Type | Private |
---|---|
Established | 1867 |
Location | , , |
The National Gallery of Victoria Art School, associated with the National Gallery of Victoria, was a private fine arts college founded in 1867 and was Australia's leading art school of 50 years. [1]
It is also referred to as the 'National Gallery School' ‘National Gallery Art School’, ‘National Gallery School of Art’ and ‘Victorian National Gallery School of Art’. Official correspondence commencing from the 1950s is headed ‘National Gallery of Victoria Art School’ and in McCulloch’s Encyclopedia of Australian Art, [1] it is abbreviated 'NGC School'.
It was the leading centre for academic art training in Australia until about 1910. [1] Among its luminaries, the school was headed by Sir William Dargie in 1946–53, [2] John Brack from 1962–68, and Lenton Parr from 1968 to its absorption into the newly created Victorian College of the Arts. [3]
The State Library of Victoria, a public library, opened in Melbourne in 1859, and from 1861 it housed a Museum of Art and a Picture Gallery, opened in 1864, both situated alongside the Public Library on Swanston Street between LaTrobe and Russell Streets. Its art collection was named the National Gallery of Victoria in 1869.
At the suggestion of Thomas Clark, [1] who was to become teacher of drawing, a National Gallery Art School, School of Design was formed and started enrolling students in June 1867, then was divided into two schools in 1870. Eugene von Guerard, then 60 years old, was appointed Instructor of Painting and Master of the School of Art. Thomas Clark was appointed Instructor and Master of the School of Design which prepared students for the School of Painting, a separate institution. In 1887 the School of Design became the Drawing School. By the turn of the century, its teaching largely followed that of the Academies of Europe.
Students enrolling were required to demonstrate only rudimentary artistic skill and came from all over the country, paying a very reasonable ten shillings per term (a value of A$40–50 in 2022) in the 1920s. They commenced with drawing in charcoal from plaster casts, before proceeding to working from the nude model. The museum provided classes in natural history, and students benefitted from ready access to its art collections. Prizes were instituted in 1887 and gradually increased in number and value, the most desirable being the Traveling Scholarship which was later the Keith and Elisabeth Murdoch Travelling Fellowship. [1]
After World War II, ex- servicemen and women training under the Commonwealth Reconstruction Training Scheme (CRTS) were accommodated in a third department. By 1953 the School had reverted to a Drawing School and a Painting School. Among its alumni are counted many of the most prominent Australian artists. [4]
The National Gallery Art School ceased as an independent institution in 1973 when it became the foundation school of the Victorian College of the Arts (VCA) which became an affiliated college of the University of Melbourne in July 1991. On 1 January 1992 an Act of Parliament brought the components of former Prahran College, Victoria College's Prahran Campus and Prahran College of TAFE, under the auspices of Swinburne University of Technology, with the only tertiary courses, Graphics and Industrial Design, remaining on the campus, all others being moved to Deakin University. Prahran Fine Art under Gareth Sansom was relocated and amalgamated with the Victorian College of the Arts, where the next Dean of Art was William Kelly. [5]
As the VCA was not already split into departments, it was the Prahran heads who were given such, newly created, roles in several cases; with Pam Hallandal becoming head of drawing (then retiring at the end of 1993); head of ceramics was Greg Wain, previously head of ceramics at Prahran; Victor Majzner likewise became head of painting at the VCA; Prahran Graduate, Christopher Köller was head of their new department of Photography. Printmaking had been a separate Department at VCA before the merger, the head being a Prahran graduate, Allan Mitelman, who was replaced by John Scurry, head of printmaking at Prahran. Jock Clutterbuck (VCA) and David Wilson (Prahran) alternated the role of head of the newly merged Department of Sculpture. [5]
The School's graduates and former students, with their dates of attendance, include:
The National Gallery of Victoria, popularly known as the NGV, is an art museum in Melbourne, Victoria, Australia. Founded in 1861, it is Australia's oldest and most visited art museum.
The Victorian Artists Society, which can trace its establishment to 1856 in Melbourne, promotes artistic education, art classes and gallery hire exhibition in Australia. It was formed in March 1888 when the Victorian Academy of Arts and the Australian Artists' Association amalgamated.
William Beckwith McInnes was an Australian portrait painter, winner of the Archibald Prize seven times for his traditional style paintings. He was acting-director at the National Gallery of Victoria and an instructor in its art school.
Frederick McCubbin was an Australian artist, art teacher and prominent member of the Heidelberg School art movement, also known as Australian impressionism.
Thomas William Roberts was an English-born Australian artist and a key member of the Heidelberg School art movement, also known as Australian impressionism.
Duncan Max Meldrum was a Scottish-born Australian artist and art teacher, best known as the founder of Australian tonalism, a representational painting style that became popular in Melbourne during the interwar period. He also won fame for his portrait work, winning the prestigious Archibald Prize for portraiture in 1939 and 1940.
Clara Southern was an Australian artist associated with the Heidelberg School, also known as Australian Impressionism. She was active between the years 1883 and her death in 1940. Physically, Southern was tall with reddish fair hair, and was nicknamed 'Panther' because of her lithe beauty.
The Australian Art Association was founded in Melbourne, Victoria, in 1912 by Edward Officer John Mather, Frederick McCubbin, Max Meldrum and Walter Withers.
Alan McLeod McCulloch AO was one of Australia's foremost art critics for more than 60 years, an art historian and gallery director, cartoonist, and painter.
John Mather was a Scottish-Australian plein-air painter and etcher.
Dora Lynnell Wilson was a British-born Australian artist, best known in her adopted country of Australia for her etchings and street scenes.
The Prahran College of Advanced Education, formerly Prahran College of Technology, was a late-secondary and tertiary institution with a business school, a trade school, and a multi-disciplinary art school that dated back to the 1860s, populated by instructors and students who were among Australia’s significant artists, designers and performers.
Sedon Galleries was a commercial art gallery in Melbourne, Australia, representing Australian traditional, impressionist and post-impressionist painting and prints. It operated from 1925 to 1959.
Arnold Joseph Victor Shore was an Australian painter, teacher and critic.
Allan Holder Jordan (1898–1982) was an Australian painter, designer, printmaker and teacher.
Harold Brocklebank Herbert (1891–1945) was an early 20th century Australian painter and printmaker, an illustrator and cartoonist. A traditionalist, as an art teacher he promoted representational painting, and as a critic was an influential detractor of modernism. He was the first war artist to be appointed for Australia in the Second World War, serving for 6 months with the Australian Infantry Forces in Egypt in 1941 and in the Middle East in 1942.
Alexander Colquhoun was a Scottish-born Australian painter, illustrator and art critic.
The Australian Academy of Art was a conservative Australian government-authorised art organisation which operated for ten years between 1937 and 1946 and staged annual exhibitions. Its demise resulted from opposition by Modernist artists, especially those associated with the Contemporary Art Society, though the influence of the Academy continued into the 1960s.
Allan Mitelman is an Australian painter, printmaker and art teacher who arrived in Australia in 1953.
Louis Frederick McCubbin, only ever known as "Louis McCubbin", was an Australian war artist, landscape painter and art gallery director.