Mykola Arkas | |
---|---|
Микола Миколайович Аркас | |
Born | |
Died | March 26, 1909 56) Mykolaiv, Russian Empire | (aged
Nationality | Ukrainian |
Occupation(s) | Composer and writer |
Notable work | Kateryna (opera) |
Mykola Mykolayovych Arkas (born 7 January 1853 [ O.S. 26 December 1852], Mykolaiv, Russian Empire –26 March 1909 [ O.S. 13 March] 1909, Mykolaiv) was a Ukrainian composer, writer, historian, and cultural activist of Greek ancestry. In 1908, Arkas wrote History of Ukraine, first popular history of Ukraine published in Ukrainian. His most notable musical composition was the opera Kateryna.
Mykola Mykolayovych Arkas was born on 7 January 1853 [ O.S. 26 December 1852], in Mykolaiv in the Russian Empire (now in Ukraine). [1] His grandfather Andreas Arkas, the son of an Orthodox priest from the Greek city of Patras, was invited to teach classical languages and history at the Nikolayev Naval School in Saint Petersburg. He published the dictionaries for 12 languages, all of which he spoke. He moved with his family to Russia with the help of the Ecumenical Patriarchate of Constantinople.[ citation needed ]
Mykola Arkas was a son of the Russian admiral Nikolay Andreyevich Arkas, who was the Commander of the Black Sea Fleet, a founder of steam navigation and trade on the Black Sea and a founder of Caspian Sea Fleet, (1816–1881) and the Ukrainian Sophia Bogdanovich.[ citation needed ]
Mykola received his all-round education in the Law School of St. Petersburg and completed his studies in physics and mathematics at the University of Odessa.[ citation needed ]
After completing his studies (1875–1881), in accordance with the family tradition,[ citation needed ] he joined the Imperial Russian Navy, where from 1875 to 1899 he worked in the Naval Office in Mykolaiv . [1]
Arkas obtained a magistracy in Kherson. In his leisure time, he collected and recorded folk songs, also studying the history of Ukraine. His teacher, Petro Nishchynsky, who was a Ukrainian composer, conductor, and writer, had an influence upon Mykola; the latter tried to master musical knowledge independently, to develop his composer's skills and writing music.[ citation needed ] On his Kherson estate in the villages of Khrystoforivka and Bohdanivka, Arkas set up and paid for, a Ukrainian-speaking school that closed by the government two years later. [1]
Mykola Arkas died on 26 March 1909 [ O.S. 13 March], in Mykolaiv, [1] where he was buried in the family chapel in the town cemetery. [2]
Arkas's artistic contributions include poetry, and about 80 compositions for solo-singing, vocal ensembles and arrangements of folk songs. He composed romances and duets. [1]
Arkas was the founder and chairman of the "Prosvita" cultural and educational society in Mykolaiv. [1] At his own expense he opened a public school that taught in Ukrainian, as the dominant teaching language in schools was Russian.[ citation needed ]
In 1908 in St. Petersburg, a book by Mykola Arkas — "History of Ukraine-Rus" — was published, [1] under the editorship of Ukrainian writer Vasyl Domaniczky.[ citation needed ] It was the first popular history of Ukraine published in Ukrainian. [2]
Arkas's opera Kateryna (1890) is the most significant work of Mykola Arkas, adapted as from Taras Shevchenko's poem of the same title. The opera was first performed in Moscow in 1899 by the Ukrainian composr and theatre director Marko Kropyvnytskyi. The piano–vocal score was first published in 1897. [1] The work brought recognition to Mykola Arkas and became the first Ukrainian lyrical folk opera. Performances of "Kateryna" were a great success, first playing in Moscow by Mark Kropivnitskiy's troupe in 1899, and later in Minsk, Vilnius and Kiev.[ citation needed ]
In October 1992 in Myoklaiv there was open a monument to Mykola Arkas (by sculptor O.Zdykhovskiy). In 2003 a postage stamp was released in Ukraine dedicated to Mykola Arkas.[ citation needed ]
A biography about Arkas was written by the Ukrainian folklorist Leonid Sergeevič Kaufman in 1958. [1]
Mykola Vitaliyovych Lysenko was a Ukrainian composer, pianist, conductor and ethnomusicologist of the late Romantic period. In his time he was the central figure of Ukrainian music, with an oeuvre that includes operas, art songs, choral works, orchestral and chamber pieces, and a wide variety of solo piano music. He is often credited with founding a national music tradition during the Ukrainian national revival, in the vein of contemporaries such as Grieg in Norway, The Five in Russia as well as Smetana and Dvořák in what is now the Czech Republic.
Mykola Dmytrovych Leontovych ; also Leontovich) was a Ukrainian composer, conductor, ethnomusicologist and teacher. His music was inspired by the Ukrainian composer Mykola Lysenko and the Ukrainian National Music School. Leontovych specialised in a cappella choral music, ranging from original compositions, to church music, to elaborate arrangements of folk music.
Mykola Ivanovych Kostomarov or Nikolai Ivanovich Kostomarov was one of the most distinguished Russo–Ukrainian historians, a Professor of Russian History at the St. Vladimir University of Kiev and later at the St. Petersburg University, an Active State Councillor of Russia, an author of many books, including his famous biography of the seventeenth century Hetman of Zaporozhian Cossacks Bohdan Khmelnytsky, the research on the Ataman of Don Cossacks Stepan Razin and his fundamental 3-volume Russian History in Biographies of its main figures.
Nikolai Alexandrovich Yaroshenko was a Ukrainian-Russian Imperial painter.
Felix Mikhailovich Blumenfeld was a Russian and Soviet composer, conductor of the Imperial Opera St-Petersburg, pianist, and teacher.
Borys Mykolaiovych Lyatoshynsky ), also known as Boris Nikolayevich Lyatoshinsky, was a Ukrainian composer, conductor, and teacher. A leading member of the new generation of 20th century Ukrainian composers, he was awarded a number of accolades, including the honorary title of People's Artist of the Ukrainian SSR and two Stalin Prizes.
Emil Albertovich Cooper, also known as Emil Kuper was a Russian conductor and violinist, of English ancestry.
Ivan Semyonovich Kozlovsky ; also referred to as Kozlovskiy or Kozlovskij; 24 March [O.S. 11 March] 1900 – 21 December 1993) was a Soviet lyric tenor and one of the most well known stars of Russian opera, as well a producer and director of his own opera company, and longtime teacher at the Moscow Conservatory. People's Artist of the USSR (1940) and Hero of Socialist Labour (1980).
Mykola Markevych was a Ukrainian historian, ethnographer, musician and poet of Ukrainian Cossack descent, who was known as a friend of Alexander Pushkin, Wilhelm Küchelbecker, Anton Delvig and Kondraty Ryleyev. His main work is the History of Little Russia, which was published in Moscow between 1842 and 1843.
Dumka is a musical term introduced from the Ukrainian language, with cognates in other Slavic languages. The word dumka literally means "thought". Originally, it was the diminutive form of the Ukrainian term duma, pl. dumy, "a Slavic epic ballad … generally thoughtful or melancholic in character". Classical composers drew on the harmonic patterns in the folk music to inform their more formal classical compositions.
Mykola Kornylovych Pymonenko was a Ukrainian realist painter who lived and worked in Kyiv. One of his students was Kazimir Malevich, whose early works were influenced by Pymonenko.
Mykola Mykolayovych Vilinsky was a Soviet and Ukrainian composer who held senior chairs at the Odesa Conservatory and later the Kyiv Conservatory. He wrote articles on Ukrainian and Moldovan music, and was a music critic and an expert on the works of the Ukrainian composer Mykola Lysenko.
Nikolay Nikolayevich Benardos (1842–1905) was a Russian inventor of Greek origin who in 1881 introduced carbon arc welding, which was the first practical arc welding method.
Mykola Hurovych Kulish was a Ukrainian prose writer, playwright, pedagogue, veteran of World War I, and Red Army veteran. He is considered to be one of the lead figures of the Executed Renaissance; he was murdered by the NKVD during Stalin’s Great Terror.
The Liturgy of St. John Chrysostom is the musical setting of the Divine Liturgy of St. John Chrysostom by Mykola Leontovych. Consistent with Orthodox tradition, in which service is sung exclusively a cappella, the piece is set for unaccompanied choir and soloist. It was first performed in the Mykolaiv Cathedral at the Kyiv Pechersk Lavra on May 22, 1919, with Leontovych himself conducting.
Mykola Stasyuk was a Ukrainian political and public figure from Katerynoslav or its province. He was a member of the first government of Ukraine as its Agriculture Minister and he was a member of the Central Council of Ukraine, prominent cooperator, writer, and memoirist, a chairman of the Ukrainian Peasants Union.
Mykola Prokopovych Vasylenko was a Ukrainian academician historian and law professor, important public and political figure. He was a temporary Otaman of Council of Ministers, minister of Education, and director of the All-Ukrainian Academy of Sciences.
Mykola Fedorovych Sumtsov or Nikolai Fyodorovich Sumtsov, sometimes spelled Sumcov, was an ethnographer, folklorist, art historian, literary scholar, educator and museum expert, who flourished in the Russian Empire, Ukrainian People's Republic, and Soviet Ukraine.
A national school of opera in Ukraine first emerged during the last third of the 19th century, and was based on the traditions of European theatre and Ukrainian folk music. The first opera by a Ukrainian composer was Maxim Berezovsky's Demofont, based on an Italian libretto, which premiered in 1773. The oldest opera in the Ukrainian musical repertoire, A Zaporozhye Cossack on the Danube by Semen Hulak-Artemovsky, was written in 1863. The composer Mykola Lysenko, the founder of Ukrainian opera, composed a number of works, including Natalka Poltavka, Taras Bulba, Nocturne, and two operas for children, Koza-dereza and Mr Kotsky.
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