Much of the focus of the discussion about Nazi gold concerns how much of it Nazi Germany transferred to overseas banks during World War II. The Nazis looted the assets of their victims to accumulate wealth. In 1998, a Swiss commission estimated that the Swiss National Bank held $440 million of Nazi gold, over half of which is believed to have been looted.
Nazi plunder was organized stealing of art and other items which occurred as a result of the organized looting of European countries during the time of the Nazi Party in Germany.
Altaussee is a municipality and spa town in the district of Liezen in Styria, Austria. The small village is nestled on the shores of the Lake Altaussee, beneath the Loser Plateau. Occupying an area of 92 km², Altaussee is home to 1,777 people. The municipality includes two cadastral communities: Altaussee and Lupitsch. The designated climatic spa is within the Salzkammergut region. Altaussee has the biggest salt deposits of Austria, which are still mined today.
Rescuing Da Vinci is a largely photographic, historical book about art reclamation and preservation during and after World War II, written by American author Robert M. Edsel, published in 2006 by Laurel Publishing.
The Monuments, Fine Arts, and Archives Section Unit (MFAA) was a program established by the Allies in 1943 to help protect cultural property in war areas during and after World War II. The group of about 400 service members and civilians worked with military forces to protect historic and cultural monuments from war damage, and as the conflict came to a close, to find and return works of art and other items of cultural importance that had been stolen by the Nazis or hidden for safekeeping. Spurred by the Roberts Commission, MFAA branches were established within the Civil Affairs and Military Government Sections of Allied armies.
The Führermuseum or Fuhrer-Museum, also referred to as the Linz art gallery, was an unrealized art museum within a cultural complex planned by Adolf Hitler for his hometown, the Austrian city of Linz, near his birthplace of Braunau. Its purpose was to display a selection of the art bought, confiscated or stolen by the Nazis from throughout Europe during World War II. The cultural district was to be part of an overall plan to recreate Linz, turning it into a cultural capital of Nazi Germany and one of the greatest art centers of Europe, overshadowing Vienna, for which Hitler had a personal distaste. He wanted to make the city more beautiful than Budapest, so it would be the most beautiful on the Danube River, as well as an industrial powerhouse and a hub of trade; the museum was planned to be one of the greatest in Europe.
Merkers-Kieselbach is a former municipality in the Wartburgkreis district of Thuringia, Germany. Since 31 December 2013, it is part of the municipality Krayenberggemeinde.
Art theft and looting occurred on a massive scale during World War II. It originated with the policies of the Axis countries, primarily Nazi Germany and Japan, which systematically looted occupied territories. Near the end of the war the Soviet Union, in turn, began looting reclaimed and occupied territories. "The grand scale of looted artwork by the Nazis has resulted in the loss of many pieces being scattered across the world."
A Führer city, or Führerstadt in German, was a status given to five German cities in 1937 by Adolf Hitler, the dictator of Nazi Germany. The status was based on Hitler's vision of undertaking gigantic urban transformation projects in these cities, and executed by German architects including Albert Speer, Paul Ludwig Troost, German Bestelmeyer, Konstanty Gutschow, Hermann Giesler, Leonhard Gall and Paul Otto August Baumgarten. More modest reconstruction projects were to take place in thirty-five other cities, although some sources assert this number was as high as fifty. These plans were however not realised for the greater part because of the onset of the Second World War, although construction continued to take place even in wartime circumstances at Hitler's insistence.
The looting of Polish cultural artifacts and industrial infrastructure during World War II was carried out by Nazi Germany and the Soviet Union simultaneously after the invasion of Poland of 1939. A significant portion of Poland's cultural heritage, estimated at about half a million art objects, was plundered by the occupying powers. Catalogued pieces are still occasionally recovered elsewhere in the world and returned to Poland.
The Monuments Men is a 2014 war film directed by George Clooney and written and produced by Clooney and Grant Heslov. The film stars an ensemble cast including Clooney, Matt Damon, Bill Murray, John Goodman, Jean Dujardin, Bob Balaban, Hugh Bonneville and Cate Blanchett.
Merkers Adventure Mines are a visitor attraction in Krayenberggemeinde in the Wartburgkreis district of Thuringia, Germany, owned and operated by K+S AG of Kassel. They lie near the village of Merkers.
Bettina "Nina" Burr is vice president of the board of trustees of the Museum of Fine Arts, Boston, to which she and other members of her family made a major donation of Rothschild family heirlooms that is known as The Rothschild Collection.
Dr. Hans Posse was a German art historian, museum curator, and, for over three years, from June 1939 until his death, the special representative of Adolf Hitler appointed to expand the collection of paintings and other art objects which Hitler intended for the so-called "Führermuseum" in Linz, Austria. The museum, which was never built, was to be the core of a cultural center which was part of a planned general rebuilding of the city intended to have it surpass Vienna and rival Budapest.
Ernst Buchner was a German museum administrator and art historian. A native of Munich, he was director of the Bavarian State Painting Collections, a position in German arts administration second only to the head of the Berlin museum network. He joined the Nazi Party in 1933, played a role in seizing Jewish art, and was eventually responsible for safeguarding German collections and Nazi Plunder from the threat of destruction in war. He largely rehabilitated his career after his post-war denazification trial.
Adolf Hitler's art collection was a large accumulation of paintings which he gained before and during the events of WWII. These paintings were often taken from existing art galleries in Germany and Europe as Nazi forces invaded. Hitler planned to create a large museum in Linz called the Führermuseum to showcase the greatest of the art that he acquired. While this museum was never built, that did not stop Hitler and many other Nazi officials from seizing artwork across Europe. The paintings that the Nazis acquired were often stored in salt mines and castles in Germany during World War II. Eventually, many of these works of art would be rescued by a group called the Monuments Men. While this task force of art dealers and museum specialists were able to retrieve many of the stolen works of art, there are still many paintings that have yet to be found. In 2013, Cornelius Gurlitt, a son of one of Hitler's art dealers, was found with an apartment full of paintings which his father had kept from both the Nazis and the Monuments Men. This discovery of paintings has brought to light once more many paintings that were considered lost.
Maria Almas-Dietrich, nee Dietrich was one of Hitler's most important art suppliers for his planned FührerMuseum in Linz.
Hermann Voss was a German art historian and museum director appointed by Hitler to acquire art, much of it looted by Nazis, for Hitler's planned Führermuseum in Linz, Austria.
Erhard Göpel was a German art historian and high level Nazi agent who acquired art, including looted art, for Hitler’s Führermuseum.
Customers Conversing in a Tavern is a Dutch Golden Age Oil-on-panel painting by artist Adriaen van Ostade completed in 1671. A promised gift to the Museum of Fine Arts, Boston by collectors Susan and Matthew Weatherbie as part of an expansion on Dutch and Flemish paintings, it was subjected to provenance research, to which it has been revealed to have been looted by the Nazis.
The Madonna of Bruges being recovered from the Altaussee salt mine
