commercial multiplexes broadcast from a total of 80 transmitter sites. [6]
The ISDB-T specification includes 1seg, a mobile media and data broadcasting service utilizing a portion of the spectrum in each multiplex.
The first multichannel broadcast in Australia was ABC Kids, which broadcast from 2001 to 2003; in the succeeding years, the country's commercial broadcasters also launched secondary services to compete against DVDs and online piracy. [5] However, their ability to do so was hampered at first by a ban on adding channels, with a focus on such services as datacasting and high-definition. It was not until 2009 that commercial broadcasters were allowed to add multichannels; in that year, the three major networks all did so, bringing the number of channels they offered from three to eleven. [7]
The original commercial multichannels were generalist in nature, which made it difficult for advertisers to target specific demographics and therefore made them less lucrative. The shift to specifically targeted services and their reliance on existing programming has allowed these channels to survive despite drawing comparatively low shares of the audience: in 2018, 7mate led the group with an audience share of 4.1 percent among metropolitan audiences. [5] However, after the Australian Communications and Media Authority permitted the commercial broadcasters to move required children's programming and national drama commitments to their multichannels, ratings and visibility fell precipitously; by 2013, the ABC had more viewers for its children's channels than the commercial broadcasters combined. [7] The commercial broadcasters also became more reliant on news, sport, and reality competitions on their main channels. [7]
Each of the five major broadcasters offers its own suite of multichannels: [2]
In 2009, the Brazilian government ruled that only federally-owned television channels—namely TV Brasil, TV Senado, TV Câmara, TV Justiça, and TV Globo—could offer multiple channels of programming. The decision was made, per an advisor to the Brazilian communications ministry, to prevent the leasing of channels to broadcast infomercials and church services. The effect of the decision was to bar new entrants without their own stations from increasing commercial competition. [8] During the COVID-19 pandemic in Brazil, educational and commercial broadcasters were allowed to introduce subchannels, primarily to carry educational programming, which was extended first to April 2022 and then December 2023. [9] [10]
The Canadian Radio-television and Telecommunications Commission (CRTC) requires stations to file licence amendments in order to be considered for permission to carry digital subchannels. On August 17, 2012, the CRTC gave approval to Leamington, Ontario, community station CFTV-TV to broadcast four local subchannels on its digital signal, making it the first station in Canada to launch original content on its multiplex channels. [11]
In 2015, the Federal Telecommunications Institute (IFT) formally authorized broadcasters to apply for permission to add subchannels. [12]
In 2016, the IFT began assigning virtual channels to stations based on their programming, grouping transmitters of the same national network. [13]
In 2010, multiplex licensees in Spain were permitted to add two new channels to their services. The Supreme Court of Spain ruled in December 2012 to void this action, stating that the move was illegal as it did not award the channels by way of a public bidding process. [14] As a result, a total of nine channels closed down on May 6, 2014. [15]
Commercial and non-commercial broadcasters began experimenting with additional subchannels over the course of the 2000s. After the digital television transition in 2009, a new crop of national services, known as digital multicast television networks or diginets, began to emerge, taking advantage of the additional capacity available on many converted stations. Diginets affiliate with individual stations in each market and are generally genre-specific in their programming. Diginets have continued to grow as more advanced encoders enable stations to add additional, income-generating ancillary services. Subchannels have also been used in smaller "short markets" with few full-power stations to provide in-market affiliates of additional major networks; by 2011, Fox had 35 such subchannel affiliates. [16]
Multiplexing is also used in ATSC 3.0 (NextGen TV) rollout plans. To allow multiple stations to begin 3.0 broadcasting without loss of ATSC 3.0 service, one station will typically become a "lighthouse", airing the main channels of several participating stations, while the lighthouse station's channels are broadcast in ATSC 1.0 format on the multiplexes of the other participating stations. [17]
The Seven Network is a major Australian commercial free-to-air television network. It is owned by Seven West Media Limited, and is one of the five main free-to-air television networks in Australia. The network's headquarters are located in Sydney.
In most telecommunications organizations, a virtual channel is a method of remapping the program number as used in H.222 Program Association Tables and Program Mapping Tables to a channel number that can be entered as digits on a receiver's remote control.
XHAS-TDT is a television station in Tijuana, Baja California, Mexico, carrying Canal 66. It is owned by a Mexican company whose largest single investor is Entravision Communications, a U.S.-based operator of radio and television stations with radio and television stations in San Diego, including Univision affiliate KBNT-CD, and a similar interest in Milenio Televisión affiliate XHDTV-TDT. The transmitter is on Mount San Antonio in Tijuana.
XHIJ-TDT is a Spanish-language independent station in Ciudad Juárez, Chihuahua, Mexico, serving the Juárez–El Paso–Las Cruces metropolitan area. Owned by Grupo Intermedia and known on air as Canal 44, the station has had a variety of affiliations since signing on the air in 1980 and also produces programs such as local news.
XHRIO-TDT was a television station in Matamoros, Tamaulipas, Mexico, which served the Rio Grande Valley area in southern Texas, United States. The station was 98%-owned by Mexican-based Televisora Alco, a 40%-owned subsidiary of station operator Entravision Communications; XHRIO was a sister station to Entravision's duopoly of McAllen-licensed Univision affiliate KNVO and Harlingen-licensed Fox affiliate KFXV, as well as three low-powered stations, all licensed to McAllen: Class A UniMás affiliate KTFV-CD, KMBH-LD, and KCWT-CD. XHRIO-TDT maintained its basic concession-compliant studios in Matamoros, with a second studio facility across the border on North Jackson Road in McAllen housing master control and other internal operations. XHRIO-TDT's transmitter was located near El Control, Tamaulipas.
In broadcasting, digital subchannels are a method of transmitting more than one independent program stream simultaneously from the same digital radio or television station on the same radio frequency channel. This is done by using data compression techniques to reduce the size of each individual program stream, and multiplexing to combine them into a single signal. The practice is sometimes called "multicasting".
XEIMT-TDT, known as Canal 22, is a television station located in Mexico City. Broadcasting on channel 22, XEIMT is owned by Televisión Metropolitana, S.A. de C.V., and operated by the Secretariat of Culture. It is one of Mexico's principal public television stations, with a format emphasizing cultural programming.
This timeline of Australian television lists important station launches, programs, major television events, and technological advancements that have significantly changed the forms of broadcasting available to viewers of television in Australia. The history of television in Australia can be traced back to an announcement from the Menzies' government concerning plans for television services in Sydney and Melbourne.
7mate is an Australian free-to-air digital television multichannel, which was launched by the Seven Network on 25 September 2010. The channel contains sport and regular programs aimed primarily to a male audience, with programming drawn from a combination of new shows, American network shows and other shows previously aired on its sister channels Seven, 7two and 7flix.
Milenio Televisión is a Mexican television cable news channel owned by Grupo Multimedios. The news programming uses the resources of the Milenio newspaper, one of the largest in the country. Programming is 24 hours a day, through news, analysis and specialized programs. The channel is available in various pay TV systems throughout Mexico and the US, and on the internet. Milenio has also been available on the second digital subchannels of Multimedios television stations, as well as those of XHIJ-TDT and XHILA-TDT.
Ion Plus is an American free linear television network owned by the Scripps Networks subsidiary of the E. W. Scripps Company that formerly operated as a broadcast television network until February 28, 2021. The network originally launched in 2007 as Ion Life, maintaining a format featuring lifestyle programming focused on health and wellness, cooking, home decor, and travel. With expanded cable carriage, in 2019, Ion Media converted the network into a general entertainment format that matched that of parent network Ion Television, featuring day-long marathons of various drama series.
The Sistema Público de Radiodifusión del Estado Mexicano until 2014, is an independent Mexican government agency. Its mission is to support the development of public broadcasting in the country and expand its coverage. It carries out this goal through ownership of a nationwide network of transmitters and the management of its own public television channel, Canal Catorce. It also owns four radio transmitters.
Canal 44 is the television network of the Universidad de Guadalajara (UDG), a university in Jalisco, Mexico. The primary station, XHCPCT-TDT, broadcasts to the Guadalajara metropolitan area from a transmitter located on Cerro del Cuatro in Tlaquepaque, with additional transmitters in Ciudad Guzmán, Lagos de Moreno, and Puerto Vallarta. Canal 44 and the UDG's eight-station radio network form the Sistema Universitario de Radio y Televisión.
High-definition television in Australia is available via cable, IPTV, satellite and terrestrial television. The first high-definition broadcasts began in 2001 and since then the number of channels available to view has grown to a maximum of 27 that can be viewed on pay-TV service, Foxtel.
Excélsior TV is a Mexican FTA news channel owned by Grupo Imagen. It is named for Imagen's Excélsior newspaper and also uses the resources of Grupo Imagen's radio stations and its Imagen Televisión national network.
A Más is a national television network in Mexico operated by TV Azteca. It launched in five cities on March 20, 2017, and it expanded to 34 additional cities on April 7, 2017.
XHTDMX-TDT is a television station in Mexico City, an owned-and-operated station of the Monterrey-based Multimedios Televisión network. Owned by Grupo Firmas Globales through the subsidiary company Televisión Digital, S.A. de C.V., it broadcasts from the Canal Once tower on Cerro del Chiquihuite.
A digital multicast television network, also known as a diginet or multichannel, is a type of national television service designed to be broadcast terrestrially as a supplementary service to other stations on their digital subchannels. Made possible by the conversion from analog to digital television broadcasting, which left room for additional services to be broadcast from an individual transmitter, regional and national broadcasters alike have introduced such channels since the 2000s. By March 2022, 54 such services existed in the United States.