Negative space

Last updated
Rubin's vase is an optical illusion in which the negative space around the vase forms the silhouettes of two faces in profile, a well-known example of figure-ground reversal by emphasizing that negative space. Face or vase ata 01.svg
Rubin's vase is an optical illusion in which the negative space around the vase forms the silhouettes of two faces in profile, a well-known example of figure-ground reversal by emphasizing that negative space.
FedEx's logo displays an arrow between letters E and x. Not being in full silhouette, the effect is subtle and may not be noticed. FedEx Corporation logo.svg
FedEx's logo displays an arrow between letters E and x. Not being in full silhouette, the effect is subtle and may not be noticed.
The name "Michel Onfray" in negative space, with the surname shaped by the letters of the given name, and reciprocally. Tessellation ambigramme Michel Onfray - figure-fond.png
The name "Michel Onfray" in negative space, with the surname shaped by the letters of the given name, and reciprocally.

In art and design, negative space is the empty space around and between the subject(s) of an image. [1] Negative space may be most evident when the space around a subject, not the subject itself, forms an interesting or artistically relevant shape, and such space occasionally is used to artistic effect as the "real" subject of an image.

Contents

Overview

The use of negative space is a key element of artistic composition. The Japanese word "ma" is sometimes used for this concept, for example in garden design. [2] [3] [4] In a composition, the positive space has the more visual weight while the surrounding space - that is less visually important is seen as the negative space. [5]

In a two-tone, black-and-white image, a subject is normally depicted in black and the space around it is left blank (white), thereby forming a silhouette of the subject. Reversing the tones so that the space around the subject is printed black and the subject itself is left blank, however, causes the negative space to be apparent as it forms shapes around the subject. This is called figure-ground reversal.

In graphic design of printed or displayed materials, where effective communication is the objective, the use of negative space may be crucial. Not only within the typography, but in its placement in relation to the whole. It is the basis of why upper and lower case typography always is more legible than the use of all capital letters. [6] Negative space varies around lower case letters, allowing the human eye to distinguish each word rapidly as one distinctive item, rather than having to parse out what the words are in a string of letters that all present the same overall profile as in all caps. The same judicious use of negative space drives the effectiveness of the entire design. Because of the long history of the use of black ink on white paper, "white space" is the term often used in graphics to identify the same separation.

Elements of an image that distract from the intended subject, or in the case of photography, objects in the same focal plane, are not considered negative space. Negative space may be used to depict a subject in a chosen medium by showing everything around the subject, but not the subject itself. Use of negative space will produce a silhouette of the subject. Most often, negative space is used as a neutral or contrasting background to draw attention to the main subject, which then is referred to as the positive space. In photography, negative space may also connote a type of shadows called ephemeral shadows. [7] Here, lighting is used to express the existence of an unseen space. [8]

Use

Considering and improving the balance between negative space and positive space in a composition is considered by many to enhance the design. This basic, but often overlooked, principle of design gives the eye a "place to rest," increasing the appeal of a composition through subtle means.

The use of negative space in art may be analogous to silence in music, but only when it is juxtaposed with adjacent musical ideas. As such, there is a difference between inert and active silences in music, where the latter is more closely analogous to negative space in art.

Negative space in art, also referred to as "air space", is the space around and between objects. Instead of focusing on drawing the actual object, for a negative space drawing, the focus is on what's between the objects. For example, if one is drawing a plant, they would draw the space in-between the leaves, not the actual leaves. This technique requires one to forget about a conceptual meaning of an object and forces them to observe through shapes, rather than drawing what they may think an object looks like.

Negative space is used with figure-ground ambigrams and tessellations to display words or pictures in different directions after rotation (one way or other depending on the symmetry of the image). [9] [10]

See also

Related Research Articles

<span class="mw-page-title-main">Drawing</span> Visual artwork on two-dimensional surface

Drawing is a visual art that uses an instrument to mark paper or another two-dimensional surface. The instrument might be pencils, crayons, pens with inks, brushes with paints, or combinations of these, and in more modern times, computer styluses with graphics tablets.

<span class="mw-page-title-main">Photography</span> Art and practice of creating images by recording light

Photography is the art, application, and practice of creating images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employed in many fields of science, manufacturing, and business, as well as its more direct uses for art, film and video production, recreational purposes, hobby, and mass communication.

<span class="mw-page-title-main">Typography</span> Art of arranging type

Typography is the art and technique of arranging type to make written language legible, readable and appealing when displayed. The arrangement of type involves selecting typefaces, point sizes, line lengths, line spacing, letter spacing, and spaces between pairs of letters. The term typography is also applied to the style, arrangement, and appearance of the letters, numbers, and symbols created by the process. Type design is a closely related craft, sometimes considered part of typography; most typographers do not design typefaces, and some type designers do not consider themselves typographers. Typography also may be used as an ornamental and decorative device, unrelated to the communication of information.

<span class="mw-page-title-main">Type design</span> Art of designing typefaces and fonts

Type design is the art and process of designing typefaces. This involves drawing each letterform using a consistent style. The basic concepts and design variables are described below.

<span class="mw-page-title-main">Cyanotype</span> Photographic printing process that produces a blue print

The cyanotype is a slow-reacting, economical photographic printing formulation sensitive to a limited near ultraviolet and blue light spectrum, the range 300 nm to 400 nm known as UVA radiation. It produces a monochrome, blue coloured print on a range of supports, often used for art, and for reprography in the form of blueprints. For any purpose, the process usually uses two chemicals: ferric ammonium citrate or ferric ammonium oxalate, and potassium ferricyanide, and only water to develop and fix. Announced in 1842, it is still in use.

Graphics are visual images or designs on some surface, such as a wall, canvas, screen, paper, or stone, to inform, illustrate, or entertain. In contemporary usage, it includes a pictorial representation of data, as in design and manufacture, in typesetting and the graphic arts, and in educational and recreational software. Images that are generated by a computer are called computer graphics.

<span class="mw-page-title-main">Ambigram</span> Symmetrical calligraphic or typographic design that has multiple interpretations

An ambigram is a calligraphic composition of glyphs that can yield different meanings depending on the orientation of observation. Most ambigrams are visual palindromes that rely on some kind of symmetry, and they can often be interpreted as visual puns.

<span class="mw-page-title-main">Alexander Rodchenko</span> Russian artist and designer (1891–1956)

Aleksander Mikhailovich Rodchenko was a Russian and Soviet artist, sculptor, photographer, and graphic designer. He was one of the founders of constructivism and Russian design; he was married to the artist Varvara Stepanova.

<span class="mw-page-title-main">Eugène Atget</span> French photographer (1857–1927)

Eugène Atget was a French flâneur and a pioneer of documentary photography, noted for his determination to document all of the architecture and street scenes of Paris before their disappearance to modernization. Most of his photographs were first published by Berenice Abbott after his death. Though he sold his work to artists and craftspeople, and became an inspiration for the surrealists, he did not live to see the wide acclaim his work would eventually receive.

<span class="mw-page-title-main">Silhouette</span> Filled-in outline of an image

A silhouette is the image of a person, animal, object or scene represented as a solid shape of a single colour, usually black, with its edges matching the outline of the subject. The interior of a silhouette is featureless, and the silhouette is usually presented on a light background, usually white, or none at all. The silhouette differs from an outline, which depicts the edge of an object in a linear form, while a silhouette appears as a solid shape. Silhouette images may be created in any visual artistic medium, but were first used to describe pieces of cut paper, which were then stuck to a backing in a contrasting colour, and often framed.

<span class="mw-page-title-main">Photogram</span> Photographic technique

A photogram is a photographic image made without a camera by placing objects directly onto the surface of a light-sensitive material such as photographic paper and then exposing it to light.

<span class="mw-page-title-main">Composition (visual arts)</span> Placement or arrangement of visual elements or ingredients in a work of art

The term composition means "putting together". It can be thought of as the organization of the elements of art according to the principles of art. Composition can apply to any work of art, from music through writing and into photography, that is arranged using conscious thought.

Gabriel Orozco is a Mexican artist. He gained his reputation in the early 1990s with his exploration of drawing, photography, sculpture and installation. In 1998, Francesco Bonami called Orozco "one of the most influential artists of this decade, and probably the next one too."

<span class="mw-page-title-main">Light painting</span> Light painting is photographic art created by tracing light sources during long exposures

Light painting, painting with light,light drawing, or light art performance photography are terms that describe photographic techniques of moving a light source while taking a long-exposure photograph, either to illuminate a subject or space, or to shine light at the camera to 'draw', or by moving the camera itself during exposure of light sources. Practiced since the 1880s, the technique is used for both scientific and artistic purposes, as well as in commercial photography.

<span class="mw-page-title-main">Algorithmic art</span> Art genre

Algorithmic art or algorithm art is art, mostly visual art, in which the design is generated by an algorithm. Algorithmic artists are sometimes called algorists.

<span class="mw-page-title-main">Outline of the visual arts</span> Overview of and topical guide to the visual arts

The following outline is provided as an overview of and topical guide to the visual arts:

Roger Ballen is an American artist living in Johannesburg, South Africa, and working in its surrounds since the 1970s. His oeuvre, which spans five decades, began with the documentary photography field but evolved into the creation of distinctive fictionalized realms that also integrate the mediums of film, installation, theatre, sculpture, painting and drawing. Marginalized people, animals, found objects, wires and childlike drawings inhabit the unlocatable worlds presented in Ballen's artworks. Ballen describes his works as existential psychodramas that touch the subconscious mind and evoke the underbelly of the human condition. They aim to break through the repressed thoughts and feelings by engaging him in themes of chaos and order, madness or unruly states of being, the human relationship to the animal world, life and death, universal archetypes of the psyche and experiences of otherness.

<i>Ma</i> (negative space) Japanese artistic concept

Ma is a Japanese reading of a Sino-Japanese character, which is often used to refer to what is claimed to be a specific Japanese concept of negative space. In modern interpretations of traditional Japanese arts and culture, ma is taken to refer to an artistic interpretation of an empty space, often holding as much importance as the rest of an artwork and focusing the viewer on the intention of negative space in an art piece. The concept of space as a positive entity is opposed to the absence of such a principle in a correlated 'Japanese' notion of space. Though commonly used to refer to literal, visible negative space, ma may also refer to the perception of a space, gap or interval, without necessarily requiring a physical compositional element. This results in the concept of ma being less reliant on the existence of a gap, and more closely related to the perception of a gap. The existence of ma in an artwork has been interpreted as "an emptiness full of possibilities, like a promise yet to be fulfilled", and has been described as "the silence between the notes which make the music".

<span class="mw-page-title-main">Texture (visual arts)</span> Perceived surface quality of a work of art

In the visual arts, texture refers to the perceived surface quality of a work of art. It is an element found in both two-dimensional and three-dimensional designs, and it is characterized by its visual and physical properties. The use of texture, in conjunction with other design elements, can convey a wide range of messages and evoke various emotions.

<span class="mw-page-title-main">Visual arts</span> Art forms that create works that are primarily visual in nature

The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, comics, design, crafts, and architecture. Many artistic disciplines, such as performing arts, conceptual art, and textile arts, also involve aspects of the visual arts as well as arts of other types. Also included within the visual arts are the applied arts, such as industrial design, graphic design, fashion design, interior design, and decorative art.

References

  1. Cave, Alessandra (2013). Shooting with Soul: 44 Photography Exercises Exploring Life, Beauty and Self-Expression - From Film to Smartphones, Capture Images Using Cameras from Yesterday and Today. Beverly, MA: Quarry Books. p. 125. ISBN   978-1-59253-871-3.
  2. "FAQ: 'Ma' and 'Mu' - Japanese Gardens Forum - GardenWeb". Forums.gardenweb.com. Retrieved 2009-11-11.
  3. "ArtLex's Ne-Nz page". Artlex.com. Archived from the original on 1999-05-04. Retrieved 2009-11-11.
  4. "A Note for MA: Space/Time in the Garden of Ryoan-Ji - Iimura". Mfj-online.org. Retrieved 2009-11-11.
  5. Chen, Mark; Shannon, Chelsea (2020). Photography: A 21st Century Practice. Oxon: Routledge. p. 188. ISBN   978-1-000-18524-9.
  6. Arditi, Aries; Cho, Jianna (2007). "Letter case and text legibility in normal and low vision". Vision Research. 47 (19): 2449–2505. doi:10.1016/j.visres.2007.06.010. PMC   2016788 . PMID   17675131.
  7. Sandler, Irving (2018). New York School. Oxon: Routledge. p. 151. ISBN   978-0-06-438505-3.
  8. Barron, Patrick; Mariani, Manuela (2013). Terrain Vague: Interstices at the Edge of the Pale. Oxon: Routledge. p. 85. ISBN   978-0-415-82767-6.
  9. Prokhorov, Nikita (15 March 2013). Alain Nicolas in Ambigrams revealed. New Riders. ISBN   978-0-13-308646-1 . Retrieved 2021-08-07.
  10. Nicolas, Alain (2018-04-06). Parcelles d'infini - promenade au jardin d'Escher - Alain Nicolas (in French). Belin, Pour la science. ISBN   978-2-84245-075-5 . Retrieved 2021-08-07.{{cite book}}: |website= ignored (help)