Music | |
---|---|
Artist | Karl Kahlich |
Year | 1938 |
Type | carved Currie Park limestone |
Location | 4434 W. Marion St., Milwaukee, Wisconsin |
43°5′46.024″N87°58′10.055″W / 43.09611778°N 87.96945972°W | |
Owner | Housing Authority of the City of Milwaukee |
Music is a public art work by Karl Kahlich located in Monument Park at the Parklawn development of the Housing Authority of the City of Milwaukee, northwest of downtown Milwaukee, Wisconsin. Music is carved from local limestone and depicts a figure in a cap holding a circular instrument on his lap. [1] The sculpture was installed in 1938 as one of four public artworks based on the theme of leisure activity. [2]
Music is carved from a large block of limestone quarried at nearby Currie Park. [3] The figure's head wears a cap and is turned to the side. He holds a circular instrument on his lap. One hand is in front of the instrument and the other is at his side. [1]
The artwork was commissioned during the federal Works Progress Administration's campaign to put Americans to work by improving local infrastructure under Franklin D. Roosevelt's New Deal. When Milwaukee constructed Parklawn using WPA labor, Karl Kahlich was commissioned to create decorative sculptures for the development's massive park. Kahlich was a participant in the Federal Art Project of the WPA. [4]
In 1998, Parklawn underwent a $34 million revitalization and the Housing Authority of the City of Milwaukee decided to restore the sculptures and give them a prominent location in a new common green space called Monument Park. Walkways connect Kahlich's Music and Fishing with a central gazebo, informational plaques, time capsules, a stone war memorial, and other artwork. [2]
The Federal Art Project (1935–1943) was a New Deal program to fund the visual arts in the United States. Under national director Holger Cahill, it was one of five Federal Project Number One projects sponsored by the Works Progress Administration (WPA), and the largest of the New Deal art projects. It was created not as a cultural activity, but as a relief measure to employ artists and artisans to create murals, easel paintings, sculpture, graphic art, posters, photography, theatre scenic design, and arts and crafts. The WPA Federal Art Project established more than 100 community art centers throughout the country, researched and documented American design, commissioned a significant body of public art without restriction to content or subject matter, and sustained some 10,000 artists and craft workers during the Great Depression. According to American Heritage, “Something like 400,000 easel paintings, murals, prints, posters, and renderings were produced by WPA artists during the eight years of the project’s existence, virtually free of government pressure to control subject matter, interpretation, or style.”
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