Nancy November | |
---|---|
Academic background | |
Alma mater | Cornell University |
Thesis | Haydn's vocality and the ideal of “true” string quartets (2003) |
Doctoral advisor | Neal Zaslaw |
Academic work | |
Institutions | University of Auckland |
Main interests | 18th- and 19th-century chamber music socio-cultural context of music history pedagogy |
Nancy Rachel November FRSNZ is a New Zealand academic,and is professor of musicology at the University of Auckland,specialising in late 18th- and 19th-century chamber music.
After a BSc in mathematics in 1994 and a Bachelor of Music with honours in musicology a year later,both from Victoria University of Wellington,November travelled to Cornell University to complete an MA in 1999 and a 2003 PhD titled Haydn's vocality and the ideal of “true”string quartets. [1] [2] November studied baroque violin with Peter Walls and received instruction from the New Zealand String Quartet. November moved to the University of Auckland,rising to full professor in 2022. [1]
November is interested in the socio-cultural context of historical music. In 2020 November was awarded a Marsden grant to investigate the lives of 19th century amateur women musicians,playing scaled-down versions of orchestral pieces in the home. [3] She has also published on cross-disciplinary history pedagogy. [1]
November has been a Humboldt Fellow, [4] and in 2020 was awarded a Humboldt Alumni Award for Innovative Networking Initiatives,for a project aimed at "advanc[ing] music history research from Australasian and East Asian perspectives and link[ing] it with German approaches with the aim of developing a cross-cultural musicology". [5] In 2022 she became vice president of the New Zealand Association of von Humboldt Fellows. [6] Also in 2022,she was elected a Fellow of the Royal Society of New Zealand. [7]
The String Quartet No. 1 in F major, Op. 18, No. 1, was written by Ludwig van Beethoven between 1798 and 1800, published in 1801, dedicated to the Bohemian aristocrat Joseph Franz von Lobkowitz. It is actually the second string quartet that Beethoven composed.
Ignaz Schuppanzigh was an Austrian violinist, friend and teacher of Beethoven, and leader of Count Razumovsky's private string quartet. Schuppanzigh and his quartet premiered many of Beethoven's string quartets, and in particular, the late string quartets. The Razumovsky quartet, which Schuppanzigh founded in late 1808, is considered to be the first professional string quartet. Until the founding of this quartet, quartet music was played primarily by amateurs or by professional musicians who joined together on an ad hoc basis.
Joseph Böhm was a Hungarian violinist and a director of the Vienna Conservatory.
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Lewis H. Lockwood is an American musicologist whose main fields are the music of the Italian Renaissance and the life and work of Ludwig van Beethoven. Joseph Kerman described him as "a leading musical scholar of the postwar generation, and the leading American authority on Beethoven".
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