Author | Lynn H. Nicholas |
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Language | English |
Subject | Art theft, World War II in Europe, art conservation |
Publisher | Knopf |
Publication date | 1994 |
Publication place | United States |
Media type | |
Pages | 498 |
ISBN | 0-679-40069-9 (Knopf edition), 0-679-75686-8 (Vintage Edition) |
The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War is a 1994 book by Lynn H. Nicholas and a 2006 documentary film. [1] The book explores the Nazi plunder of looted art treasures from occupied countries and the consequences. It covers a range of associated activities: Nazi appropriation and storage, patriotic concealment and smuggling during World War II, discoveries by the Allies, and the extraordinary tasks of preserving, tracking, and returning by the American Monuments officers and their colleagues. [2] Nicholas was awarded the Légion d'Honneur by France. [3]
Despite the regular accounts of impending destruction of art works, Nicholas also recounts a veneration for art on the part of people of all sides of the conflict, and what amounts to desperate and sometimes heroic activity. The villains, unsurprisingly, are often the Nazis, particularly Adolf Hitler and Hermann Göring; the activities of Western art dealers are often questionable, as well.
The book is chronological, starting with scattered events in the decade before World War II. During this time, the Nazis used their influence and money to acquire artwork, while dealers and the public at large were anticipating war. Discussion of Nazi occupation starts in the third chapter. The middle of the book discusses Nazi plundering during the war, as well as Soviet efforts to safeguard their treasures. Midway through the book, the role of American and Allied organizations is introduced, including the frustratingly tentative planning and lack of resources they faced. The book follows the path of liberation as the Allies push back the Axis, while missing art is searched for and recovered art conserved. The book concludes with chapters about post war activities: resolving problems of ownership, coordinating the return of stolen art, and attempting to collect what was yet missing. Philosophically intriguing are issues of who ultimately owns works of art. Since this last phase of recovery and restitution is ongoing, this book has a bearing on current activities.
The book won the National Book Critics Circle Award for general non-fiction in 1994.
The Rape of Europa | |
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Directed by | Richard Berge Bonni Cohen Nicole Newnham |
Written by | Richard Berge Bonni Cohen Nicole Newnham |
Produced by | Richard Berge Bonni Cohen Nicole Newnham Robert M. Edsel (co-producer) |
Narrated by | Joan Allen |
Cinematography | Jon Shenk |
Edited by | Josh Peterson |
Distributed by | Menemsha Films |
Release date |
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Running time | 117 minutes |
Country | United States |
Language | English |
Budget | US$1,300,000 |
Box office | US$425,000 |
The Rape of Europa was adapted for a 2006 film of the same name. It was made for US$1.3 million. Half of the money came from the National Endowment for the Humanities; the National Endowment for the Arts, several other foundations, and one private investor provided the rest. [4]
Among the featured vignettes in the film is Jewish refugee Maria Altmann, who in 2006 restituted Gustav Klimt's 1907 masterpiece Portrait of Adele Bloch-Bauer I . [5] [6] Altmann was portrayed by Helen Mirren in the 2015 film Woman in Gold .
Richard Berge, Nicole Newnham, and Bonni Cohen were nominated for the Writers Guild of America Award for Best Documentary Screenplay for The Rape of Europa. [7]
Gustav Klimt was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d'art. Klimt's primary subject was the female body, and his works are marked by a frank eroticism. Amongst his figurative works, which include allegories and portraits, he painted landscapes. Among the artists of the Vienna Secession, Klimt was the most influenced by Japanese art and its methods.
Art theft, sometimes called artnapping, is the stealing of paintings, sculptures, or other forms of visual art from galleries, museums or other public and private locations. Stolen art is often resold or used by criminals as collateral to secure loans. Only a small percentage of stolen art is recovered—an estimated 10%. Many nations operate police squads to investigate art theft and illegal trade in stolen art and antiquities.
Republic of Austria v. Altmann, 541 U.S. 677 (2004), was a case in which the Supreme Court of the United States held that the Foreign Sovereign Immunities Act, or FSIA, applies retroactively to acts prior to its enactment in 1976.
Maria Altmann was an Austrian-American Jewish refugee from Austria, who fled her home country after it was annexed to the Nazi’s Third Reich. She is noted for her ultimately successful legal campaign to reclaim from the Government of Austria five family-owned paintings by the artist Gustav Klimt that were stolen by the Nazis during World War II.
Hubertus Czernin was an Austrian investigative journalist.
Portrait of Adele Bloch-Bauer I is an oil painting on canvas, with gold leaf, by Gustav Klimt, completed between 1903 and 1907. The portrait was commissioned by the sitter's husband, Ferdinand Bloch-Bauer, a Viennese and Jewish banker and sugar producer. The painting was stolen by the Nazis in 1941 and displayed at the Österreichische Galerie Belvedere. The portrait is the final and most fully representative work of Klimt's golden phase. It was the first of two depictions of Adele by Klimt—the second was completed in 1912; these were two of several works by the artist that the family owned.
Adele Bloch-Bauer was a Viennese socialite, salon hostess, and patron of the arts from Austria-Hungary, married to sugar industrialist Ferdinand Bloch-Bauer. A Jewish woman, she is most well known for being the subject of two of artist Gustav Klimt's paintings: Portrait of Adele Bloch-Bauer I and Portrait of Adele Bloch-Bauer II, and the fate of the paintings during and after the Nazi Holocaust. She has been called "the Austrian Mona Lisa."
Eric Randol Schoenberg is an American lawyer and genealogist, based in Los Angeles, California, specializing in legal cases related to the recovery of looted or stolen artworks, particularly those by the Nazi regime during the Holocaust.
Rescuing Da Vinci is a largely photographic, historical book about art reclamation and preservation during and after World War II, written by American author Robert M. Edsel, published in 2006 by Laurel Publishing.
Portrait of Adele Bloch-Bauer II is a 1912 painting by Gustav Klimt. The work is a portrait of Adele Bloch-Bauer (1881–1925), a Vienna socialite who was a patron and close friend of Klimt.
Robert Morse Edsel is an American businessman and author. He has written three non-fiction books - Rescuing Da Vinci (2006), Monuments Men: Allied Heroes, Nazi Thieves and the Greatest Treasure Hunt in History (2007); and Saving Italy (2013) - chronicling the recovery of artwork stolen by Nazi Germany during World War II. A film based on his book, The Monuments Men, directed by and starring George Clooney, was released in February 2014.
Jonathan Petropoulos is an American historian who writes about National Socialism and, in particular, the fate of art looted during World War II. He is John V. Croul Professor of European History at Claremont McKenna College in Claremont, California. Before his 1999 appointment to Claremont McKenna College, Petropoulos taught at Loyola College in Maryland.
Art theft and looting occurred on a massive scale during World War II. It originated with the policies of the Axis countries, primarily Nazi Germany and Japan, which systematically looted occupied territories. Near the end of the war the Soviet Union, in turn, began looting reclaimed and occupied territories. "The grand scale of looted artwork by the Nazis has resulted in the loss of many pieces being scattered across the world."
Portrait of a Young Man is a painting by Raphael. It is often thought to be a self-portrait. During the Second World War the painting was stolen by the Nazis from Poland. Many historians regard it as the most important painting missing since World War II.
Lynn H. Nicholas is the author of The Rape of Europa, an account of Nazi plunder of looted art treasures from occupied countries. Her honors and awards include the Légion d'Honneur by France, Amicus Poloniae by Poland, and the National Book Critics Circle Award.
Woman in Gold is a 2015 biographical drama film directed by Simon Curtis and written by Alexi Kaye Campbell. The film stars Helen Mirren, Ryan Reynolds, Daniel Brühl, Katie Holmes, Tatiana Maslany, Max Irons, Charles Dance, Elizabeth McGovern, and Jonathan Pryce.
Bernhard Altmann was an Austrian textile manufacturer whose business was stolen and whose family's art collection was looted by Nazis because of their Jewish origins. He introduced cashmere wool to North America on a mass scale in 1947.
Anne-Marie O'Connor is an American journalist and writer who authored The Lady in Gold: The Extraordinary Tale of Gustav Klimt's Masterpiece, Portrait of Adele Bloch-Bauer. This bestselling story is about the eight-year legal battle by Vienna emigre Maria Altmann, represented by Los Angeles attorney E. Randol Schoenberg, to reclaim five Gustav Klimt paintings from her native Austria. This saga that also inspired a Harvey Weinstein movie, Woman in Gold, in which Helen Mirren played Maria Altmann. One of the paintings, Portrait of Adele Bloch-Bauer, sold for a record $135 million in 2006 to Ronald Lauder's Neue Galerie New York, where the painting is on view.
Stealing Klimt is a 2007 documentary film about Maria Altmann's attempt to recover five Gustav Klimt paintings stolen from her family by the Nazis in 1938, from Austria.
Ferdinand Bloch-Bauer was an Austrian banker and sugar business magnate who owned one of the most extensive art collections in Europe, most of which was looted by the Nazis during the Anschluss. Husband of salon hostess Adele Bloch-Bauer and uncle of Jewish refugee Maria Altmann, he commissioned Gustav Klimt to paint Adele Bloch-Bauer I and Adele Bloch-Bauer II, the former being the centerpiece of the 2015 movie Woman in Gold with Helen Mirren.