View of the museum from the garden | |
Established | 1927 |
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Location | Meaux, Ile-de-France, France |
Coordinates | 48°57′39″N2°52′42″E / 48.960698°N 2.878316°E |
Collection size | Paintings, sculpture and decorative arts |
Website | www |
The Musée Bossuet is the art and history museum of the town of Meaux, France. Situated in the old episcopal palace, it takes its name from the famous orator and theologian Jacques-Bénigne Bossuet, Bishop of Meaux from 1681 to 1704.
Meaux is a commune in the Seine-et-Marne department in the Île-de-France region in the metropolitan area of Paris, France. It is 41.1 km (25.5 mi) east-northeast of the center of Paris.
Jacques-Bénigne Lignel Bossuet was a French bishop and theologian, renowned for his sermons and other addresses. He has been considered by many to be one of the most brilliant orators of all time and a masterly French stylist.
Built in the twelfth century around 1160, then rebuilt in the seventeenth century, the episcopal palace architecturally is a mix of medieval and Renaissance styles. The most interesting example of eighteenth century work is the south facade of the palace, built of brick and stone, with large cross windows. The north facade is also representative of the Grand Siècle style. The lower rooms of the palace are the oldest, dating from the second half of the twelfth century. The low and high chapels also date from this time, but were expanded and redesigned in the fifteenth century.
The Bossuet garden is beside the episcopal palace. It is a formal garden in the French style with the shape of a miter. The garden was created in the seventeenth century during the episcopate of Dominique Séguier. It took the name of the great prelate in 1911, when it was opened to the public as a city park. On crossing it one reaches the study of Jacques-Bénigne Bossuet.
The episcopal palace houses collections of paintings and sculptures, as well as items of local history. The collections have expanded thanks to the legacy of the chemist and collector Henri Moissan in 1914 and, more recently, thanks to the donation of neuro-biologist Jean-Pierre Changeux. He enriched the museum with forty works, of which the last entered the collection in 2006. Different schools of painting are shown from the sixteenth to the twentieth centuries.
Ferdinand Frédéric Henri Moissan was a French chemist who won the 1906 Nobel Prize in Chemistry for his work in isolating fluorine from its compounds. Moissan was one of the original members of the International Atomic Weights Committee.
Jean-Pierre Changeux is a French neuroscientist known for his research in several fields of biology, from the structure and function of proteins, to the early development of the nervous system up to cognitive functions. Although being famous in biological sciences for the MWC model, the identification and purification of the nicotinic acetylcholine receptor and the theory of epigenesis by synapse selection are also notable scientific achievements. Changeux is known by the non-scientific public for his ideas regarding the connection between mind and physical brain. As put forth in his book, Conversations on Mind, Matter and Mathematics, Changeux strongly supports the view that the nervous system functions in a projective rather than reactive style and that interaction with the environment, rather than being instructive, results in the selection amongst a diversity of preexisting internal representations.
Frans Floris, Frans Floris the Elder or Frans Floris de Vriendt was a Flemish painter, draughtsman, print artist and tapestry designer. He is mainly known for his history paintings, allegorical scenes and portraits. He played an important role in the movement in Northern Renaissance painting referred to as Romanism. The Romanists had typically travelled to Italy to study the works of leading Italian High Renaissance artists such as Michelangelo, Raphael and their followers. Their art assimilated these Italian influences into the Northern painting tradition.
Bon Boullogne was a French painter.
Gianfrancesco Penni (1488/1496–1528), also known as Giovan Francesco, was an Italian painter. His brother Bartolommeo was an artist of the Tudor court of Henry VIII, and another brother, Luca, ended up as one of the Italian artists of the School of Fontainebleau.
There are many pictures of the successive Bishops of Meaux along the access ramp.
Giuseppe Cesari was an Italian Mannerist painter, also named Il Giuseppino and called Cavaliere d'Arpino, because he was created Cavaliere di Cristo by his patron Pope Clement VIII. He was much patronized in Rome by both Clement and Sixtus V. He was the chief of the studio in which Caravaggio trained upon the younger painter's arrival in Rome.
Jean Senelle was a French painter. He studied in the studios of Georges Lallemand and Simon Vouet. His style is similar to that of Laurent de La Hyre and Claude Vignon, showing the evolution of late Mannerism into baroque classicism. Most of his works are now in the musée Bossuet in Meaux, where he died.
The memory of Bishop Bossuet of Meaux (1682-1704) is evoked by his portraits by Hyacinthe Rigaud and after Pierre Mignard gathered in his old study.
Hyacinthe Rigaud was a French baroque painter most famous for his portraits of Louis XIV and other members of the French nobility.
Pierre Mignard or Pierre Mignard I, called "Mignard le Romain" to distinguish him from his brother Nicolas Mignard, was a French painter known for his religious and mythological scenes and portraits. He was a near-contemporary of the Premier Peintre du Roi Charles Le Brun with whom he engaged in a bitter, life-long rivalry.
The Prix de Rome or Grand Prix de Rome was a French scholarship for arts students, initially for painters and sculptors, that was established in 1663 during the reign of Louis XIV of France. Winners were awarded a bursary that allowed them to stay in Rome for three to five years at the expense of the state. The prize was extended to architecture in 1720, music in 1803, and engraving in 1804. The prestigious award was abolished in 1968 by André Malraux, the Minister of Culture.
Meaux Cathedral is a Roman Catholic church in the town of Meaux, France. It is located in the department of Seine-et-Marne, east of Paris. The cathedral is a national monument, and is the seat of the Bishop of Meaux.
The Musée des Augustins de Toulouse is a fine arts museum in Toulouse, France which conserves a collection of sculpture and paintings from the Middle Ages to the early 20th century. The paintings are from throughout France, the sculptures representing Occitan culture of the region with a particularly rich assemblage of Romanesque sculpture.
The Drevet Family were leading portrait engravers of France for over a hundred years. Their fame began with Pierre, and was sustained by his son, Pierre-Imbert, and by his nephew, Claude.
Gui Rochat is an international private art dealer and consultant, dealing primarily in seventeenth- and eighteenth-century French paintings and drawings, working from New York as "Gui Rochat Old Masters". His long experience with four art auction houses, Sotheby's, Phillips, Son & Neale, Butterfields and Doyle New York has given him the background for rescuing a number of Old Master paintings from oblivion. He is proud to have Antoine Le Grand Batard de Bourgogne (1421-1504) *, painted by Rogier van der Weyden as well as by Hans Memling, as a direct ancestor.
The musée des Beaux-Arts de Rouen is an art museum in Rouen, Normandy, France. Founded in 1801 by Napoleon I, its current building was built between 1880 and 1888 and underwent complete renovation in 1994. It houses painting, sculpture, drawing and decorative art collections.
Jean Ranc was a French painter, mainly active in portraiture. He trained under his father Antoine Ranc and his father's former student Hyacinthe Rigaud and served in the courts of both Louis XV of France and Philip V of Spain.
Louis Bossuet was a French parlementaire.
The Musée des Beaux-Arts de Tours is located in the bishop's former palace, near the cathedral St. Gatien, where it has been since 1910. It displays rich and varied collections, including that of painting which is one of the first in France both in quality and the diversity of the works presented.
Events from the year 1704 in France.
Nicolas-Henri Tardieu, called the "Tardieu the elder", was a prominent French engraver, known for his sensitive reproductions of Antoine Watteau's paintings. He was appointed graveur du roi to King Louis XV of France. His second wife, Marie-Anne Horthemels, came from a family that included engravers and painters. She is known as an engraver in her own right. Nicolas-Henri and Marie-Anne Tardieu had many descendants who were noted artists, most of them engravers.
Henri-Pons de Thiard de Bissy was a French priest who was Bishop of Toul from 1687 to 1704, Bishop of Meaux from 1704 to 1737, and Cardinal from 1715 to 1737.
The Musée des beaux-arts de Marseille is one of the main museums in the city of Marseille, in the Provence-Alpes-Côte d'Azur region. It occupies a wing of the Palais Longchamp, and displays a collection of paintings, sculptures and drawings from the 16th to 19th centuries.
Ernest Henri Dubois, was a French sculptor. He enrolled in 1881 at the École des Arts décoratiif and then attended the École des Beaux-Arts in Paris where he studied under Alexandre Falguière, Henri Chapu and Jules Chaplain. It was his award of the commission to carry out the sculptural work on the tomb of Jacques-Bénigne Bossuet in Meaux Cathedral that gave his career a boost and saw him awarded a Medal of Honour and subsequently he became a Chevalier de la Légion d'honneur.
François Dumont was a French sculptor.
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