Muriel Lanchester | |
---|---|
![]() Muriel Lanchester, from a 1939 newspaper article | |
Born | Gertrude Muriel Bell 28 October 1901 Whalley Range, Manchester, England |
Died | 11 October 1992 90) Malvern, Worcestershire, England | (aged
Other names | Gertrude M Lanchester |
Occupation(s) | Ceramicist Puppeteer |
Spouse | Waldo Lanchester |
Relatives | Elsa Lanchester, (Sister-in-Law) Edith Lanchester (Mother-in-Law) |
Muriel Lanchester (28 October 1902 - 11 October 1992) was a British ceramicist and co-founder of the puppet theatre company, the Lanchester Marionettes . Lanchester and her husband, Waldo were the first British people to appear on French television, as part of the World's Fair in Paris in 1937. [1] George Bernard Shaw’s final play, Shakes versus Shav , was written for the Lanchester Marionettes in 1949. [2]
Gertrude Muriel Bell was born to parents Thomas Pool Bell (1845-1920) and Gertrude Ann, née Reston (1872-1958). By 1911 she had moved to Cheshire and by 1921 she was living in Colwyn Bay. She moved to Malvern in 1932 to establish a ceramics studio. In 1934 she met puppeteer Waldo Lanchester (1897-1978) while he was looking for a site to set up his puppet theatre for the Malvern Festival. They married in London in July 1935 and lived at Foley House, Malvern [3] until 1951 when they moved to Stratford-upon-Avon. After retiring in 1969 they moved to Wilmcote. [4] After Waldo died she returned to Malvern and lived at the Davenham Retirement Home until her death. [5]
Lanchester became interested in pottery after visiting an exhibition in Canada in 1927. Upon her return to England, she attended the Royal College of Art in Kensington, subsequently becoming a “star pupil” [6] of the “father of British studio pottery”, [7] Bernard Leach, working at Leach Pottery from 1930 to 1931. [8] While there she taught Leach's son, David, how to throw pots. [9] In 1932, she established St. Anne's Pottery at St. Ann's Well, Malvern, [10] making utility stoneware articles. [11] The pottery was in a converted 600-year-old stable that had once housed a kiln used by monks in the 15th century. [12] [13] She lectured at the Malvern School of Art and took on occasional apprentices, [14] including May Davis (1914-1995). [15]
In 1935 she exhibited her wares at the Red Rose Guild of Artworkers’ exhibition in Manchester, which, at the time, ranked of “first importance in the minds of all craft workers”. [16] By 1940 she was using one of the large rooms in Foley House, the home she shared with Waldo, as a pottery studio and shop. [17]
Lanchester and Waldo were interested in the early 20th century puppet revival, pioneered by Harry Whanslaw, who Waldo had worked with in the 1920s as part of the London Marionette Theatre. [18] They established the 50-seat Lanchester Marionettes Theatre at Foley House, “the only theatre in the country exclusively to be used for marionettes.” [19] It was opened on 24 July 1936 by Sir Barry Jackson, with George Bernard Shaw in the audience. [20] Waldo created the puppets, Lanchester the costumes [21] and both would work the puppets. [22] [23]
As part of the Entertainments National Service Association (ENSA) (and subsequently CEMA [24] ) the Lanchesters ran a touring puppet show that travelled 40,000 miles [25] giving c. 700 performances [26] throughout the UK. They appeared in factories, military camps and industrial workers’ hostels, [27] as well as putting on performances for evacuees. [28] When the Lanchesters initially offered their services, they were refused on the grounds that “the men wouldn’t want to watch Punch and Judy.” However, after almost two years ENSA realised the Lanchester Marionettes “bore no resemblance to seaside puppets” and were accepted. [29]
Their best-known show was Shakes versus Shav, written by George Bernard Shaw, which premiered at Malvern's Lyttelton Hall on 9 August 1949. It was described as “a rumbustious knock-about farce” by Eric Walter White, of the Arts Council of Great Britain, who had “a minor reputation for being knowledgeable about puppetry”. [30] The cast was Shaw, Shakespeare, Macbeth, Rob Roy, Captain Shotover and Ellie Dunn. [31] Lanchester made all the costumes, seeking advice from Scotland regarding the correct tartan for the two Scottish characters.[ citation needed ]
Other notable productions included:
In 1945 they were “taken bodily up to London” to appear in the film The Seventh Veil , starring Ann Todd and Hugh McDemott. [39]
In 1951 they moved to Stratford-upon-Avon, where they opened a Puppet Centre opposite the birthplace of Shakespeare. They sold puppets [40] and also housed a “permanent exhibition of English & foreign puppets.” [41] By 1952 they had “clocked up 100,000 miles” of travel around Great Britain. [42]
In 1955 they made the film Magic Strings, directed by John R F Stewart. [43] During the 1960s they produced smaller-scale productions, staged exhibitions and gave lecture-demonstrations. [44] In 1972 Lanchester and Waldo were elected as Honorary Members of the International Puppetry Association, UNIMA. [45]
In 2006 their collection of over 40 marionettes, sets and props was bought by the British Puppet and Model Theatre Guild, through a National Lottery grant. [46] [47] It is kept in Bridgnorth, Shropshire. [48]
Puppetry is a form of theatre or performance that involves the manipulation of puppets – inanimate objects, often resembling some type of human or animal figure, that are animated or manipulated by a human called a puppeteer. Such a performance is also known as a puppet production. The script for a puppet production is called a puppet play. Puppeteers use movements from hands and arms to control devices such as rods or strings to move the body, head, limbs, and in some cases the mouth and eyes of the puppet. The puppeteer sometimes speaks in the voice of the character of the puppet, while at other times they perform to a recorded soundtrack.
Elsa Sullivan Lanchester was a British actress with a long career in theatre, film and television.
A marionette is a puppet controlled from above using wires or strings depending on regional variations. A marionette's puppeteer is called a marionettist. Marionettes are operated with the puppeteer hidden or revealed to an audience by using a vertical or horizontal control bar in different forms of theatres or entertainment venues. They have also been used in films and on television. The attachment of the strings varies according to its character or purpose.
A hand puppet is a type of puppet that is controlled by the hands that occupies the interior of the puppet. A glove puppet is a variation of hand puppets. Rod puppets require one of the puppeteer's hands inside the puppet glove holding a rod which controls the head, and the puppet's body then hangs over most or all of the forearm of the puppeteer, and possibly extends further. Other parts of the puppet may be controlled by different means, e.g., by rods operated by the puppeteer's free hand, or strings or levers pulled the head or body. A smaller variety, simple hand puppets often have no significant manipulable parts at all. Finger puppets are not hand puppets as they are used only on a finger.
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Shakes versus Shav (1949) is a puppet play written by George Bernard Shaw. It was Shaw's last completed dramatic work. The play runs for 10 minutes in performance and comprises a comic argument between Shaw and Shakespeare, with the two playwrights bickering about who is the better writer as a form of intellectual equivalent of Punch and Judy.
A puppet is an object, often resembling a human, animal or mythical figure, that is animated or manipulated by a person called a puppeteer. Puppetry is an ancient form of theatre which dates back to the 5th century BC in ancient Greece.
UNIMA, an international non-governmental organization that brings together puppeteers and puppet enthusiasts to develop and promote the art of puppetry, was founded in Prague in 1929. In 1981, the French puppeteer Jacques Félix moved UNIMA's headquarters to Charleville-Mézières, France, location of the Festival Mondial des Théâtres de Marionnettes since 1972. UNIMA is affiliated to UNESCO and it is a member of the International Theatre Institute. UNIMA is affiliated with the International Theatre Institute and is present in 87 countries. Its headquarters is located in Charleville-Mézières.
Yoke thé is the Burmese name for marionette puppetry. Although the term can be used for puppetry in general, its usage usually refers to the local form of string puppetry. Like most of Burmese refined art, yoke thé performances originated from royal patronage and were gradually adapted for the wider populace. Yoke thé are almost always performed in the form of Burmese operas.
Waldo Sullivan Lanchester was a British puppeteer who founded the Lanchester Marionettes (1935–1962), a puppet theatre that was based in Malvern, and later in Stratford-upon-Avon. He wrote a book on the revival of puppeteering and commissioned George Bernard Shaw to write his last completed play Shakes versus Shav in 1949. In 1952, Donald W. Seager wrote that "Waldo Lanchester has consistently been associated with all that is best in the puppet theatre." Archibald Henderson called him "England's greatest puppetmaster."
The Lanchester Marionettes, a professional puppet theatre, was co-founded in 1936 by Waldo and Muriel Lanchester. The 50-seat Lanchester Marionettes Theatre in Malvern, Worcestershire, England was “the only theatre in the country exclusively to be used for marionettes.” George Bernard Shaw’s final play, Shakes versus Shav, was written for the Lanchester Marionettes in 1949.
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A giant puppet is a puppet which is tall enough to be easily visible to a street crowd while being manipulated by puppeteers, on the same level. It is therefore most suitable for processions, street theatre and performance art, although some large theatrical animations can be used for the same purpose. Giant puppets are usually articulated and made from a lightweight material. Some are manipulated by puppeteers using rods, strings, stilts, other mechanisms, or a combination of these. Giant puppets have been used worldwide for street entertainment, celebrations or other purposes from ancient times, and they continue in use and in development today. Of the traditional giant rod puppets, the Chinese dragon New Year puppet is "perhaps the most recognized form of the parade puppet". Of the most recent examples, Royal de Luxe of France has produced a notable set of giant string puppets.
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