National Lampoon's Movie Madness | |
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Directed by | Bob Giraldi Henry Jaglom |
Written by | Tod Carroll Gerald Sussman Shary Flenniken Pat Mephitis Ellis Weiner |
Produced by | Matty Simmons |
Starring | Robby Benson Richard Widmark Diane Lane Candy Clark Christopher Lloyd Peter Riegert Ann Dusenberry |
Cinematography | Charles Correll Tak Fujimoto |
Edited by | James Coblentz |
Music by | Andy Stein |
Production company | |
Distributed by | MGM/United Artists Distribution and Marketing |
Release date |
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Running time | 89 minutes |
Country | United States |
Language | English |
Budget | $15 million |
Box office | $5,027,193 |
National Lampoon's Movie Madness is a 1982 American comedy film produced by National Lampoon as the second film from the magazine. The film was originally produced under the title National Lampoon Goes to the Movies; completed in 1981, the film was not released until 1982, and was reedited and retitled as Movie Madness.
Movie Madness consists of three short segments which satirize personal growth films, glossy soap operas, and police stories. The first two segments of the film, Growing Yourself and Success Wanters, were directed by Bob Giraldi, while the film's final segment, Municipalians, was directed by Henry Jaglom, and featuring Julie Kavner's first film appearance. Its title song, "Going to the Movies", was sung by Dr. John. The film was a critical and commercial failure.
Growing Yourself has a confused family man (Peter Riegert) who throws his wife (Candy Clark) out of the house in order for him to "grow" a new path in life and raise his four children on his own.
In Success Wanters, Dominique Corsaire (Ann Dusenberry) is a young college graduate determined to succeed in life, who in a few days time lands a job as a stripper, then becomes the mistress to the owner of a margarine company which she inherits when he dies, and is then romanced by a Greek shipping tycoon, and ultimately the US president (Fred Willard).
Municipalians includes a naive rookie Los Angeles policeman (Robby Benson) paired with a cynical veteran (Richard Widmark) of the force to catch an inept serial killer (Christopher Lloyd).
National Lampoon Goes to the Movies was the second film produced by the magazine National Lampoon , after Animal House . National Lampoon Goes to the Movies was conceived as a parody of ten film and television genres. [1] In A Futile and Stupid Gesture , Josh Karp described the project as "a cocaine-fueled fiasco; nobody had a sense of structure or any idea how to write a screenplay." [1] Eventually, the screenplay was trimmed down to four segments: a "divorce movie", a "making-it-big movie", a "cop movie" and a "terrorist movie". [2] Writer Shary Flenniken said of the project, "We cut stuff and boiled it down. It lost its purpose and just became a bunch of crazy crap." [1]
During the filming of "Success Wanters", Bob Giraldi required an "opulent, yet tasty enough bedroom"; Muhammad Ali provided his own for the shoot, and Giraldi also filmed another scene in Ali's dining room. Ali received the standard location fee for the use of his rooms and props. [3]
Flenniken states that a test screening of the film in Rhode Island was met with extremely negative response, and that audience members tore up the seats in the theater to express their dislike of the film. [1] The film was completed in 1981, but not released until two years later.
A fourth segment intended for the film was entirely removed. [4] A disaster movie parody directed by Jaglom, the segment was entitled The Bomb, and starred Kenneth Mars, Allen Garfield, and Marcia Strassman. Steven Bach, United Artists' vice president of production at the time, later wrote that the film's "high commercial promise was dashed when its two directors delivered three good, funny segments and a fourth that rendered the other three pointless because it was of an awfulness that made the whole picture--too short with merely three sections--look unreleasable." [5] Nonetheless, images from the segment appeared in press materials, despite not appearing in the final film.
Leonard Maltin gave the film a "bomb" rating, describing it as an "incredibly idiotic parody", describing the segments as "each one worse than the next[ sic ]." [6]
This film holds a 0% rating on Rotten Tomatoes, from five reviews. [7] Producer Matty Simmons later said, "Scenes between Peter and Diane in Movie Madness are possibly worth the price of admission but the rest of the movie didn't come off as well." [2]
There was never an official soundtrack released, but four songs are known for appearing in the film.
National Lampoon was an American humor magazine that ran from 1970 to 1998. The magazine started out as a spinoff from the Harvard Lampoon. National Lampoon magazine reached its height of popularity and critical acclaim during the 1970s, when it had a far-reaching effect on American humor and comedy. The magazine spawned films, radio, live theater, various sound recordings, and print products including books. Many members of the creative staff from the magazine went on to contribute creatively to successful media of all types.
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National Lampoon's Animal House is a 1978 American comedy film directed by John Landis and written by Harold Ramis, Douglas Kenney and Chris Miller. It stars John Belushi, Tim Matheson, John Vernon, Verna Bloom, Thomas Hulce, Stephen Furst, and Donald Sutherland. The film is about a trouble-making fraternity whose members challenge the authority of the dean of the fictional Faber College.
Leonard Michael Maltin is an American film critic and film historian, as well as an author of several mainstream books on cinema, focusing on nostalgic, celebratory narratives. He is perhaps best known for his book of film capsule reviews, Leonard Maltin's Movie Guide, published annually from 1969 to 2014. Maltin was the film critic on Entertainment Tonight from 1982 to 2010. He currently teaches at the USC School of Cinematic Arts and has appeared regularly on Turner Classic Movies, and hosts the weekly podcast Maltin on Movies. He has written articles for The New York Times, The Los Angeles Times, Variety, Playboy and TV Guide. He served two terms as President of the Los Angeles Film Critics Association, and votes for films to be selected for the National Film Registry.
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Douglas Clark Francis Kenney was an American comedy writer of magazine, novels, radio, TV and film who co-founded the magazine National Lampoon in 1970. Kenney edited the magazine and wrote much of its early material. He went on to write, produce and perform in the influential comedies Animal House and Caddyshack before his sudden death at the age of 33.
Reefer Madness is a 1936 American exploitation film about drugs, revolving around the melodramatic events that ensue when high school students are lured by pushers to try marijuana – upon trying it, they become addicted, eventually leading them to become involved in various crimes such as a hit and run accident, manslaughter, murder, conspiracy to murder and attempted rape. While all this is happening, they suffer hallucinations, descend into insanity, associate with organized crime and commit suicide. The film was directed by Louis J. Gasnier and featured a cast of mainly little-known actors.
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