| Nemesisters | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | May 9, 1995 | |||
| Recorded | Late 1994–early 1995 | |||
| Studio | AmRep, Minneapolis, Minnesota | |||
| Genre | Heavy metal [1] | |||
| Length | 55:54 | |||
| Label | Reprise | |||
| Producer | Tim Mac | |||
| Babes in Toyland chronology | ||||
| ||||
Nemesisters is the third and final studio album recorded by Babes in Toyland. It was produced by Tim Mac, and released on May 9, 1995, by Reprise Records. [2]
The album was recorded under engineer and producer Tim Mac at AmRep Studios in Minneapolis, Minnesota. [3] Unlike on the group's previous releases, they opted to record together to capture a "live band" sound; on their previous release, Fontanelle , bassist Maureen Herman had recorded her bass tracks separately from vocalist-guitarist Kat Bjelland and drummer Lori Barbero. [3] The recordings were split into two different sessions. [3] Portions of the album had been written while the band was on tour in Europe. [3] In a March 1995 interview with Barbero, she said the band would likely "be working on the album until Christmas." [3]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| Chicago Tribune | [4] |
| Entertainment Weekly | B [5] |
| Kerrang! | [6] |
| Rolling Stone | [7] |
| The Rolling Stone Album Guide | [8] |
| Spin | 4/10 [9] |
Tom Sinclair of Entertainment Weekly wrote of the album: "Believe it or not, these Minneapolis ragecore queens have toned down their maximum-stridency shtick a tad, delivering an album that at times actually skirts power pop (check out "Sweet ’69"). The result is still fairly punishing, but there’s a reward for listeners who stick it out to the last cut: a killer version of Sister Sledge’s "We Are Family." [5] Lorraine Ali of Spin wrote: "With Nemesisters, Babes in Toyland's molten core seems to have somewhat solidified; this album ultimately lacks the conviction, depth, and even direction of its predecessors." [9]
Stephen Thomas Erlewine of AllMusic noted that "most of the raw, slashing guitars of their early records are gone, replaced by a pulsing, plodding grind that never catches fire ... the majority of the album is simply dull, recycled riffs and rhythms, and that is hard to forgive." [1]
All tracks are written by Babes in Toyland, except where noted.
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Hello" | 4:45 | |
| 2. | "Oh Yeah!" | 3:16 | |
| 3. | "Drivin'" | 3:17 | |
| 4. | "Sweet '69" | 4:05 | |
| 5. | "Surd" | 4:43 | |
| 6. | "22" | 3:15 | |
| 7. | "Ariel" | 4:24 | |
| 8. | "Killer on the Road" | 4:02 | |
| 9. | "Middle Man" | 4:46 | |
| 10. | "Memory" | 3:43 | |
| 11. | "S.F.W." | 3:59 | |
| 12. | "All by Myself" | Eric Carmen, Sergei Rachmaninoff | 4:37 |
| 13. | "Deep Song" |
| 2:45 |
| 14. | "We Are Family" | 4:11 |
| Year | Single | Chart | Peak position |
|---|---|---|---|
| 1995 | "Sweet '69" | Modern Rock Tracks | 37 |
| "We Are Family" | Hot Dance Music/Club Play | 22 |
