My Name Is Dark

Last updated
"My Name Is Dark"
Grimes - My Name Is Dark.png
Single by Grimes
from the album Miss Anthropocene
ReleasedNovember 29, 2019 (2019-11-29)
Genre
Length5:56
Label 4AD
Songwriter(s)
Producer(s) Grimes
Grimes singles chronology
"So Heavy I Fell Through the Earth"
(2019)
"My Name Is Dark"
(2019)
"4ÆM"
(2019)
Audio video
"My Name Is Dark" on YouTube

"My Name Is Dark" is a song by Canadian musician Grimes. It was released on November 29, 2019, and is the third single from her fifth studio album Miss Anthropocene. The original title was "That's What the Drugs are For". A lyric video was published on December 3, 2019, featuring the Algorithm Mix of the song. Another lyric video was published on May 22, 2020, featuring a Russian translation and the Art Mix version. The video was released with the "Darkseid" lyrics. The composition consists of the industrial sound found on the Miss Anthropocene album combined with guitar and the soft-loud structure found in grunge music, including the song “Bullet with Butterfly Wings” by The Smashing Pumpkins which is also referenced in the lyrics, along with themes of nihilism, intoxication and spirituality.

The title of the song references a direct quote of the antagonist, Mr. Dark, in Ray Bradbury's 1962 novel Something Wicked This Way Comes.

The bridge of the song features Grimes overhearing a conversation between God and the Angel of Death, each protecting Hell and Heaven respectively; the Angel of Death pleads with God to fix the world, while God does nothing. This may be a metaphor for the album's theme of climate change going unnoticed. The line describing the encounter, "Paradise on my right, and h-h-hell on my left, the a-a-angel of death, right behind me" is also reference to a line in Frank Herbert's Dune .

Grimes states that certain lyrics in the song have their own themes: such as lyrics about insomnia, her experiences with record labels, and the city she recorded the song in.

Charts

Chart (2020)Peak
position
US Hot Dance/Electronic Songs ( Billboard ) [1] 22

Related Research Articles

<span class="mw-page-title-main">Venom (band)</span> British heavy metal band

Venom are an English heavy metal band formed in Newcastle upon Tyne in 1978. Coming to prominence towards the end of the new wave of British heavy metal, Venom's first two albums, Welcome to Hell (1981) and Black Metal (1982), are considered major influences on thrash metal and extreme metal in general. Their second album proved influential enough that its title was used as the name of the black metal genre; as a result, Venom were part of the early wave of the genre, along with Mercyful Fate and Bathory.

<i>Riddle Box</i> 1995 studio album by Insane Clown Posse

Riddle Box is the third studio album by the American hip hop duo Insane Clown Posse, released in 1995 on Battery Records and Island Records in association with Psychopathic Records. It is the third Joker's Card in the group's Dark Carnival mythology. It was released a second time by Battery Records and Jive Records. In 2008 it was re-released on a Riddle Box vinyl record. The album was the first Insane Clown Posse album in which the group worked with studio vocalist and guitarist Rich Murrell, who would work with the group throughout much of their career under the name Legz Diamond. It was released in four different versions, and earned a gold certification by the Recording Industry Association of America (RIAA). In 2008, Riddle Box was re-released on vinyl double LP format. In 2015, Psychopathic Records reissued the album in a 20th anniversary edition, featuring bonus tracks.

<i>I Luciferi</i> 2002 studio album by Danzig

Danzig 777: I Luciferi is the seventh studio album by American heavy metal band Danzig. It was released on May 21, 2002 by Glenn Danzig's Evilive label and distributed by Spitfire Records. Danzig stated that this album was the last in a series of seven numbered albums, each with its own general concept.

<i>Bad for Good</i> 1981 studio album by Jim Steinman

Bad for Good is the only studio album by American songwriter Jim Steinman. Steinman wrote all of the songs and performed on most, although Rory Dodd contributed lead vocals on some tracks.

"Salad days" is a Shakespearean idiom referring to a period of carefree innocence, idealism, and pleasure associated with youth. The modern use describes a heyday, when a person is/was at the peak of their abilities, while not necessarily a youth.

<span class="mw-page-title-main">Killed by Death (song)</span> 1984 single by Motörhead

"Killed by Death" is a song by the English heavy metal band Motörhead. Released in 1984, in 7" and 12" vinyl pressings. It peaked at number 51 in the UK Singles Chart.

<span class="mw-page-title-main">Hey Hey, My My (Into the Black)</span> Song of Neil Young

"Hey Hey, My My " is a song written by Canadian-American musician Neil Young. Combined with its acoustic counterpart "My My, Hey Hey ", it bookends Young's 1979 album Rust Never Sleeps. The song was influenced by the punk rock zeitgeist of the late 1970s, in particular by Young's collaborations with the American art punk band Devo, and what he viewed as his own growing irrelevance.

<i>Nightwing</i> (album) 1998 studio album by Marduk

Nightwing is the fifth studio album by Swedish black metal band Marduk. It was recorded and mixed at The Abyss between October and November 1997 and released in April 1998 by Osmose Productions. The theme of the album was blood, as the band's following, war-related studio album's Panzer Division Marduk would be fire, and La Grande Danse Macabre would be death, forming a trilogy of "Blood, Fire and Death," an homage to Bathory's Blood Fire Death album.

<i>Its Only Right and Natural</i> 1989 studio album by The Frogs

It's Only Right and Natural is the second album by the band The Frogs and was released in 1989 by Homestead Records. Gerard Cosloy, who was in charge of Homestead at the time, came into possession of some of the Flemion Brothers' improvised homemade tapes and signed them to the label. The Flemions were originally hoping that Homestead would release their debut album The Frogs, but Cosloy convinced them to release a gay-themed album instead. The album was recorded on 4-Track reel-to-reel in Dennis's living room and was originally meant to be for the Flemion brothers and their friends' own amusement, and was not originally considered for release.

<span class="mw-page-title-main">Radioactivity (song)</span> 1976 single by Kraftwerk

"Radioactivity" is a song by the German electronic music band Kraftwerk. It was released in February 1976 as the only single from their fifth studio album, Radio-Activity (1975).

References to George Orwell's 1949 dystopian political novel Nineteen Eighty-Four themes, concepts and plot elements are also frequent in other works, particularly popular music and video entertainment. While the novel is technically public domain under United Kingdom copyright, it is still copyrighted in the United States and as such most uses of it are as non-infringing metaphors.

<span class="mw-page-title-main">Objects in the Rear View Mirror May Appear Closer Than They Are</span> 1993 song by Meat Loaf

"Objects in the Rear View Mirror May Appear Closer Than They Are" is a song composed and written by Jim Steinman, and recorded by Meat Loaf. The song was released in 1994 as the third single from the album Bat Out of Hell II: Back into Hell and it reached number 38 on US's Billboard Hot 100, and number 26 in the UK Top 40. With its chart success, this song became the hit with the longest un-bracketed title at fifty-two characters as of 2007. The title is derived from the safety warning on car side mirrors in the US, "Objects in mirror are closer than they appear".

Paradise Lost has had a profound impact on writers, artists and illustrators, and, in the twentieth century, filmmakers.

"Like an Angel Passing Through My Room" is the closing track on ABBA's 1981 album The Visitors. It was written by Benny Andersson and Björn Ulvaeus.

<span class="mw-page-title-main">Grimes</span> Canadian musician (born 1988)

Claire Elise Boucher, known professionally as Grimes, is a Canadian musician, singer, songwriter, and record producer. Her lyrics often touch on science fiction and feminist themes. The visuals in her videos are elaborate and sometimes have fantasy themes. She has released five studio albums.

<span class="mw-page-title-main">We Appreciate Power</span> 2018 single by Grimes featuring Hana

"We Appreciate Power" is a song by Canadian musician Grimes, featuring American musician Hana. It was released on November 29, 2018, billed as the lead single from her fifth studio album Miss Anthropocene, however it is only available on the Japanese and deluxe releases. The song was written and produced by Grimes, Hana and Chris Greatti.

<span class="mw-page-title-main">Violence (song)</span> 2019 single by Grimes and I_o

"Violence" is a song by Canadian musician Grimes and American DJ I_o. It was released on September 5, 2019, as the lead single from her fifth studio album Miss Anthropocene.

<i>Miss Anthropocene</i> 2020 studio album by Grimes

Miss Anthropocene is the fifth studio album by Canadian musician Grimes. It was released on February 21, 2020, through 4AD. It marked her first album in over four years, after the release of 2015's Art Angels. The album was officially announced on March 19, 2019. The name of the album is a pun on the feminine title "Miss", and the words "misanthrope" and "Anthropocene", a neologism popularised in the year 2000 by Paul J. Crutzen that was proposed to denote the current geological age the Earth is in. The album is a loose concept album about an "anthropomorphic goddess of climate change" inspired by Roman mythology and villainy. Miss Anthropocene is Grimes' final album on record label 4AD, to which she has been signed since 2012. The album is darker in style than Grimes' 2015 album Art Angels, containing inspiration from the sounds of industrial music.

<span class="mw-page-title-main">Delete Forever</span> 2020 single by Grimes

"Delete Forever" is a single recorded by Canadian musician Grimes. It was released on February 12, 2020, under the label 4AD as the fifth and final single off of her fifth studio album, Miss Anthropocene. The song is a folk, Britpop, and dance composition.

References