Author | Loretta Orion |
---|---|
Language | English |
Subject | Anthropology of religion Pagan studies |
Publisher | Waveland |
Publication date | 1995 |
Publication place | United States |
Media type | Print (Paperback) |
Pages | 322 |
ISBN | 978-0-88133-835-5 |
Never Again the Burning Times: Paganism Revisited is an anthropological study of the Wiccan and wider Pagan community in the United States. It was written by the American anthropologist Loretta Orion (1944-2022) and published by Waveland Press in 1995.
The reviews published in specialist academic journals were largely negative, and while accepting that Orion had made note of some interesting insights, they criticized her for promoting and defending, rather than analyzing, the religious movement that she was discussing, something that they attributed to her openly Pagan beliefs.
Contemporary Paganism, which is also referred to as Neo-Paganism, is an umbrella term used to identify a wide variety of modern religious movements, particularly those influenced by or claiming to be derived from the various pagan beliefs of pre-modern Europe. [1] [2] The religion of Pagan Witchcraft, or Wicca, was developed in England during the first half of the 20th century and is one of several Pagan religions. The figure at the forefront of Wicca's early development was the English occultist Gerald Gardner (1884–1964), the author of Witchcraft Today (1954) and The Meaning of Witchcraft (1959) and the founder of a tradition known as Gardnerian Wicca. Gardnerian Wicca revolved around the veneration of both a Horned God and a Mother Goddess, the celebration of eight seasonally-based festivals in a Wheel of the Year and the practice of magical rituals in groups known as covens. Gardnerianism was subsequently brought to the U.S. in the early 1960s by an English initiate, Raymond Buckland (1934–2017), and his then-wife Rosemary, who together founded a coven in Long Island. [3] [4]
In the U.S., new variants of Wicca developed, including Dianic Wicca, a tradition founded in the 1970s which was influenced by second wave feminism, emphasized female-only covens, and rejected the veneration of the Horned God. One initiate of both the Dianic and Gardnerian traditions was a woman known as Starhawk (1951–) who went on to found her own tradition, Reclaiming Wicca, as well as publishing The Spiral Dance: a Rebirth of the Ancient Religion of the Great Goddess (1979), a book which helped spread Wicca throughout the U.S. [5] [6]
Prior to Berger's work, several American researchers working in the field of Pagan studies had separately published investigations of the Pagan community in both the United States and the United Kingdom. The first of these had been the practicing Wiccan, journalist and political activist Margot Adler in her Drawing Down the Moon: Witches, Druids, Goddess-Worshippers, and Other Pagans in America Today , which was first published by Viking Press in 1979. [7]
A second study was produced by the anthropologist Tanya M. Luhrmann in her Persuasions of the Witch's Craft: Ritual Magic in Contemporary England (1989), in which she focused on both a Wiccan coven and several ceremonial magic orders that were then operating in London. [8]
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"It is essentially a text more concerned with promoting and defending this religious movement than it is a sociological analysis of it. This is probably inevitable. As Alistaire Maclntryre once observed, believers in a religious system cannot easily analyze that system sociologically or anthropologically." |
T.O. Beidelman, 1995. [9] |
In a largely negative review published in the Anthropos journal, T.O. Beidelman called Never Again the Burning Times a "contradictory work", believing that whilst it was "fascinating" as "a compilation of ethnographic material describing what many neopagans in contemporary America believe and do", he also felt that "as a social analysis" it was "very muddled". Expressing concern over Orion's Pagan beliefs and the influence that these had over her study, he felt that much of the logic used in the book was "weak", and that her "analytical efforts" were "equally unsatisfactory". Furthermore, he argued that whilst "it is always helpful for a researcher to have sympathy with any group she or he studies", Orion's study was "more a missionary tract than social analysis", with an emphasis on portraying the contemporary Pagan movement in a positive light. [9] Ultimately, Beidelman felt that he "cannot recommend this as a sociological or anthropological analysis or even as a reliable historical account of the origins or meaning of beliefs about witches in anthropology or in Western culture in general." Nonetheless, he did feel that he can "warmly recommend this as an absorbing account of what one educated and thoughtful person may think after being converted to contemporary neopagan beliefs and having joined such a religious movement." [9]
The anthropologist Tanya Luhrmann (1959–) of the University of California, San Diego – who had previously authored Persuasions of the Witches' Craft: Ritual Magic in Contemporary England (1989) – also published a predominantly negative review of the book, this time in the Journal of Anthropological Research, in which she also reviewed another study of Wicca that had been published in the mid-1990s, Allen Scarboro, Nancy Campbell and Shirley Stave's Living Witchcraft: A Contemporary American Coven . Describing Never Again the Burning Times, Luhrmann stated that it was "an insider's book with a scholar's surface, and while it has the appeal of an apologia, it also has the gullibility of a book on the occult rather than a distanced perspective on it." She proceeded to discuss how Orion "writes as if she uncritically accepted the practitioners' understanding of their history and their actions", criticizing Orion's belief in magic as a real physical force. Luhrmann goes on to cast a critical eye on many of Orion's claims, believing that many of her statements have a "naive, unscholarly feel" and states her surprise that in the book Orion "implies that pagan healing is more effective than modern medicine". On a more positive note, Luhrmann comments that "Orion paints a good and interesting portrait of witchcraft" that contains some "important data", with particular praise for Orion's discussion of the issue of "how our fantasy life relates to our mental health". [10]
Gardnerian Wicca, or Gardnerian witchcraft, is a tradition in the neopagan religion of Wicca, whose members can trace initiatory descent from Gerald Gardner. The tradition is itself named after Gardner (1884–1964), a British civil servant and amateur scholar of magic. The term "Gardnerian" was probably coined by the founder of Cochranian Witchcraft, Robert Cochrane in the 1950s or 1960s, who himself left that tradition to found his own.
Wicca, also known as "The Craft", is a modern pagan, syncretic, earth-centered religion. Considered a new religious movement by scholars of religion, the path evolved from Western esotericism, developed in England during the first half of the 20th century, and was introduced to the public in 1954 by Gerald Gardner, a retired British civil servant. Wicca draws upon ancient pagan and 20th-century hermetic motifs for theological and ritual purposes. Doreen Valiente joined Gardner in the 1950s, further building Wicca's liturgical tradition of beliefs, principles, and practices, disseminated through published books as well as secret written and oral teachings passed along to initiates.
Alexandrian Wicca or Alexandrian Witchcraft is a tradition of the Neopagan religion of Wicca, founded by Alex Sanders who, with his wife Maxine Sanders, established the tradition in the United Kingdom in the 1960s. Alexandrian Wicca is similar in many ways to Gardnerian Wicca, and receives regular mention in books on Wicca as one of the religion's most widely recognised traditions.
Stregheria is a neo-pagan tradition similar to Wicca, with Italian and Italian American origins. While most practitioners consider Stregheria to be a distinct tradition from Wicca, some academics consider it to be a form of Wicca or an offshoot. Both have similar beliefs and practices. For example, Stregheria honors a pantheon centered on a Moon Goddess and a Horned God, similar to Wiccan views of divinity.
Drawing Down the Moon: Witches, Druids, Goddess-Worshippers, and Other Pagans in America Today is a sociological study of contemporary Paganism in the United States written by the American Wiccan and journalist Margot Adler. First published in 1979 by Viking Press, it was later republished in a revised and expanded edition by Beacon Press in 1986, with third and fourth revised editions being brought out by Penguin Books in 1996 and then 2006 respectively.
Aidan A. Kelly is an American academic, poet and influential figure in the Neopagan religion of Wicca. Having developed his own branch of the faith, the New Reformed Orthodox Order of the Golden Dawn, during the 1960s, he was also initiated into other traditions, including Gardnerianism and Feri, in subsequent decades. Alongside this, he was also an important figure in the creation of the Covenant of the Goddess, an organisation designed to protect the civil rights of members of the Wiccan community in the United States. He has also published academic work studying the early development of Gardnerian Wiccan liturgy, primarily through his controversial 1991 book Crafting the Art of Magic.
The history of Wicca documents the rise of the Neopagan religion of Wicca and related witchcraft-based Neopagan religions. Wicca originated in the early 20th century, when it developed amongst secretive covens in England who were basing their religious beliefs and practices upon what they read of the historical witch-cult in the works of such writers as Margaret Murray. It was subsequently founded in the 1950s by Gardner, who claimed to have been initiated into the Craft – as Wicca is often known – by the New Forest coven in 1939. Gardner's form of Wicca, the Gardnerian tradition, was spread by both him and his followers like the High Priestesses Doreen Valiente, Patricia Crowther and Eleanor Bone into other parts of the British Isles, and also into other, predominantly English-speaking, countries across the world. In the 1960s, new figures arose in Britain who popularized their own forms of the religion, including Robert Cochrane, Sybil Leek and Alex Sanders, and organizations began to be formed to propagate it, such as the Witchcraft Research Association. It was during this decade that the faith was transported to the United States, where it was further adapted into new traditions such as Feri, 1734 and Dianic Wicca in the ensuing decades, and where organizations such as the Covenant of the Goddess were formed.
Wiccan views of divinity are generally theistic, and revolve around a Goddess and a Horned God, thereby being generally dualistic. In traditional Wicca, as expressed in the writings of Gerald Gardner and Doreen Valiente, the emphasis is on the theme of divine gender polarity, and the God and Goddess are regarded as equal and opposite divine cosmic forces. In some newer forms of Wicca, such as feminist or Dianic Wicca, the Goddess is given primacy or even exclusivity. In some forms of traditional witchcraft that share a similar duotheistic theology, the Horned God is given precedence over the Goddess.
In the neopagan religion of Wicca a range of magical tools are used in ritual practice. Each of these tools has different uses and associations and are commonly used at an altar, inside a magic circle.
Vivianne Crowley is an English writer, university lecturer, psychologist, and a High Priestess and teacher of the Wiccan religion.
Neopagan witchcraft, sometimes referred to as The Craft, is an umbrella term for some neo-pagan traditions that include the practice of magic. These traditions began in the mid-20th century, and many were influenced by the witch-cult hypothesis; a now-rejected theory that persecuted witches in Europe had actually been followers of a surviving pagan religion. The largest and most influential of these movements was Wicca. Some other groups and movements describe themselves as "Traditional Witchcraft" to distinguish themselves from Wicca.
In Modern English, the term Wicca refers to Wicca, the religion of contemporary Pagan witchcraft. It is used within the Pagan community under competing definitions. One refers to the entirety of the Pagan Witchcraft movement, while the other refers explicitly to traditions included in what is now called British Traditional Wicca.
A Community of Witches: Contemporary Neo-Paganism and Witchcraft in the United States is a sociological study of the Wiccan and wider Pagan community in the Northeastern United States. It was written by American sociologist Helen A. Berger of the West Chester University of Pennsylvania and first published in 1999 by the University of South Carolina Press. It was released as a part of a series of academic books entitled Studies in Comparative Religion, edited by Frederick M. Denny, a religious studies scholar at the University of Chicago.
Pagan studies is the multidisciplinary academic field devoted to the study of modern paganism, a broad assortment of modern religious movements, which are typically influenced by or claiming to be derived from the various pagan beliefs of premodern Europe. Pagan studies embrace a variety of different scholarly approaches to studying such religions, drawing from history, sociology, anthropology, archaeology, folkloristics, theology and other religious studies.
Witching Culture: Folklore and Neo-Paganism in America is a folkloric and anthropological study of the Wiccan and wider Pagan community in the United States. It was written by the American anthropologist and folklorist Sabina Magliocco of California State University, Northridge and first published in 2004 by the University of Pennsylvania Press. It was released as a part of a series of academic books titled 'Contemporary Ethnography', edited by the anthropologists Kirin Narayan of the University of Wisconsin and Paul Stoller of West Chester University.
Enchanted Feminism: The Reclaiming Witches of San Francisco is an anthropological study of the Reclaiming Wiccan community of San Francisco. It was written by the Scandinavian theologian Jone Salomonsen of the California State University, Northridge and first published in 2002 by the Routledge.
Living Witchcraft: A Contemporary American Coven is a sociological study of an American coven of Wiccans who operated in Atlanta, Georgia, US, during the early 1990s. It was co-written by the sociologist Allen Scarboro, psychologist Nancy Campbell and literary critic Shirley Stave and first published by Praeger in 1994. Although largely sociological, the study was interdisciplinary, and included both insider and outsider perspectives into the coven; Stave was an initiate and a practicing Wiccan while Scarboro and Campbell remained non-initiates throughout the course of their research.
Persuasions of the Witches' Craft: Ritual Magic in Contemporary England is a study of several Wiccan and ceremonial magic groups that assembled in southern England during the 1980s. It was written by the American anthropologist Tanya M. Luhrmann of the University of California, San Diego, and first published in 1989.
Witchcraft and Paganism in Australia is an anthropological study of the Wiccan and wider Pagan community in Australia. It was written by the Australian anthropologist Lynne Hume and first published in 1997 by Melbourne University Press.
Magic, Witchcraft and the Otherworld: An Anthropology is an anthropological study of contemporary Pagan and ceremonial magic groups that practiced magic in London, England, during the 1990s. It was written by English anthropologist Susan Greenwood based upon her doctoral research undertaken at Goldsmiths' College, a part of the University of London, and first published in 2000 by Berg Publishers.
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