Mum and the Sothsegger is an anonymous fifteenth century alliterative English poem, written during the "Alliterative Revival." It is ostensibly an example of medieval debate poetry between the principles of the oppressive figure of Mum ("Silence", as in "to keep mum") and the unruly, wild Sothsegger ("Truth-Speaker", cognate with the modern word "soothsayer").
Beneath the surface of the debate form, the content is primarily that of a medieval satire, meditating on statecraft and attacking state institutions that oppress and exploit the poor. Indeed, this attack on the rich and defence of the poor is a theme found throughout the poem, a typical line being:
Look ye reeche not of the riche and rewe on the poure
That for faute of your fees fallen in thaire pleyntes.— lines 19–20. [1]
The narrator travels to individual groups to debate the true nature of "Mum" and the "Sothsegger," but instead finds only ignorance (a side-effect of "Mum's" qualities), and discovers that "Mum's" pervasive influence lies at the heart of corruption within the King's advisers, nobles, scholars (clerks), priests, archbishops, friars, mayors, and city councillors.
In its latter stages the poem also includes an extended dream vision (ll. 871–1287), where the idealised Sothsegger king is presented as a beekeeper, exterminating unproductive drones who are intent on stealing the honey created by the other worker bees. This leads the narrator to then debate on medieval dream theory and the value of dreams.
The poem then ends with the narrator consulting a variety of texts and stories, including a collection of "pryvé poyse" (l. 1344) detailing political abuses, a story of Genghis Khan (from the Travels of John Mandeville), a "raggeman rolle" (l. 1565) supposedly composed by The Devil, and a prophecy of Merlin.
Due to some similarities with Piers Plowman , it was suggested in the 19th century by W. W. Skeat that William Langland wrote the piece, but this theory is no longer accepted by the academic community. [2]
Mum and the Sothsegger also became heavily intertwined with the fifteenth century poem Richard the Redeless. Indeed, John Bale (1495–1563), an important early antiquarian, wrongly identified the poem Skeat named Richard the Redeless as "Mum, Soth-segger". [3] This link between the two poems continued to the early 20th century, with Day and Steele declaring in their EETS edition that "the two fragments form part of one larger composition." [4] This assertive opinion has also generally fallen out of favour within the academic community for a more nuanced and cautious belief. As James Dean argues: "The two alliterative fragments do have much in common. They both presume to advise a king, include satirical critiques, and imitate Piers Plowman, by far the most important source for both poems. They both have an intimate knowledge of law and the courts, which has led some to believe that the author or authors were law clerks. Both poems manifest a delight in word play, though this is typical of alliterative poems generally. But the differences are striking as well. Richard the Redeless focuses wholly and exclusively on Richard II and the latter part of his reign, whereas Mum ignores Richard's rule to concentrate exclusively on problems during Henry IV's administration... Richard the Redeless contains specific allusions to events and personalities of Richard II's reign, but this is not the case with Mum... to be a truth teller and name names may have proved too much for him. He prefers more general, satirical attacks to explicit personalities or incidents... It seems best to hold open the possibility that there may be a connection between them, but there may not be. [5]
Geoffrey Chaucer was an English poet, author, and civil servant best known for The Canterbury Tales. He has been called the "father of English literature", or, alternatively, the "father of English poetry". He was the first writer to be buried in what has since come to be called Poets' Corner, in Westminster Abbey. Chaucer also gained fame as a philosopher and astronomer, composing the scientific A Treatise on the Astrolabe for his 10-year-old son, Lewis. He maintained a career in the civil service as a bureaucrat, courtier, diplomat, and member of parliament.
Piers Plowman or Visio Willelmi de Petro Ploughman is a Middle English allegorical narrative poem by William Langland. It is written in un-rhymed, alliterative verse divided into sections called passus.
In prosody, alliterative verse is a form of verse that uses alliteration as the principal device to indicate the underlying metrical structure, as opposed to other devices such as rhyme. The most commonly studied traditions of alliterative verse are those found in the oldest literature of the Germanic languages, where scholars use the term 'alliterative poetry' rather broadly to indicate a tradition which not only shares alliteration as its primary ornament but also certain metrical characteristics. The Old English epic Beowulf, as well as most other Old English poetry, the Old High German Muspilli, the Old Saxon Heliand, the Old Norse Poetic Edda, and many Middle English poems such as Piers Plowman, Sir Gawain and the Green Knight, Layamon's Brut and the Alliterative Morte Arthur all use alliterative verse.
William Langland is the presumed author of a work of Middle English alliterative verse generally known as Piers Plowman, an allegory with a complex variety of religious themes. The poem translated the language and concepts of the cloister into symbols and images that could be understood by a layman.
Pierce the Ploughman's Crede is a medieval alliterative poem of 855 lines, lampooning the four orders of friars.
A dream vision or visio is a literary device in which a dream or vision is recounted as having revealed knowledge or a truth that is not available to the dreamer or visionary in a normal waking state. While dreams occur frequently throughout the history of literature, visionary literature as a genre began to flourish suddenly, and is especially characteristic in early medieval Europe. In both its ancient and medieval form, the dream vision is often felt to be of divine origin. The genre reemerged in the era of Romanticism, when dreams were regarded as creative gateways to imaginative possibilities beyond rational calculation.
There are two pseudo-Chaucerian texts called "The Plowman's Tale".
The Pilgrim's Tale is an English anti-monastic poem. It was probably written c. 1536–38, since it makes references to events in 1534 and 1536 – e.g. the Lincolnshire Rebellion – and borrows from The Plowman's Tale and the 1532 text by William Thynne of Chaucer's Romaunt of the Rose, which is cited by page and line. It remains the most mysterious of the pseudo-Chaucerian texts. In his 1602 edition of the Works of Chaucer, Thomas Speght mentions that he hoped to find this elusive text. A prefatory advertisement to the reader in the 1687 edition of the Works speaks of an exhaustive search for The Pilgrim's Tale, which had proved fruitless
The Piers Plowman tradition is made up of about 14 different poetic and prose works from about the time of John Ball and the Peasants Revolt of 1381 through the reign of Elizabeth I and beyond. All the works feature one or more characters, typically Piers, from William Langland's poem Piers Plowman. Because the Plowman appears in the General Prologue to The Canterbury Tales by Geoffrey Chaucer but does not have his own tale, plowman tales are sometimes used as additions to The Canterbury Tales, or otherwise conflated or associated with Chaucer.
The Praier and Complaynte of the Ploweman unto Christe: written not longe after the yere of our Lorde. M. and three hundred is a short, anonymous English Christian text, probably written in the late fourteenth or early fifteenth century and first printed in about 1531. It consists of a prose tract, in the form of a polemical prayer, expressing Lollard sentiments and arguing for religious reform. In it, the simple ploughman/narrator speaks on behalf of "the repressed common man imbued with the simple truths of the Bible and a knowledge of the commandments against the mighty and monolithic conservative church". The pastoral-ecclesiastical metaphor of shepherds and sheep is used extensively as a number of criticisms are made about such things as confession, indulgences, purgatory, tithing and celibacy. The Prayer became important in the sixteenth century, when its themes were taken up by proponents of the Protestant Reformation.
The Early English Text Society (EETS) is a text publication society founded in 1864 which is dedicated to the editing and publication of early English texts, especially those only available in manuscript. Most of its volumes contain editions of Middle English or Old English texts. It is known for being the first to print many important English manuscripts, including Cotton Nero A.x, which contains Pearl, Sir Gawain and the Green Knight, and other poems.
Medieval debate poetry was a genre of poems popular in England and France during the late medieval period. The same type of debate poems broadly existed in the ancient and medieval Near Eastern literatures.
Richard the Redeless is an anonymous fifteenth-century English alliterative poem that critiques Richard II's kingship and his court, seeking to offer Richard retrospective advice, following his deposition by Henry IV in 1399. The poet claims that "Richard has been poorly advised, his kingdom mismanaged, his loyal subjects ill-served." The author believes that the advice he imparts will be of great aid to any guiding the kingdom in future years. The poem also contains elements of satire, especially towards court manners and clothing fashions.
John Audelay was an English priest and poet from Haughmond Abbey, in Shropshire; one of the few English poets of the period whose name is known to us. Some of the first Christmas carols recorded in English appear among his works.
Wynnere and Wastoure is a fragmentary Middle English poem written in alliterative verse around the middle of the 14th century.
The Alliterative Revival is a term adopted by literary historians to refer to the resurgence of poetry using the alliterative verse form in Middle English between c. 1350 and 1500. Alliterative verse was the traditional verse form of Old English poetry; the last known alliterative poem prior to the Revival was Layamon's Brut, which dates from around 1190.
The StanzaicMorte Arthur is an anonymous 14th-century Middle English poem in 3,969 lines, about the adulterous affair between Lancelot and Guinevere, and Lancelot's tragic dissension with King Arthur. The poem is usually called the Stanzaic Morte Arthur or Stanzaic Morte to distinguish it from another Middle English poem, the Alliterative Morte Arthure. It exercised enough influence on Thomas Malory's Le Morte d'Arthur to have, in the words of one recent scholar, "played a decisive though largely unacknowledged role in the way succeeding generations have read the Arthurian legend".
Helen Barr is an academic specialising in English literature on the late medieval period. She has spent her entire career at the University of Oxford, and, in 2016, the university awarded her the title of Professor of English Literature.
Thorlac Francis Samuel Turville-Petre is an English philologist who is Professor Emeritus and former head of the School of English at the University of Nottingham. He specializes in the study of Middle English literature.
Mabel Katharine Day was a British scholar of medieval English. She managed the Early English Text Society from 1921 to the 1940s as assistant director. She edited and published medieval texts including contributions to A Guide for Anchoresses and Sir Gawain and the Green Knight.