Nadine Renaux (13 July 1912, Villeurbanne – 22 January 2005) was a French soprano, active in opera and operetta in France [1] [2] from the 1930s to the 1960s.
Born Jeanne Chatagner (married name Perbal) she made her debut at the Paris Opéra-Comique on 18 July 1943 in the title role of Madame Butterfly. [3]
She appeared in the title role of Angélique, as Rosine in Le Barbier de Séville , Micaëla in Carmen , Delphine in Così fan tutte (which she also sang in Nice), Olympia in Les contes d'Hoffmann , Princesse Laoula in L'Étoile , Jacqueline in Fortunio , Concepción in L'heure espagnole , Javotte and the title role in Manon , Philine in Mignon , the title role in Mireille , Suzanne in Les Noces de Figaro , Léïla in Les Pêcheurs de perles , Nicette in Le pré aux clercs , Nedda in Pagliacci , the title role in La Traviata , Mimi in La Bohème , la Périchole in Le Carrosse du Saint-Sacrement and the title role in Ciboulette . [4] She also took part in the premieres at the Salle Favart of Blaise le savetier , La Farce de Maître Pathelin and Marion. [3]
She sang Zerbinetta in a revival of Roland Manuel's Isabelle et Pantalon in 1959 alongside Liliane Berton conducted by Georges Prêtre. [5]
At the Opéra, Renaux sang Papagena in 1949, Blondine in 1951 and Zerlina in 1957. [1]
She sang in a rare revival of La Basoche in Monte Carlo in 1954, the cast also including Denise Duval, Pierre Mollet and Louis Noguéra, conducted by Albert Wolff. [6]
For the B.B.C. Third Programme she sang Laurette in a studio performance of Le Docteur Miracle , alongside Willy Clément, Marjorie Westbury and Alexander Young, conducted by Stanford Robinson. [7]
Nadine Renaux participated in recordings of an abridged version of La Mascotte by Audran (singing Bettina), the Bach Magnificat under Jean Gitton, the Duc de Parthenay in Le Petit duc by Charles Lecocq, Agathe in Messager's Véronique under Gressier, Gabrielle in La Vie parisienne by Offenbach under Gressier and Simone in Les Mousquetaires au couvent by Louis Varney under Marcel Cariven, all for Pathé in the 1950s.
Don Quichotte is an opera in five acts by Jules Massenet to a French libretto by Henri Caïn. It was first performed on 19 February 1910 at the Opéra de Monte-Carlo.
Le jongleur de Notre-Dame is a three-act opera by Jules Massenet to a French libretto by Maurice Léna. It was first performed at the Opéra Garnier in Monte Carlo on 18 February 1902. It is one of five operas Massenet set in the Middle Ages, the others being Le Cid (1885), Esclarmonde (1889), Grisélidis (1901), and Panurge (1913).
Denise Duval was a French soprano, best known for her performances in the works of Francis Poulenc on stage and in recital. During an international career, Duval created the roles of Thérèse in Les mamelles de Tirésias, Elle in La voix humaine, and excelled in the role of Blanche de la Force in Dialogues of the Carmelites, leaving recordings of these and several other of her main roles.
Adèle Isaac was a French operatic soprano, active in Paris in the late 19th century.
Willy Clément was a French baritone who was noted in light baritone roles and operetta.
Emmanuel Bondeville was a French composer and music administrator, born 29 October 1898 in Rouen, and died 26 November 1987 in Paris. He was a member of the Académie des Beaux-Arts.
Gabriel-Valentin Soulacroix was a French operatic baritone. He studied at Toulouse, where he won four first prizes, and then in Paris.
Vina Bovy born Ghent 22 May 1900, died in the same city 16 May 1983 was a Belgian operatic soprano.
Le petit duc is an opéra comique in three acts by Charles Lecocq. The French libretto was by Henri Meilhac and Ludovic Halévy.
Blaise le savetier is a 1759 one-act opéra comique, by the French composer François-André Danican Philidor. The libretto was by Michel-Jean Sedaine, after a story by Jean de La Fontaine entitled Conte d'une chose arrivée à Château-Thierry.
Edmée Favart was a French soprano who had a varied and major career in opera and opéra comique and left many recordings of songs from roles she performed on stage.
Eugène Dufriche was a French baritone, who had a career on the operatic stage from the 1870s in Paris through to the 1900s in New York.
René Hérent was a French tenor whose career was centred on the Opéra-Comique in Paris, where he played supporting roles for many years, and left several recordings.
André Balbon was a French bass opera singer, born in Paris, in 4 June 1902 and dead in Alicante (Spain), in 30 March 1984. He was principally active in France in character roles.
Charles Rousselière was French operatic tenor who performed primarily at the Paris Opera, the Opéra de Monte-Carlo, and the Opéra-Comique. He sang in the world premieres of several operas, including the title role in Charpentier's Julien and Giorgio in Mascagni's Amica.
Marie Delna was a French contralto. A major singer in Paris, particularly at the Opéra-Comique, she enjoyed an international career in the 1890s through to the 1910s and left several recordings.
Jules Gressier, (24 June 1897, Roubaix - 27 June 1960, Aix-les-Bains was a French conductor, particularly associated with lyric repertoire and with operetta.
Louis Noguéra was a French bass-baritone who enjoyed a long career in Paris—principally at the Paris Opéra and Opéra-Comique but also elsewhere in France and abroad, and who left some recordings representative of his repertoire.
Arthur Endrèze was an American opera singer who enjoyed a popular career in Paris and sang in many premieres. His voice was described as "warm, lyrical" and "well suited to the French repertory".
Marie-Thérèse Gauley was a French opera and concert singer who sang leading soprano and mezzo-soprano roles at the Opéra-Comique in Paris as well as in other French cities and abroad. She was also heard in early broadcasts on French radio and made several recordings for Disques Odéon. Amongst the roles she created were The Child in Ravel's opera L'enfant et les sortilèges.