A puppeteer is a person who manipulates an inanimate object called a puppet to create the illusion that the puppet is alive. The puppet is often shaped like a human, animal, or legendary creature. The puppeteer may be visible to or hidden from the audience.
Puppetry is a form of theatre or performance that involves the manipulation of puppets – inanimate objects, often resembling some type of human or animal figure, that are animated or manipulated by a human called a puppeteer. Such a performance is also known as a puppet production. The script for a puppet production is called a puppet play. Puppeteers use movements from hands and arms to control devices such as rods or strings to move the body, head, limbs, and in some cases the mouth and eyes of the puppet. The puppeteer sometimes speaks in the voice of the character of the puppet, while at other times they perform to a recorded soundtrack.
A marionette is a puppet controlled from above using wires or strings depending on regional variations. A marionette's puppeteer is called a marionettist. Marionettes are operated with the puppeteer hidden or revealed to an audience by using a vertical or horizontal control bar in different forms of theatres or entertainment venues. They have also been used in films and on television. The attachment of the strings varies according to its character or purpose.
Shadow play, also known as shadow puppetry, is an ancient form of storytelling and entertainment which uses flat articulated cut-out figures which are held between a source of light and a translucent screen or scrim. The cut-out shapes of the puppets sometimes include translucent color or other types of detailing. Various effects can be achieved by moving both the puppets and the light source. A skilled puppeteer can make the figures appear to walk, dance, fight, nod and laugh.
A hand puppet is a type of puppet that is controlled by the hands that occupies the interior of the puppet. A glove puppet is a variation of hand puppets. Rod puppets require one of the puppeteer's hands inside the puppet glove holding a rod which controls the head, and the puppet's body then hangs over most or all of the forearm of the puppeteer, and possibly extends further. Other parts of the puppet may be controlled by different means, e.g., by rods operated by the puppeteer's free hand, or strings or levers pulled the head or body. A smaller variety, simple hand puppets often have no significant manipulable parts at all. Finger puppets are not hand puppets as they are used only on a finger.
Digital puppetry is the manipulation and performance of digitally animated 2D or 3D figures and objects in a virtual environment that are rendered in real-time by computers. It is most commonly used in filmmaking and television production but has also been used in interactive theme park attractions and live theatre.
Petrushka is a stock character of Russian folk puppetry. It was first introduced by traveling Italian performers in the first third of the 19th century during a period of Westernization in Russian culture. While most core characters came from Italy, they were soon transformed by the addition of material from the Russian cultural context.' Petrushkas are traditionally hand puppets. The character is a kind of a jester, a slapstick protagonist distinguished by his red dress, a red kolpak, and often a long nose.
Dadi Pudumjee is a leading puppeteer in India and he is the founder of The Ishara Puppet Theatre Trust. He was awarded the Sangeet Natak Akademi Award in 1992.
Behrouz Gharibpour is an Iranian theatre director and pioneer of traditional Persian puppet theatre.
Tholu bommalata is the shadow puppet theatre tradition of the state of Andhra Pradesh in India with roots dating back to 3rd century BCE. Its performers are part of a group of wandering entertainers and peddlers who pass through villages during the course of a year and offer to sing ballads, tell fortunes, sell amulets, perform acrobatics, charm snakes, weave fishnets, tattoo local people and mend pots. Tholu bommalata has a history of consistent royal patronage. It is the ancestor of Wayang, the Indonesian puppet theatre play which has been a staple of Indonesian tourism and designated by UNESCO as Intangible Cultural Heritage of Humanity.
Togalu gombeyaata is a puppet show unique to the state of Karnataka, India. Togalu gombeyaata translates to "a play of leather dolls" in the native language of Kannada. It is a form of shadow puppetry. Karnataka Chitrakala Parishat has undertaken research on this art and has a good collection of leather puppets.
A puppet is an object, often resembling a human, animal or mythical figure, that is animated or manipulated by a person called a puppeteer. Puppetry is an ancient form of theatre which dates back to the 5th century BC in ancient Greece.
Kenya Institute of Puppet Theatre also known as KIPT is a Kenyan non-governmental and non-profit technical advisory and management community based theatre institute, which was founded in 2007.
Suresh Dutta is an Indian puppet artist, theatre personality and the founder of Calcutta Puppet Theatre, a Kolkata-based theatre group dedicated to puppetry. Born in Faridpur, in the undivided Bengal of the British India, he trained art under Phani Bhushan, a Jatra exponent, and Kathakali under Balakrishna Menon. He has also learnt fusion style of danceform from maestro Uday Shankar. He also learnt Bharatanatyam and Manipuri before moving to Russia, under a scholarship in 1962, to train in puppetry under the Russian puppeteer, Sergey Obraztsov.
Karin Rask is an Estonian stage, film and television actress, theatre teacher and clothing designer.
Ingrid Isotamm is an Estonian stage, film, radio and television actress.
Eva Püssa is an Estonian stage, film, voice and television actress and radio personality.
Mart Müürisepp is an Estonian stage, film, and television actor.
Bialystok Puppet Theatre , founded in 1953, is one of the oldest puppet theaters in Poland. Its repertoire consists mainly of puppetry-based adaptations of international literature, as well as children's entertainment.
Ferdinand Veike was an Estonian puppeteer actor.
