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| Location | Pamplona, Pamplona, Spain |
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| Coordinates | 42°49′10″N1°38′47″W / 42.8195°N 1.6464°W |
| Type | museum  |
| Website | museodenavarra |
  Location of Museum of Navarre, Pamplona | |
The Museum of Navarra (Spanish: Museo de Navarra; Basque: Nafarroako Museoak) is the art museum of Navarre, and is located on Calle Cuesta Santo Domingo in Pamplona, in the Navarre province of Spain.
The museum is sited in the old hospital of 16th-century Nuestra Señora de la Misericordia de Pamplona, converted to museum only in 1956. The origins of the collection are works obtained by a provincial Commission in 1844, and displayed in 1910 at what is now the Cámara de los Comptos. To the right of the entrance is the facade of the church of the hospital. [1]
The exhibits in the four story museum is chronologically arranged, starting from prehistoric works to the 20th-century. Among its collections are:
In addition the museum displays works by artists from or active in Navarre such as Javier Ciga, Jesús Basiano, Gerardo Sacristán, Caro, Joreg Oteiza, Julio Martín Royo, Salaberri, Aquerreta or Manterola. The church is used to display retablos and religious art. [2]
Pamplona is the capital city of the Chartered Community of Navarre, in Spain.
The Museo del Prado, officially known as Museo Nacional del Prado, is the main Spanish national art museum, located in central Madrid. It houses collections of European art, dating from the 12th century to the early 20th century, based on the former Spanish royal collection, and the single best collection of Spanish art. Founded as a museum of paintings and sculpture in 1819, it also contains important collections of other types of works. The numerous works by Francisco Goya, the single most extensively represented artist, as well as by Hieronymus Bosch, El Greco, Peter Paul Rubens, Titian, and Diego Velázquez, are some of the highlights of the collection. Velázquez and his keen eye and sensibility were also responsible for bringing much of the museum's fine collection of Italian masters to Spain, now one of the largest outside of Italy.
Tudela is a municipality in Spain, the second largest city of the autonomous community of Navarre and twice a former Latin bishopric. Its population is around 35,000. The city is sited in the Ebro valley. Fast trains running on two-track electrified railways serve the city and two freeways join close to it. Tudela is the capital of the agricultural region of Ribera Navarra, and also the seat of the courts of its judicial district.
Fermin was a legendary holy man and martyr, traditionally venerated as the co-patron saint of Navarre, Spain. His death may be associated with either the Decian persecution (250) or Diocletianic Persecution (303).
The Museu Nacional d'Art de Catalunya, abbreviated as MNAC, is a museum of Catalan visual art located in Barcelona, Catalonia, Spain. Situated on Montjuïc hill at the end of Avinguda de la Reina Maria Cristina, near Pl Espanya, the museum is especially notable for its outstanding collection of romanesque church paintings, and for Catalan art and design from the late 19th and early 20th centuries, including modernisme and noucentisme. The museum is housed in the Palau Nacional, a huge, Italian-style building dating to 1929. The Palau Nacional, which has housed the Museu d'Art de Catalunya since 1934, was declared a national museum in 1990 under the Museums Law passed by the Catalan Government. That same year, a thorough renovation process was launched to refurbish the site, based on plans drawn up by the architects Gae Aulenti and Enric Steegmann, who were later joined in the undertaking by Josep Benedito. The Oval Hall was reopened for the 1992 Summer Olympic Games, and the various collections were installed and opened over the period from 1995 to 2004. The museum was officially inaugurated on 16 December 2004. It is one of the largest museums in Spain.
Spanish art has been an important contributor to Western art and Spain has produced many famous and influential artists including Velázquez, Goya and Picasso. Spanish art was particularly influenced by France and Italy during the Baroque and Neoclassical periods, but Spanish art has often had very distinctive characteristics, partly explained by the Moorish heritage in Spain, and through the political and cultural climate in Spain during the Counter-Reformation and the subsequent eclipse of Spanish power under the Bourbon dynasty.
Peruvian art has its origin in the Andean civilizations. These civilizations rose in the territory of modern Peru before the arrival of the Spanish.
Bartolomé Bermejo was a Spanish painter who adopted Flemish painting techniques and conventions. Born in Cordoba, he is known for his work in the Crown of Aragon, including the Principality of Catalonia and the Kingdom of Valencia. His real name was Bartolomé de Cárdenas: the name Bermejo, which means auburn in Spanish, possibly relates to his hair colour. Bermejo may relate also to his surname, Cárdenas; Cardeno means purplish. He signs himself sometimes as "Bartolomeus Rubeus" meaning possibly "Bartholomew the Redhead".
José Antonio Sistiaga Mosso was a Spanish Basque artist and experimental filmmaker best known for his feature-length hand-painted "direct" film, "Era erera baleibu izik subua aruaren" (1968–70). He lived and worked in the Basque Country, between Ciboure and San Sebastian.
Pamplona Cathedral(Santa María de la Asunción) is a Roman Catholic church in the archdiocese of Pamplona, Spain. The current 15th century Gothic church replaced an older Romanesque one. Archaeological excavations have revealed the existence of another two earlier churches. The Neoclassical façade was designed by Ventura Rodríguez in 1783. It has a 13th-14th-century Gothic cloister that provides access to two other Gothic rooms: the Barbazan chapel and the refectory. The Mediaeval kings of Navarre were crowned and some also buried there. The Navarrese Cortes (Parliament) was held there during the early modern ages.
The Palacio de los Reyes de Navarra, also called the Palacio de los Duques de Granada de Ega, is a historical building in Estella, Navarre, Spain; it is the Romanesque former royal palace of the Kings and Queens of Navarre from the late 12th century to the mid-15th. In the twentieth century the building, which had fallen into disrepair, was restored and in 1991 converted into the Museo Gustavo de Maeztu, housing the work of the painter Gustavo de Maeztu y Whitney and open to the public. The building is important in the history of architecture in Navarre, since it is the only civil building extant from the Romanesque period. In 1931, it was declared a national monument by the Spanish government.
The Museo Nacional del Virreinato is located in the former College of San Francisco Javier in Tepotzotlán, Mexico State, Mexico. It belongs to Consejo Nacional para la Cultura y las Artes. The complex was built by the Aztecs, and used by the Jesuits starting in the 1580s. Three centers of learning were founded in the complex: a school to teach indigenous languages to Jesuit evangelists, a school for native boys, and the College of San Francisco Javier, to train Jesuit priests. The complex comprises three sections: the college area, with dormitories, a library, a kitchen, and a domestic chapel; the Church of San Francisco Javier; and the Church of San Pedro Apostol. The former college and the Church of San Francisco Javier have been converted into the Museo del Virreinato, with the former college area housing a large collection of art and ordinary objects from the colonial era, and the Church of San Francisco Javier housing one of the most important collections of Churrigueresque altarpieces in Mexico. The Church of San Pedro Apostol is the only part of the entire complex that is still used for religious purposes.
The Salón de Reinos or salón grande is a 17th-century building in Madrid, originally a wing of the Buen Retiro Palace. The Salón de Reinos and the Casón del Buen Retiro are the only survivors of the original grand scheme of the palace. Built between 1630 and 1635, the Hall of Realms housed the largest paintings in the royal collection, now all in the Museo del Prado. It is named after its paintings of the coats of arms of the 24 kingdoms which formed the Kingdom of Spain at the time of Philip IV of Spain.
Various types of visual arts developed in the geographical area now known as Mexico. The development of these arts roughly follows the history of Mexico, divided into the prehispanic Mesoamerican era, the colonial period, with the period after Mexican War of Independence, the development Mexican national identity through art in the nineteenth century, and the florescence of modern Mexican art after the Mexican Revolution (1910-1920).
The Museum of Fine Arts of Álava is located in Vitoria-Gasteiz, the capital of the Basque Country, Spain. The museum is dedicated to Spanish art from the 18th to the 20th century, and particularly to Basque art from the 1850–1950 period. Opened in 1942, it is located at the Augustin Zulueta Palace.
The Cathedral of Saint Mary of Tudela is a Roman Catholic cathedral located in Plaza Vieja in the center of Tudela, autonomous community of Navarre, Spain. The medieval building was originally a collegiate church. It became a cathedral with the creation of the Diocese of Tudela, which existed 1783-1851 and again 1889-1956. It is now a co-cathedral in the Archdiocese of Pamplona and Tudela.
San Pedro is a Romanesque and Gothic-style, Roman Catholic church, located on Calle El Fosal 2 in Olite, region of Navarre, Spain.
Spanish Romanesque designates the Romanesque art developed in the Hispanic-Christian kingdoms of the Iberian Peninsula in the 11th and 12th centuries. Its stylistic features are essentially common to the European Romanesque although it developed particular characteristics in the different regions of the peninsula. There is no Romanesque art in the southern half of the peninsula because it remained under Muslim rule (Al-Andalus). The examples of Romanesque buildings in the central area of the peninsula are sparse and of the latest period, with virtually no presence south of the Ebro and the Tagus. Most Romanesque buildings can be found in the northern third of the peninsula. Romanesque art was introduced into the peninsula from east to west, so scholars have usually defined regional characteristics accordingly: the "eastern kingdoms" comprising the Pyrenean areas, Catalan Romanesque, Aragonese Romanesque and Navarrese Romanesque, and the "western kingdoms" comprising Castilian-Leonese Romanesque, Asturian Romanesque, Galician Romanesque and Portuguese Romanesque.
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