Bill Callahan is an American singer-songwriter, who has also recorded and performed under the band name Smog. Callahan began working in the lo-fi genre, with home-made tape-albums recorded on four-track tape recorders. Later he began releasing albums with the label Drag City, to which he remains signed today.
Weasel Walter is an American composer, improviser, multi-instrumentalist, producer, and founder of ugEXPLODE Records. Walter's work has been informed by techniques and traditions of music including Avant-garde, experimental, no wave, free jazz, extreme metal, punk jazz, hardcore punk, noise, new music and free improvisation. He coined the term "brutal prog" to describe the aggressively dissonant strain of prog played by groups like his band the Flying Luttenbachers.
Apple O' is the fifth studio album by the indie rock band Deerhoof. It was released in 2003 on Kill Rock Stars and 5 Rue Christine, an offshoot of Kill Rock Stars. The album is the group's first with guitarist Chris Cohen.
Benjamin Thomas Jacobs, more commonly known by the stage name Max Tundra, is an English multi-instrumental musician, singer and music producer. His work is noted for its maximalist approach, which is predominantly electronic music but incorporates non-electronic styles and instruments. Jacobs' production style has been noted as an influence on the hyperpop style which became prevalent in the 2010s onwards.
William James Basinski is an American avant-garde composer based in Los Angeles, California. He is also a clarinetist, saxophonist, sound artist, and video artist.
Hisham Akira Bharoocha is an American musician and visual artist. Bharoocha lives in Brooklyn, performs as Yokubari, and is a member of the band Kill Alters; he is also a former member of the Providence bands Lightning Bolt and Black Dice.
Pink is the tenth album by Japanese experimental music band Boris. It was originally released in 2005 through Diwphalanx Records in Japan and subsequently reissued in 2006 by American label Southern Lord Records.
Dirty Projectors is an American indie rock band from Brooklyn, New York, formed in 2002. The band is the project of singer-songwriter David Longstreth, who has served as the band's sole constant member throughout numerous line-up changes. The band's current line-up consists of Longstreth, alongside Mike Daniel Johnson (drums), Maia Friedman, Felicia Douglass and Olga Bell.
Bitte Orca is the fifth studio album by the American rock band Dirty Projectors, released on June 9, 2009, by Domino Recording Company. The word "bitte" is a German word for "please", and "orca" is another name for a killer whale. Frontman David Longstreth states that he liked the way the words sounded together. Longstreth notes that the music contained within the album "felt very [much] about colors, and their interaction," and that the music was written with the notion of the band, as a whole, in mind.
Charles A. Looker is an American composer, improviser, vocalist, and guitarist known for his work in experimental metal, contemporary classical, avant-jazz, and Renaissance and Medieval musical forms.
Algiers is an American-English post-punk band from Atlanta, Georgia, United States, formed in 2012. The band consists of multi-instrumentalists Franklin James Fisher, Ryan Mahan, Lee Tesche, and Matt Tong. Algiers pulls from a divergent number of musical influences; the most notable of which being post-punk, hip-hop, Southern Gothic literature, and the concept of the Other. Their sound has been described as dystopian soul due to its somber mood, afrofolk inspired vocal approach, and heavy emphasis on atonal textures.
Japanese Breakfast is an American indie pop band headed by musician Michelle Zauner.
Travis Miller, best known professionally as Lil Ugly Mane, is an American musician, rapper, singer, and record producer. Noted for his diverse style, introspective lyrics, and various side projects, Miller's work spans a wide range of genres, including instrumental and experimental hip hop, black metal, lo-fi music, indie rock, and free jazz. He has also produced under the alias Shawn Kemp, and has recorded under the names Bedwetter and Vudmurk.
Peter Margasak is a music critic, journalist, and artistic director of the annual Frequency Festival in Chicago, an event that grew out of his longstanding work programming the weekly Frequency Series for experimental, improvised, and contemporary classical music. Margasak wrote for the Chicago Reader for 25 years.
Everywhere at the End of Time is the eleventh recording by the Caretaker, an alias of English electronic musician Leyland Kirby. Released between 2016 and 2019, its six studio albums use degrading loops of sampled ballroom music to portray the progression of Alzheimer's disease. Inspired by the success of An Empty Bliss Beyond This World (2011), Kirby produced Everywhere as his final major work under the alias. The albums were produced in Kraków and released over six-month periods to "give a sense of time passing", with abstract album covers by his friend Ivan Seal. The series drew comparisons to the works of composer William Basinski and electronic musician Burial, while the later stages were influenced by avant-gardist composer John Cage.
Fatigue is the second record by Brooklyn-based experimental musician Taja Cheek, under the moniker of L'Rain. It is her first recording with record label Mexican Summer. Fatigue builds on Cheek's experimental compositional approach, drawing from an eclectic collection of genres and employing field recording elements. Instrumentally, it has help from twenty collaborators, who lend the record clavinet, saxophone, and more.
Astral Spirits Records is an independent record label specializing in free jazz, improvisation, and experimental music. Based in Austin, Texas, the label was founded in 2014 by musician Nathan Cross, who started Astral Spirits as a platform for "the new wave of heavy free jazz"; as the breadth of the label's offerings expanded, imprint Astral Editions became the home for its more experimental releases.
Relative Pitch Records is an American independent record label specializing in free jazz and avant-garde jazz, free improvisation, and experimental music. Run by Kevin Reilly, Relative Pitch has been ranked among the top jazz record labels in The New York City Jazz Record and DownBeat year-end lists, and praised by publications and organizations including The Guardian, NPR Music, The Brooklyn Rail, and in Bandcamp Daily's label profile, "Relative Pitch is Built on Enthusiasm for Experimental Music".
PTP, also known as Purple Tape Pedigree, is an American artist collective and independent record label based in New York City. PTP has been called "New York’s experimental incubator", and the collective has released recordings named among the best in new experimental, hip hop, metal, avant-garde, and electronic music. Pitchfork noted that "PTP's mission seems to be to annihilate genre boundaries and revel in the brilliant debris", and VICE has called PTP "home to some of the most boundary pushing music being made".
Tripticks Tapes is an American independent record label specializing in cassette tape and digital releases of experimental and improvised music.
