Joy of Sex (film)

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Joy of Sex
Joy of Sex Movie Poster.jpg
Theatrical release poster
Directed by Martha Coolidge
Written byKathleen Rowell
J.J. Salter
Based on The Joy of Sex
by Alex Comfort
Produced by Frank Konigsberg
Starring
Cinematography Charles Correll
Edited by Allan Jacobs
William Elias
Ned Humphreys
Music byBishop Holiday
Scott Lipsker
Harold Payne
Distributed by Paramount Pictures
Release date
  • August 3, 1984 (1984-08-03)(U.S.)
Running time
93 minutes
CountryUnited States
LanguageEnglish
Budget$5 million [1]
Box office$4,463,841 (US)

Joy of Sex (sometimes referred to as National Lampoon's Joy of Sex) is a 1984 American sex comedy film directed by Martha Coolidge. It was written by Kathleen Rowell and J.J. Salter, based on the sex manual by Alex Comfort.

Contents

Plot

Leslie Hindenberg has just entered her senior year of high school. She visits her doctor to have a mole examined, but she mistakenly comes to believe she only has six weeks to live and goes about trying to lose her virginity. [2] However, it is difficult for her to accomplish her goal being that her father is the school's phys ed coach. The boys are afraid to date the coach’s daughter. Alan Holt is a teenager whose friends brag about their sexual encounters. He is rather frustrated as he cannot stop thinking about sex and attempts to lose his virginity in any way possible.

Cast

ActorRole
Cameron Dye Alan Holt
Michelle Meyrink Leslie Hindenberg
Colleen Camp Liz Sampson
Ernie Hudson Mr. Porter
Lisa Langlois Melanie
Darren Dalton Ed Ingalls
Christopher Lloyd Coach Hindenberg
Chevy Chase Lampoon's Video Clerk

Production

Paramount Pictures paid a great amount of money to secure the rights to Alex Comfort’s sex manual just so they could use the title, [3] which they found to be highly commercial. [4]

In 1978 they hired Charles Grodin to write a script, telling him the movie "could be about anything". Grodin decided to use this exact situation as the premise: a Hollywood writer struggles to write a script based on a sex manual after a big studio acquires the rights. When he finished his first draft, Paramount passed. Grodin finally managed to get his screenplay green lit by MGM in 1985 as Movers & Shakers . In that movie, the sex manual is now called "Joy in Sex". [5]

According to the book Wired , John Belushi was supposed to appear in this movie, but he died before filming began. In her biography My Mother Was Nuts, Penny Marshall states she was slated to direct [6] (this would have been her first feature film) from a script by John Hughes (which would have been his first script to be adapted for film). [7] This version of the screenplay consisted of several unrelated vignettes. The producers wanted to have Belushi wearing diapers on the poster, even though no such scene appeared in Hughes' screenplay.

Martha Coolidge was fired from the movie, [8] for cutting many scenes of gratuitous nudity, but declined an opportunity to have her directing credit appear as Alan Smithee. [9] National Lampoon producer Matty Simmons claims to have paid $250,000 to remove the National Lampoon name from the project: [10] [11]

"The National Lampoon's possible disassociation surfaced in a March newsletter to company shareholders, publicized this week by Daily Variety . National Lampoon Inc. Chairman Matty Simmons said in a phone interview Wednesday that the move "may have nothing to do with (the quality of the picture). We simply don't like to take credit or responsibility for a picture that we have nothing to do with." Simmons is officially titled as executive producer of Joy of Sex but his active participation ended when the original Joy of Sex project, including screenwriter John Hughes (National Lampoon's Vacation) and director Bill Norton collapsed." [12]

Release and reception

The film was given a theatrical release in the United States by Paramount Pictures in August 1984. It grossed $4,463,841 at the box office. [13]

The film was given a release on VHS by Paramount Home Video in the 1980s. To date, the film has still not been officially released on DVD.

Eleanor Mannikka of All Movie Guide has nothing but disdain for the movie:

The abysmal teen comedy Joy of Sex is stripped down to just sex in every line and in every joke except where other bodily functions come into play. [14]

Producer Frank Konigsberg:

"Paramount was running out on their option on Alex Comfort's book. They had four months to start principle[ sic ] photography. They came to me and asked me to do it. They knew that in television you do things quickly. We threw together a script. They wanted me to use director Martha Coolidge, who'd just made Valley Girls (sic). It was a job. We just had to get it done. I didn't think it was a successful movie at all. It was awful. Martha hated it. I hated it." [15]

Director Martha Coolidge:

"Paramount insisted on topless girls running down the hall because they thought the formula demanded it and it was totally gratuitous. I hated putting them in for no reason and argued against it. But when the film was previewed the audience, particularly young women and girls, hated the nudity so Paramount then asked me to cut as much of it out as I could! They had thought they were going to get a Porky's but the script was more from a girl's point of view (as was Valley Girl). It was actually a romance and certainly the women writers and I weren't the people to get a Porky's from. The movie wasn't what the execs thought it would be, they freaked, took me off the movie, cut it down, and tried to make the humor broader, which made it more disjointed. The entire budget was minuscule and the music was given only $20,000! For comparison, the Valley Girl soundtrack (not including score) cost $150,000. The whole Joy of Sex experience was pretty miserable. We were under constant pressure and scrutiny to do the impossible, we had eight days of prep, 20 days to shoot and my A.D. quit because he was so angry. I learned that I can't always save the day or be a hero and you have to protect yourself at all times. I did find some very talented actors though!" [16] [17]

Martha Coolidge was also quoted in a retrospective piece in the Los Angeles Times:

"It’s a wrenching decision", explains Martha Coolidge, who considered taking her name off of 1984’s Joy of Sex after the studio reworked her version, "but it’s made when the director finds himself or herself answering yes to these questions: Will the film 'embarrass me, humiliate me, disgust me for the rest of my life?'" [18]

Notes

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References

  1. "AFI|Catalog".
  2. "Joy of Sex (1984)". moviefone.com. Retrieved May 1, 2021. Teenager Leslie Hindenberg, mistakenly believing she has just weeks to live, decides she will lose her virginity before she dies.
  3. Comfort, Nicholas (July 31, 2014). "My Dad would have loved all this Joy of Sex". Irish Independent . Retrieved May 1, 2021. He subsequently sold the movie rights to Paramount and the studio went on to make The National Lampoon's Joy of Sex, which actually had nothing to do with the book.
  4. Hartley, Chris (April 26, 2013). "[B-Movie Edition]: Joy Of Sex". The Video Graveyard. Retrieved May 1, 2021. Instead, and without any ties to the source material apart from having one character glancing at the book a few times, they hired on director Martha Coolidge and cranked out what you see here: a harmless teen T&A comedy that's obsessed with sex talk, bodily function humour, and very little nudity.
  5. Rabin, Nathan. "Entry #17: Movers & Shakers". The Fractured Mirror. TCM Backlot. Archived from the original on May 1, 2021. Retrieved May 1, 2021. The Fractured Mirror is an ongoing column about movies about making movies.
  6. Beck, Marilyn. “Penny Marshall being replaced as film director.” Democrat and Chronicle. December 30, 1982.
  7. Hughes, John (1984). "NATIONAL LAMPOON'S JOY OF SEX (third draft screenplay)". Paramount Pictures scripts, ACADEMY COLLECTIONS: Margaret Herrick Library . Academy of Motion Picture Arts and Sciences . Retrieved May 1, 2021.
  8. Weinraub, Bernard (April 26, 1993). "From Valley Girls To Sunshine Boys, A Deal on 'Yonkers'". The New York Times. Retrieved May 1, 2021. Her other films included "The Joy of Sex," (1984) which she avoids talking about, and "Real Genius."
  9. Sleazegrinder (January 24, 2009). "Joy of Sex (1984)". Movies About Girls. Retrieved August 19, 2010.
  10. Pretty in Podcast (July 4, 2016). "Joy of Sex (Part Three 1984)". Pretty in Podcast. Retrieved January 7, 2017.
  11. "07 – Joy of Sex (Part Three 1984)". Pretty in Podcast. Listen Notes. July 4, 2016. Retrieved May 1, 2021. The final part in Pretty in Podcast's sub-series inspired by The Joy of Sex. This installment deals with the 1984 release, The Joy of Sex, written by Kathleen Rowell and JJ Salter, directed by Martha Coolidge, and starring Michelle Meyrink, Colleen Camp, Ernie Hudson, and Christopher Lloyd... There was no official soundtrack release for The Joy of Sex. The sparse score was written and performed by Bishop Holiday, Scott Lipsker, and Harold Payne. A 12" was released to promote the film, featuring "Experience" by Roach, backed with "More Experience (Extended Dance Version)," an extended mix of the film's theme...
  12. London, Michael (March 30, 1984). "Joy of Sex's Strained Bedfellows". Los Angeles Times.
  13. "Joy of Sex". Box Office Mojo . Retrieved March 29, 2011.
  14. Blumstein, Michael (2008). "Joy of Sex: Trailer, Cast, Showtimes". Movies & TV Dept. The New York Times . Archived from the original on March 5, 2008. Retrieved August 19, 2010.
  15. Ford, Luke (April 2, 2002). "Frank Konigsberg". LukeFord.net. Retrieved May 1, 2021. Frank Konigsberg launched The Konigsberg Company in 1975 after a decade as West Coast head of International Famous Agency - predecessor to ICM.
  16. Old School Tim (July 26, 2019). "Interview with Martha Coolidge, Director of 'Real Genius', 'Valley Girl', and More". Rediscover the 80s.
  17. “Back to the 80s: Interview with director Martha Coolidge.” via: OfficialMarthaCoolidge.com
  18. Miller, Daryl H. (March 5, 2002). "Alan Smithee Makes a Name in Hollywood". Los Angeles Times. Retrieved May 1, 2021. Smithee is the name taken by directors so unhappy with the final version of a film — usually after a studio or producer stepped in to make changes — that they ask to have their name removed.